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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Третьяковская галерея, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (6 музеев), Парижские музеи (12 музеев) и Жоконда, база музеев Министерства культуры Франции (495 музеев). Изображения принадлежат правообладателям.

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Современное искусство, с 1975 года

220 593 работы из 429 музеев1 486 сейчас в залахСбросить

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France/tour/détour/deux/enfants, Mouvement 2: Lumière/Physique (Light/Physics), Жан-Люк Годар, 1978Жан-Люк ГодарFrance/tour/détour/deux/enfants, Mouvement 2: Lumière/Physique (Light/Physics)1978Музей современного искусства
Six fois deux/Sur et sous la communication, Part 3A: Photos et cie (Photos and Company), Жан-Люк Годар, 1976Жан-Люк ГодарSix fois deux/Sur et sous la communication, Part 3A: Photos et cie (Photos and Company)1976Музей современного искусства
Plate (folio 76) from Almario, Жоан Миро, 1982, издание 1985Жоан МироPlate (folio 76) from Almario1982, издание 1985Музей современного искусства
Untitled from the series Les Orfèvres, Жоан Миро, 1977Жоан МироUntitled from the series Les Orfèvres1977Музей современного искусства
Kay MacDonough, Nile, & Gregory Corso March 16, 1985 San Francisco Front of Trieste Morning Hangout Coffeeshop Grant Street., Аллен Гинзберг, 1985Аллен ГинзбергKay MacDonough, Nile, & Gregory Corso March 16, 1985 San Francisco Front of Trieste Morning Hangout Coffeeshop Grant Street.1985Национальная галерея искусства
Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., Аллен Гинзберг, 1992Аллен ГинзбергGregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992.1992Национальная галерея искусства
Almario, Жоан Миро, 1982, издание 1985Жоан МироAlmario1982, издание 1985Музей современного искусства
Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Аллен Гинзберг, 1984, отпечаток 1992Аллен ГинзбергRichard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York1984, отпечаток 1992Национальная галерея искусства
My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Аллен Гинзберг, 1976, отпечаток позднееАллен ГинзбергMy father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old."1976, отпечаток позднееНациональная галерея искусства
Juanita Lieberman had met Peter Orlovsky at Naropa in early 1980's, was now working in my house as secretary March 3, 1985 - went on to nice job publishing at Paragon House, signed up Carl Solomon's Emergency Messages., Аллен Гинзберг, 1985Аллен ГинзбергJuanita Lieberman had met Peter Orlovsky at Naropa in early 1980's, was now working in my house as secretary March 3, 1985 - went on to nice job publishing at Paragon House, signed up Carl Solomon's Emergency Messages.1985Национальная галерея искусства
Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Аллен Гинзберг, 1984, отпечаток 1994Аллен ГинзбергRichard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984.1984, отпечаток 1994Национальная галерея искусства
Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., Аллен Гинзберг, 1985Аллен ГинзбергLarry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting.1985Национальная галерея искусства
Painter of Still Lifes, Фернандо Ботеро, 1975Фернандо БотероPainter of Still Lifes1975Музей современного искусства
France/tour/détour/deux/enfants, Mouvement 11: Réalité/Logique (Reality/Logic), Жан-Люк Годар, 1978Жан-Люк ГодарFrance/tour/détour/deux/enfants, Mouvement 11: Réalité/Logique (Reality/Logic)1978Музей современного искусства
France/tour/détour/deux/enfants, Mouvement 10: Roman/Economie (Romance/Economy), Жан-Люк Годар, 1977-1978Жан-Люк ГодарFrance/tour/détour/deux/enfants, Mouvement 10: Roman/Economie (Romance/Economy)1977-1978Музей современного искусства
France/tour/détour/deux/enfants, Mouvement 1: Obscur/Chimie (Dark/Chemistry), Жан-Люк Годар, 1978Жан-Люк ГодарFrance/tour/détour/deux/enfants, Mouvement 1: Obscur/Chimie (Dark/Chemistry)1978Музей современного искусства
France/tour/détour/deux/enfants, Mouvement 6: Expression/Français (Expression/French), Жан-Люк Годар, 1978Жан-Люк ГодарFrance/tour/détour/deux/enfants, Mouvement 6: Expression/Français (Expression/French)1978Музей современного искусства
Six fois deux/Sur et sous la communication, Part 5A: Nous Trois (We Three), Жан-Люк Годар, 1976Жан-Люк ГодарSix fois deux/Sur et sous la communication, Part 5A: Nous Trois (We Three)1976Музей современного искусства
Birds of Montroig V (Ocells de Montroig V), Жоан МироЖоан МироBirds of Montroig V (Ocells de Montroig V)Музей современного искусства
