ART WIKI 35 480 em exposição

Mapa Coleção Artistas Museus Exposições Revista

ART WIKI

Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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110 348 obras de 637 museus15 189 expostas agora Limpar

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Técnica

Todas
Bronze17 237
Gesso15 353
Madeira10 617
Terracota e cerâmica9445
Mármore9435
Pedra7476
Metal3651
Marfim1707

Modular Wall Structure, Sol LeWitt, 1968

Sol LeWittModular Wall Structure1968Galeria Nacional de Arte

The Man Who Flew into His Picture, Ilya Kabakov, 1981-88

Ilya KabakovThe Man Who Flew into His Picture1981-88Museu de Arte Moderna

Spielautomat (Slot Machine), Isa Genzken, 1999

Isa GenzkenSpielautomat (Slot Machine)1999Museu de Arte Moderna

Lines in Four Directions Superimposed, Covering the Entire Surface of the Wall, Sol LeWitt, conceived 1969; first executed 1974

Sol LeWittLines in Four Directions Superimposed, Covering the Entire Surface of the Wallconceived 1969; first executed 1974Museu de Arte Moderna

Cubic-Modular Wall Structure, Black, Sol LeWitt, 1966

Sol LeWittCubic-Modular Wall Structure, Black1966MoMA, piso 4, 413Museu de Arte Moderna

Wall Drawing #1144, Broken Bands of Color in Four Directions, Sol LeWitt, 2004

Sol LeWittWall Drawing #1144, Broken Bands of Color in Four Directions2004MoMA, piso 1Museu de Arte Moderna

Boom! Boom!, Arman, 1960

ArmanBoom! Boom!1960Museu de Arte Moderna

Marsyas, Balthasar Permoser, ca. 1680–85

Balthasar PermoserMarsyasca. 1680–85Sala 548Museu Metropolitano de Arte

Hercules and Lichas, Florentine 17th Century, after a model by Giovanni Bologna, first half 17th century

GiambolognaHercules and Lichasfirst half 17th centuryGaleria Nacional de Arte

Rearing Stallion, Antonio Susini, possibly after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaRearing Stallionlate 16th or early 17th centuryGaleria Nacional de Arte

Venus and Cupid, Follower of Giovanni Bologna, c. 1575/1580

GiambolognaVenus and Cupidc. 1575/1580Galeria Nacional de Arte

Lion Attacking a Stallion, Antonio Susini, probably after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaLion Attacking a Stallionlate 16th or early 17th centuryGaleria Nacional de Arte

Helikon, Barbara Hepworth, 1948

Barbara HepworthHelikon1948Museu de Arte Moderna

New Design for World Receivers, Isa Genzken, 2002

Isa GenzkenNew Design for World Receivers2002Museu de Arte Moderna

Prinz Friedrich von Homburg, Ein Schauspiel, 3X, Frank Stella, 1998-2001

Frank StellaPrinz Friedrich von Homburg, Ein Schauspiel, 3X1998-2001EBLGaleria Nacional de Arte

Giufà, la luna, i ladri e le guardie, Frank Stella, 1984

Frank StellaGiufà, la luna, i ladri e le guardie1984Museu de Arte Moderna

The Wheelbarrow (B #3, 2X), Frank Stella, 1988

Frank StellaThe Wheelbarrow (B #3, 2X)1988Museu de Arte Moderna

Broken Obelisk, Barnett Newman, 1963-69

Barnett NewmanBroken Obelisk1963-69Museu de Arte Moderna

Passage, Shirin Neshat, 2001

Shirin NeshatPassage2001Museu de Arte Moderna

Lion Attacking a Stallion, Antonio Susini, probably after a concept by Giovanni Bologna, late 16th or early 17th century

GiambolognaLion Attacking a Stallionlate 16th or early 17th centuryGaleria Nacional de Arte

Wall Drawing #260, On Black Walls, All Two-Part Combinations of White Arcs from Corners and Sides, and White Straight, Not-Straight, and Broken Lines, Sol LeWitt, 1975

Sol LeWittWall Drawing #260, On Black Walls, All Two-Part Combinations of White Arcs from Corners and Sides, and White Straight, Not-Straight, and Broken Lines1975Museu de Arte Moderna

Lion, Giovanni Francesco Susini, after a model by Giovanni Bologna, second quarter 17th century

