
Макс БекманГермания, 1884–1950Можно ли лицезреть?
Кливленд, США
Числится в собрании, но в залах её сейчас нет.
This depiction of a crowded women’s bathhouse poses the locale not as a site of erotic encounters, but as a performative circus of urban life. Max Beckmann’s cast of characters share unavoidable physical proximity in a packed, flattened space, where a fully stretched woman dives improbably from above. Beckmann was younger than the founding generation of Expressionists. He came to printmaking after serving in World War I and suffering a nervous breakdown in 1915.
Художественный музей Кливленда