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ART WIKI

Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Bronze

17 237 obras de 436 museus2308 expostas agoraLimpar tudo

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  • Bronze17 237
  • Gesso15 353
  • Madeira10 617
  • Terracota e cerâmica9445
  • Mármore9435
  • Pedra7476
  • Metal3651
  • Marfim1707
The Jolly Good Fellow (Le bon vivant), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956anonymousThe Jolly Good Fellow (Le bon vivant)model probably after 1860, cast around November 1956Galeria Nacional de Arte
Seated Satyr Holding a Candlestick and Inkwell, Follower of Andrea Briosco, called Riccio, c. 1530-1540anonymousSeated Satyr Holding a Candlestick and Inkwellc. 1530-1540Galeria Nacional de Arte
The Listener (Le bourgeois en attente), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956anonymousThe Listener (Le bourgeois en attente)model probably after 1860, cast around November 1956Galeria Nacional de Arte
The Visitor (Le visiteur), Imitator of Honoré Daumier, model probably after 1860, cast around February 1956anonymousThe Visitor (Le visiteur)model probably after 1860, cast around February 1956Galeria Nacional de Arte
A Sea Monster, Workshop of Severo da Ravenna, second quarter 16th centuryanonymousA Sea Monstersecond quarter 16th centuryGaleria Nacional de Arte
Christ Healing the Possessed Boy, Follower of Filippo Brunelleschi and Masaccio, c. 1450/1460anonymousChrist Healing the Possessed Boyc. 1450/1460Galeria Nacional de Arte
Minerva, Style of Peter FlötneranonymousMinervaGaleria Nacional de Arte
The Dandy (Le dandy), Imitator of Honoré Daumier, model probably after 1860, cast around June 1951anonymousThe Dandy (Le dandy)model probably after 1860, cast around June 1951Galeria Nacional de Arte
Louis II de Bourbon, Prince de Condé, after  Antoine Coysevox, 1877/1901anonymousLouis II de Bourbon, Prince de Condé1877/1901Galeria Nacional de Arte
Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, possibly 1502anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502possibly 1502Galeria Nacional de Arte
The Stroller (Le bourgeois qui flâne), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954anonymousThe Stroller (Le bourgeois qui flâne)model probably after 1860, cast around January 1954Galeria Nacional de Arte
Door Knocker with Mask, Monsters and Putto, Circle of Hubert Gerhard, c. 1590-1600anonymousDoor Knocker with Mask, Monsters and Puttoc. 1590-1600Galeria Nacional de Arte
Mortar, Foundry of Caspar Dietrich, second half 16th centuryanonymousMortarsecond half 16th centuryGaleria Nacional de Arte
Antonio di Dante Castiglione, Style of Niccolò Fiorentino, c. 1485/1500anonymousAntonio di Dante Castiglionec. 1485/1500Galeria Nacional de Arte
Francesco Lancilotti, born 1472, Painter, Style of Niccolò Fiorentino, c. 1500/1510anonymousFrancesco Lancilotti, born 1472, Painterc. 1500/1510Galeria Nacional de Arte
Woman Cutting Her Nails, Workshop of Barthélemy Prieur, early 17th centuryanonymousWoman Cutting Her Nailsearly 17th centurySala 25 · Edifício Oeste, piso principalGaleria Nacional de Arte
Saint John the Baptist, Imitator of Desiderio da Settignano, c. 1850/1875anonymousSaint John the Baptistc. 1850/1875Galeria Nacional de Arte
A Sand-Box (Triangular), Follower of Andrea Briosco, called Riccio, c. 1525/1540anonymousA Sand-Box (Triangular)c. 1525/1540Galeria Nacional de Arte
Cupid on a Dolphin, Workshop of Francesco Fanelli, c. 1635/1660anonymousCupid on a Dolphinc. 1635/1660Galeria Nacional de Arte
Mars, Style of Peter FlötneranonymousMarsGaleria Nacional de Arte
Christ on Tomb with Two Angels, German follower of Antonio Abondio, late 16th centuryanonymousChrist on Tomb with Two Angelslate 16th centuryGaleria Nacional de Arte
The Spinario, Workshop of Severo da Ravenna, first quarter 16th centuryanonymousThe Spinariofirst quarter 16th centuryGaleria Nacional de Arte