GiambolognaLionsecond quarter 17th centuryGaleria Nacional de Arte

Venus Drying Herself ("Cesarini Venus"), Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaVenus Drying Herself ("Cesarini Venus")late 16th or early 17th centuryGaleria Nacional de Arte

Crouching Bather, Antonio Susini after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaCrouching Batherlate 16th or early 17th centuryGaleria Nacional de Arte

Melnikov, Richard Serra, 1987

Richard SerraMelnikov1987Museu de Arte Moderna

Floor Structure Black, Sol LeWitt, 1965

Sol LeWittFloor Structure Black1965Galeria Nacional de Arte

1 3 1 (5 Unit Cross), Sol LeWitt, 1971

Sol LeWitt1 3 1 (5 Unit Cross)1971Galeria Nacional de Arte

Serial Project, I (ABCD), Sol LeWitt, 1966

Sol LeWittSerial Project, I (ABCD)1966Museu de Arte Moderna

Intersection II, Richard Serra, 1992-93

Richard SerraIntersection II1992-93Museu de Arte Moderna

Close Pin Prop, Richard Serra, 1969-81

Richard SerraClose Pin Prop1969-81Museu de Arte Moderna

Lekcja Spiewu (Singing Lesson II), Artur Zmijewski, 2002

Artur ZmijewskiLekcja Spiewu (Singing Lesson II)2002Museu de Arte Moderna

Wall Drawing #1187, Scribbles: Curves, Sol LeWitt, 2005

Sol LeWittWall Drawing #1187, Scribbles: Curves2005Museu de Arte Moderna

Floor Structure, Sol LeWitt, 1963

Sol LeWittFloor Structure1963Museu de Arte Moderna

Birdcatcher or Fowler, Giovanni Bologna, late 16th century

GiambolognaBirdcatcher or Fowlerlate 16th centuryGaleria Nacional de Arte

Christ Crucified, Giovanni Bologna, probably before 1588

GiambolognaChrist Crucifiedprobably before 1588Galeria Nacional de Arte

Nessus and Deianira, Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaNessus and Deianiralate 16th or early 17th centuryGaleria Nacional de Arte

Rose II, Isa Genzken, 2007

Isa GenzkenRose II2007Museu de Arte Moderna

One Ton Prop (House of Cards), Richard Serra, 1969 (refabricated 1986)

Richard SerraOne Ton Prop (House of Cards)1969 (refabricated 1986)Museu de Arte Moderna

Untitled, Richard Serra, 1967

Richard SerraUntitled1967Museu de Arte Moderna

Угловой контррельеф, Vladimir Yevgrafovich Tatlin, 1914

Vladimir Yevgrafovich TatlinУгловой контррельеф1914Korpus Benua, Zal 76. K. S. Malevich, M. V. Matyushin, V. Ye. TatlinMuseu Russo

Democracies, Artur Zmijewski, 2009

Artur ZmijewskiDemocracies2009Museu de Arte Moderna

Torqued Ellipse IV, Richard Serra, 1998

Richard SerraTorqued Ellipse IV1998Museu de Arte Moderna

Madame de Wailly, née Adélaïde-Flore Belleville (1765–1838), Augustin Pajou, 1789

Augustin PajouMadame de Wailly, née Adélaïde-Flore Belleville (1765–1838)1789Sala 633Museu Metropolitano de Arte

Constellation Number 18, Arman, 1976

ArmanConstellation Number 181976Museu de Arte Moderna

Mars, Giovanni Francesco Susini, after a model by Giovanni Bologna, second quarter 17th century

GiambolognaMarssecond quarter 17th centuryGaleria Nacional de Arte

Kneeling Bather Taken by Surprise, Antonio Susini, after a model by Giovanni Bologna, model possibly 1550-1560s, cast 1626-1640

GiambolognaKneeling Bather Taken by Surprisemodel possibly 1550-1560s, cast 1626-1640Galeria Nacional de Arte

Sleeping Nymph with Satyr, Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th century

GiambolognaSleeping Nymph with Satyrlate 16th or early 17th centuryGaleria Nacional de Arte

Groupe sculpté : l'Enlèvement de Déjanire, Bologne, Jean

GiambolognaGroupe sculpté : l'Enlèvement de DéjanireSalle 529, Aile Richelieu, Niveau 1Museu do Louvre

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