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Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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O rococó, 1720–1780

116.549 obras de 388 museus2.246 expostas agoraLimpar

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Reclining female figure, left hand resting on globe, right arm raised in front of face, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure, left hand resting on globe, right arm raised in front of face, seen from belowca. 1740–50Yale University Art Gallery
Reclining female figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure seen from belowca. 1740–50Yale University Art Gallery
Walking male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Apotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Venice, Giovanni Battista Tiepolo, ca. 1758Giovanni Battista TiepoloApotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Veniceca. 1758Yale University Art Gallery
Death Giving Audience, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloDeath Giving Audience, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Punchinello talking to the two magicians, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, ca. 1757Giovanni Battista TiepoloPunchinello talking to the two magicians, from the series Scherzi di Fantasiaca. 1757Yale University Art Gallery
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough, 1779/1780Thomas GainsboroughWooded Landscape with Two Country Carts and Figures1779/1780Galeria Nacional de Arte
Mrs. John Taylor, Thomas Gainsborough, c. 1778Thomas GainsboroughMrs. John Taylorc. 1778Galeria Nacional de Arte
Male figure carrying a tray with fowl, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray with fowl, seen from belowca. 1740–50Yale University Art Gallery
Young Soldier with Philosopher and Seated Woman, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloYoung Soldier with Philosopher and Seated Woman, from the series Vari Capricci1739–49Yale University Art Gallery
Landweg met geboomte en boerenkar, Thomas Gainsborough, 1765 - 1769Thomas GainsboroughLandweg met geboomte en boerenkar1765 - 1769Museu Estatal de Amesterdão
Woods Near a Village with Rabbit Catchers and Their Greyhounds, Thomas Gainsborough, late 1750sThomas GainsboroughWoods Near a Village with Rabbit Catchers and Their Greyhoundslate 1750sGaleria Nacional de Arte
Male figure carrying a tray, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray, seen from belowca. 1740–50Yale University Art Gallery
Drover with Calves in a Country Cart, Thomas Gainsborough, c. 1755Thomas GainsboroughDrover with Calves in a Country Cartc. 1755Galeria Nacional de Arte
Standing male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Standing female figure seen from the back and from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding female figure seen from the back and from belowca. 1740–50Yale University Art Gallery
Young Man Seated and Leaning on an Urn, from the series Vari Capricci, Giovanni Battista Tiepolo, 1740–50Giovanni Battista TiepoloYoung Man Seated and Leaning on an Urn, from the series Vari Capricci1740–50Yale University Art Gallery
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough, 1779/1780, published 1797Thomas GainsboroughWooded Landscape with Two Country Carts and Figures1779/1780, published 1797Galeria Nacional de Arte
A Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Three Soldiers and a Boy, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThree Soldiers and a Boy, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Woman Kneeling and Holding a Dish, from the series Scherzi, Giovanni Battista Tiepolo, 1750–60Giovanni Battista TiepoloWoman Kneeling and Holding a Dish, from the series Scherzi1750–60Yale University Art Gallery
Reclining male nude with right hand resting on a stone tablet, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male nude with right hand resting on a stone tablet, seen from belowca. 1740–50Yale University Art Gallery
L'incontro di Anzia e Abrocome alle feste di Diana, Giovanni Battista Tiepolo, 1744Giovanni Battista TiepoloL'incontro di Anzia e Abrocome alle feste di Diana1744Accademia
Capricci, Giovanni Battista Tiepolo, 1749Giovanni Battista TiepoloCapricci1749Galleria Sabauda
Reclining male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male figure seen from belowca. 1740–50Yale University Art Gallery
Thalia and Melpomene, the Muses of Comedy and Tragedy, Giovanni Battista Tiepolo, 1750Giovanni Battista TiepoloThalia and Melpomene, the Muses of Comedy and Tragedy1750Yale University Art Gallery
Study for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Biron, Giovanni Battista Tiepolo, ca. 1734Giovanni Battista TiepoloStudy for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Bironca. 1734Yale University Art Gallery
Seated figure with head turned to the left and right arm raised, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloSeated figure with head turned to the left and right arm raised, seen from belowca. 1740–50Yale University Art Gallery
A Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Astrologer and the Young Soldier, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Astrologer and the Young Soldier, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing Woman and Seated Man Before an Obelisk, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloStanding Woman and Seated Man Before an Obelisk, from the series Vari Capricci1739–49Yale University Art Gallery
Seated Youth Leaning against an Urn, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloSeated Youth Leaning against an Urn, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Adoration of the Magi, Giovanni Battista Tiepolo, 1753–57Giovanni Battista TiepoloAdoration of the Magi1753–57Yale University Art Gallery
Two Soldiers and Two Women, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloTwo Soldiers and Two Women, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing male figure seen from behind, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen from behindca. 1740–50Yale University Art Gallery
Il trasporto della Santa Casa di Loreto, Giovanni Battista Tiepolo, 1743Giovanni Battista TiepoloIl trasporto della Santa Casa di Loreto1743Accademia
The Apotheosis of Saint Roch, Giovanni Battista Tiepolo, ca. 1740–45Giovanni Battista TiepoloThe Apotheosis of Saint Rochca. 1740–452nd floor, European ArtYale University Art Gallery
Landscape with Cattle by a Cottage, Thomas Gainsborough, late 1770sThomas GainsboroughLandscape with Cattle by a Cottagelate 1770sGaleria Nacional de Arte
Polymnia, the Muse of Sacred Hymn, Giovanni Battista Tiepolo, 1750Giovanni Battista TiepoloPolymnia, the Muse of Sacred Hymn1750Yale University Art Gallery
Mrs. Paul Cobb Methuen, Thomas Gainsborough, c. 1776/1777Thomas GainsboroughMrs. Paul Cobb Methuenc. 1776/1777Galeria Nacional de Arte
The Hon. Mrs. Thomas Graham, Thomas Gainsborough, c. 1775/1777Thomas GainsboroughThe Hon. Mrs. Thomas Grahamc. 1775/1777Sala 58 · Edifício Oeste, piso principalGaleria Nacional de Arte
Master John Heathcote, Thomas Gainsborough, c. 1771/1772Thomas GainsboroughMaster John Heathcotec. 1771/1772Sala 58 · Edifício Oeste, piso principalGaleria Nacional de Arte
Standing Philosopher and Two Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloStanding Philosopher and Two Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Rider Standing by His Horse, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Rider Standing by His Horse, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
A Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Six Studies of a Cat, Thomas Gainsborough, c. 1763 - c. 1769Thomas GainsboroughSix Studies of a Catc. 1763 - c. 1769Museu Estatal de Amesterdão
Landschap met een groep reizigers onder een grote boom langs een bospad, Thomas Gainsborough, 1753 - 1759Thomas GainsboroughLandschap met een groep reizigers onder een grote boom langs een bospad1753 - 1759Museu Estatal de Amesterdão
Santi Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia, Giovanni Battista Tiepolo, 1752–1758Giovanni Battista TiepoloSanti Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia1752–1758Galeria Nacional de Parma
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