The Lover (L'amoureux), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954anonymousThe Lover (L'amoureux)model probably after 1860, cast around January 1954Galeria Nacional de Arte
Madonna and Child between Two Candelabra, Follower of DonatelloanonymousMadonna and Child between Two CandelabraGaleria Nacional de Arte
Battle Scene, Style of ModernoanonymousBattle SceneSala 16 · Edifício Oeste, térreoGaleria Nacional de Arte
Lorenzo de' Medici, il Magnifico, 1449-1492, Style of Niccolò Fiorentino, c. 1485/1500anonymousLorenzo de' Medici, il Magnifico, 1449-1492c. 1485/1500Galeria Nacional de Arte
Infant Bacchanalians, after François DuquesnoyanonymousInfant BacchanaliansGaleria Nacional de Arte
Bather, Probably workshop of Johann Gregor van der Schardt, model c. 1570-1575, cast c. 1581-1620anonymousBathermodel c. 1570-1575, cast c. 1581-1620Galeria Nacional de Arte
Dead Christ Supported by the Virgin and Saint John, Style of ModernoanonymousDead Christ Supported by the Virgin and Saint JohnSala 16 · Edifício Oeste, térreoGaleria Nacional de Arte
Madonna and Child with Saints, Style of Andrea SansovinoanonymousMadonna and Child with SaintsGaleria Nacional de Arte
Henri IV, 1553-1610, King of France 1589, Style of Guillaume DupréanonymousHenri IV, 1553-1610, King of France 1589Galeria Nacional de Arte
Leonora Altoviti, Style of Niccolò Fiorentino, c. 1487anonymousLeonora Altovitic. 1487Sala 16 · Edifício Oeste, térreoGaleria Nacional de Arte
Judith with the Head of Holofernes, Workshop of Andrea Briosco, called RiccioanonymousJudith with the Head of HolofernesGaleria Nacional de Arte
Mercury, after Giovanni Bologna, c. 1780/c. 1850anonymousMercuryc. 1780/c. 1850Sala 107 · Edifício Oeste, piso principalGaleria Nacional de Arte
Lamp, Upper Portion, after Andrea Briosco, called Riccio, c. 1800/1899anonymousLamp, Upper Portionc. 1800/1899Galeria Nacional de Arte
Hercules Carrying the Erymanthian Boar, after Giovanni Bologna, c. 1575/1675anonymousHercules Carrying the Erymanthian Boarc. 1575/1675Galeria Nacional de Arte
The Madonna of the Rosary, Style of Jacopo Sansovino, mid 16th centuryanonymousThe Madonna of the Rosarymid 16th centuryGaleria Nacional de Arte
Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, c. 1502anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502c. 1502Galeria Nacional de Arte
Ippolito d'Este, 1479-1520, Cardinal 1493, Style of Niccolò Fiorentino, probably 1503anonymousIppolito d'Este, 1479-1520, Cardinal 1493probably 1503Galeria Nacional de Arte
Madonna and Child before a Niche, after Donatello, mid 15th centuryanonymousMadonna and Child before a Nichemid 15th centuryGaleria Nacional de Arte
Achille Tiberti of Cesena, died 1501, Style of Niccolò Fiorentino, c. 1495anonymousAchille Tiberti of Cesena, died 1501c. 1495Galeria Nacional de Arte
An Allegorical Scene, Workshop of Andrea Briosco, called RiccioanonymousAn Allegorical SceneGaleria Nacional de Arte
Oil Lamp in the Form of a Female Sphinx, Follower of Andrea Briosco, called Riccio, first quarter 16th centuryanonymousOil Lamp in the Form of a Female Sphinxfirst quarter 16th centuryGaleria Nacional de Arte
The Martyrdom of Saint Sebastian, Style of ModernoanonymousThe Martyrdom of Saint SebastianSala 16 · Edifício Oeste, térreoGaleria Nacional de Arte
Inkwell in the Form of a Child Carrying a Shell, Workshop of Severo da Ravenna, c. 1510/1520anonymousInkwell in the Form of a Child Carrying a Shellc. 1510/1520Galeria Nacional de Arte
Entry of Alexander the Great into Babylon, or The Triumph of Alexander, after Charles Le Brun, 18th centuryanonymousEntry of Alexander the Great into Babylon, or The Triumph of Alexander18th centuryGaleria Nacional de Arte
Louis XIV, after Martin Desjardins, model c. 1683/1699, cast c. 1699anonymousLouis XIVmodel c. 1683/1699, cast c. 1699Galeria Nacional de Arte
Bacchus, after Michelangelo, 16th/19th centuryanonymousBacchus16th/19th centuryGaleria Nacional de Arte
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