
Адриан ван ОстадеНидерланды, 1610–1684Можно ли лицезреть?
Лондон, Великобритания
Числится в собрании, но в залах её сейчас нет.
A fiddler wearing a tall hat and rags plays his instrument to a captive audience of peasants young and old in a dark interior, illuminiated by a beam of light entering through the door at left. Painter, draughtsman and etcher, Adriaen van Ostade was probably a pupil (together with Adriaen Brouwer) of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, had a decisive influence on the evolution of van Ostade’s idiosyncratic portrayals of peasant life. Most of van Ostade's paintings are signed and dated. 1367-1869 is among a number van Ostade's domestic scenes in which figures and space blend in an atmospheric treatment of light. The blue-grey tonality is characteristic of Adriaen's earlier works which later shift to a palette of warmer green-browns.
The surface of 1367-1869 is quite damaged but a sense of the original mood and of the appearance of the little girl at centre is suggested by a another painting of an itinerant musician attributed to van Ostade and dated 1655 (repr. Hofstede de Groot, no. 440) and is comparable in format and subject matter to Fiddler at the door of a house in the Fitzwilliam Museum of 1639. Adriaen van Ostade’s peasants are mostly shown relishing the small pleasures permitted by their modest existence, the simplicity of peasant life is held up as a model (Vivitur parvo bene: ‘One may live well on little’) or even idealized, in the manner of bucolic poetry.
Музей Виктории и Альберта
1634–1684
Место работы: Харлем
ок. 1636
Вступление в роту гражданской гвардии Харлема
В возрасте 26 лет Остаде вступил в роту гражданской гвардии Харлема.
1638
Первый брак
Остаде женился в 1638 году.
ок. 1638 – 1640
Перелом стиля под влиянием Рембрандта
Около 1638 или 1640 года влияние Рембрандта внезапно изменило стиль Остаде: он написал «Благовещение пастухам» (Брауншвейгский музей) с эффектным освещением главных групп лучами из сумрачного неба.