Peter Orlovsky coming from bath, Jerry Heiserman (Sufi "Hassan") & friend, Kitchen evening, February 19, 1984 New York., Аллен Гинзберг, 1984, отпечаток 1991Аллен ГинзбергPeter Orlovsky coming from bath, Jerry Heiserman (Sufi "Hassan") & friend, Kitchen evening, February 19, 1984 New York.1984, отпечаток 1991Национальная галерея искусства
Out my New York kitchen window December 3, 1987, bare leaves, year end., Аллен Гинзберг, 1987Аллен ГинзбергOut my New York kitchen window December 3, 1987, bare leaves, year end.1987Национальная галерея искусства
Formal banquet speeches, meeting of American Academy of Arts & Letters delegates to Soviet Writer’s Union—Playwright Arthur Miller head bowed stoic at left, Jacob Laurence white-collard in front of Miller, white haired Chairman Fedorenko in horn-rimmed glasses leaning against wall looking up third from right, Lithuanian Writer’s Union Chairman/Chief gazing down at his notes at microphone, Buffet table as yet untouched—at the time the Russians wanted to emphasize integrity of Society boundaries so meeting was deliberately held in Vilnius (in secret from local writers—November 19, 1985., Аллен Гинзберг, 1985Аллен ГинзбергFormal banquet speeches, meeting of American Academy of Arts & Letters delegates to Soviet Writer’s Union—Playwright Arthur Miller head bowed stoic at left, Jacob Laurence white-collard in front of Miller, white haired Chairman Fedorenko in horn-rimmed glasses leaning against wall looking up third from right, Lithuanian Writer’s Union Chairman/Chief gazing down at his notes at microphone, Buffet table as yet untouched—at the time the Russians wanted to emphasize integrity of Society boundaries so meeting was deliberately held in Vilnius (in secret from local writers—November 19, 1985.1985Национальная галерея искусства
Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., Аллен Гинзберг, 1988, отпечаток 1995Аллен ГинзбергHarry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel.1988, отпечаток 1995Национальная галерея искусства
Old-timer & survivor Herbert E. Huncke, Beat literary pioneer who introduced Burroughs, Kerouac & myself to floating population hustling & drug scene Times Square 1945. From ’48 on he penned several remarkable volumes especially the classic _The Evening Sun Turned Crimson_, autobiographic anecdotal tales (Cherry Valley, 1970). Here age 78 in basement apartment backyard East 7th Street near Avenue C, Lower East Side New York. — May 18, 1993., Аллен Гинзберг, 1993Аллен ГинзбергOld-timer & survivor Herbert E. Huncke, Beat literary pioneer who introduced Burroughs, Kerouac & myself to floating population hustling & drug scene Times Square 1945. From ’48 on he penned several remarkable volumes especially the classic _The Evening Sun Turned Crimson_, autobiographic anecdotal tales (Cherry Valley, 1970). Here age 78 in basement apartment backyard East 7th Street near Avenue C, Lower East Side New York. — May 18, 1993.1993Национальная галерея искусства
Woman, Жоан Миро, 1976Жоан МироWoman1976Национальная галерея искусства
Plate (folio 8) from Almario, Жоан Миро, 1982, издание 1985Жоан МироPlate (folio 8) from Almario1982, издание 1985Музей современного искусства
Six fois deux/Sur et sous la communication, Part 6A: Avant et apres (Before and After), Жан-Люк Годар, 1976Жан-Люк ГодарSix fois deux/Sur et sous la communication, Part 6A: Avant et apres (Before and After)1976Музей современного искусства
Trieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera., Аллен Гинзберг, 1985Аллен ГинзбергTrieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera.1985Национальная галерея искусства
Scénario du film Passion, Жан-Люк Годар, 1982Жан-Люк ГодарScénario du film Passion1982Музей современного искусства
Plate (folio 72) from Almario, Жоан Миро, 1982, издание 1985Жоан МироPlate (folio 72) from Almario1982, издание 1985Музей современного искусства
R.D. Laing on his front porch Mapelton Street Boulder Colorado. Then in residence at Naropa Institute he planned voyage on lecture tour, invited me to make usable photo. July 7, 1987., Аллен Гинзберг, 1987Аллен ГинзбергR.D. Laing on his front porch Mapelton Street Boulder Colorado. Then in residence at Naropa Institute he planned voyage on lecture tour, invited me to make usable photo. July 7, 1987.1987Национальная галерея искусства
Shig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England., Аллен Гинзберг, 1985Аллен ГинзбергShig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England.1985Национальная галерея искусства
