The Somnath gates, Fort Agra

1866 · Акварель · 35,5 × 25 см

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Музей Виктории и Альберта

Лондон, Великобритания

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Проверено: 16 дней назад
Этот статус с: 25 сент. 2026 г.
Источник: Музей

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William Simpson (1823 - 1899) was a distinguished watercolourist and war artist. Having established his reputation by documenting the Crimean war in 1854, Day and Sons, the London lithography firm, commissioned him to sketch well-known sites in and around Delhi associated with the Revolt of 1857 by Indians against the rule of the British East India Company.

Simpson arrived in Calcutta (Kolkata) in 1859 and travelled widely. His rapid pencil drawings formed the preparatory studies for his finished watercolours done after his return to London in 1862. His detailed journal, sketches and pictures from India resulted in these highly coloured, evocative, and romantic interpretations of the landscape and architecture.

Simpson completed the painting of the Gates of Somnath, Agra in London in 1866. Like many others, he was mistaken about the provenance of the gate. This gate belonged to the tomb of Mahmud Ghaznavi at Ghazni. In 1842, The British brought it from Ghazni for the Proclamation of Lord Ellenborough, the Governor General of Britain's territories in India. They claimed these were the sandalwood gates of Somnath, taken by the Mahmud to Ghazni in 1025. However, an Arabic inscription on the top notes the Mahmud with his epithets. Also, the gates were made of deodar, and the decoration had no resemblance to the ancient Gujarati woodwork found in Somnath.

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