Olga Rudge at Ezra Pound Centenary Conference, U. of Maine, Orono, June 20, 1985. We'd met with Pound in Rapallo & Venice 1967., Аллен Гинзберг, 1985Аллен ГинзбергOlga Rudge at Ezra Pound Centenary Conference, U. of Maine, Orono, June 20, 1985. We'd met with Pound in Rapallo & Venice 1967.1985Национальная галерея искусства
Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., Аллен Гинзберг, 1986Аллен ГинзбергCarrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986.1986Национальная галерея искусства
Lucien Carr, New York City, March 3, 1985, Аллен Гинзберг, 1985Аллен ГинзбергLucien Carr, New York City, March 3, 19851985Национальная галерея искусства
Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., Аллен Гинзберг, 1993, отпечаток 1994Аллен ГинзбергMidsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993.1993, отпечаток 1994Национальная галерея искусства
Yevgeny Yevtushenko visiting late at night, we stayed up till 3 A.M. talking about which Russian writers works had been suppressed till that year’s recent Glasnost movement, April 1986., Аллен Гинзберг, 1986Аллен ГинзбергYevgeny Yevtushenko visiting late at night, we stayed up till 3 A.M. talking about which Russian writers works had been suppressed till that year’s recent Glasnost movement, April 1986.1986Национальная галерея искусства
Nicanor Parra Anti-Poet, Professor of Newtonian Physics, University of Santiago Chile, my host a month 1960. We couldn't get a cab downtown from his daughter Catalina on 110 Street N.Y.C. so took subway to N.Y.U. -- here stopped between stations, September 5, 1984., Аллен Гинзберг, 1984Аллен ГинзбергNicanor Parra Anti-Poet, Professor of Newtonian Physics, University of Santiago Chile, my host a month 1960. We couldn't get a cab downtown from his daughter Catalina on 110 Street N.Y.C. so took subway to N.Y.U. -- here stopped between stations, September 5, 1984.1984Национальная галерея искусства
Victor Hernandez Cruz & friends at banquet ceremony for American Book Awards by Before Columbus Foundation at Miami Book Fair International, November 17, 1990., Аллен Гинзберг, 1990Аллен ГинзбергVictor Hernandez Cruz & friends at banquet ceremony for American Book Awards by Before Columbus Foundation at Miami Book Fair International, November 17, 1990.1990Национальная галерея искусства
Six fois deux/Sur et sous la communication, Part 1A: Y a personne (Nobody's There), Жан-Люк Годар, 1976Жан-Люк ГодарSix fois deux/Sur et sous la communication, Part 1A: Y a personne (Nobody's There)1976Музей современного искусства
Plate (folio 22) from Almario, Жоан Миро, 1982, издание 1985Жоан МироPlate (folio 22) from Almario1982, издание 1985Музей современного искусства
Plate (folio 34) from Almario, Жоан Миро, 1982, издание 1985Жоан МироPlate (folio 34) from Almario1982, издание 1985Музей современного искусства
Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985., Аллен Гинзберг, 1985Аллен ГинзбергAllen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985.1985Национальная галерея искусства
WM. Burroughs, loft window 33 Greene Street New York, December 16, 1986., Аллен Гинзберг, 1986, отпечаток 1996Аллен ГинзбергWM. Burroughs, loft window 33 Greene Street New York, December 16, 1986.1986, отпечаток 1996Национальная галерея искусства
Creeley patient with me, July 1984, Naropa Summer Poetics: early supper., Аллен Гинзберг, 1984Аллен ГинзбергCreeley patient with me, July 1984, Naropa Summer Poetics: early supper.1984Национальная галерея искусства
Bill Wyman, Аллен Гинзберг, ок. 1985Аллен ГинзбергBill Wymanок. 1985Национальная галерея искусства
Foreign Language Department building, Baoding University, two hours train south of Beijing, November 1984, students at the door—down the avenue past an athletic field is entrance-gate to campus. I taught Whitman, W.C. Williams, Kerouac, Burroughs and Gregory Corso’s writing to eager provincial students for three weeks, and sang lyrics by William Blake., Аллен Гинзберг, 1984, отпечаток 1987Аллен ГинзбергForeign Language Department building, Baoding University, two hours train south of Beijing, November 1984, students at the door—down the avenue past an athletic field is entrance-gate to campus. I taught Whitman, W.C. Williams, Kerouac, Burroughs and Gregory Corso’s writing to eager provincial students for three weeks, and sang lyrics by William Blake.1984, отпечаток 1987Национальная галерея искусства
Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Аллен Гинзберг, 1985Аллен ГинзбергWillem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter."1985Национальная галерея искусства
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