ART WIKI37.906 em exposição
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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (74 museus). As imagens pertencem aos titulares dos direitos.

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Plate 9: Tantalus (Tantalo), from "Los Caprichos", Goya, ca. 1798–99Francisco de GoyaPlate 9: Tantalus (Tantalo), from "Los Caprichos"ca. 1798–99Museu Metropolitano de Arte
Plate 19 from "Los Caprichos": All will fall (Todos Caerán), Goya, 1799Francisco de GoyaPlate 19 from "Los Caprichos": All will fall (Todos Caerán)1799Museu Metropolitano de Arte
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco), Goya, 1810Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)1810Museu Metropolitano de Arte
Plate 70  from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)1814–15 (published 1863)Museu Metropolitano de Arte
Title page for "Los Proverbios" (Disparates), Goya, 1864Francisco de GoyaTitle page for "Los Proverbios" (Disparates)1864Museu Metropolitano de Arte
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799Museu Metropolitano de Arte
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid1816Museu Metropolitano de Arte
Plate 35 from "Los Caprichos": She fleeces him (Le descañona), Goya, 1799Francisco de GoyaPlate 35 from "Los Caprichos": She fleeces him (Le descañona)1799Museu Metropolitano de Arte
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya, 1810Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)1810Museu Metropolitano de Arte
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya, 1799Francisco de GoyaPlate 66 from "Los Caprichos": There it goes (Allá vá eso)1799Museu Metropolitano de Arte
A False Bacchus Crowning Drunkards, Goya, 1778Francisco de GoyaA False Bacchus Crowning Drunkards1778Museu Metropolitano de Arte
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya, 1799Francisco de GoyaPlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)1799Museu Metropolitano de Arte
The Andalusian dance (El Vito), Goya, ca. 1824–1825Francisco de GoyaThe Andalusian dance (El Vito)ca. 1824–1825Museu Metropolitano de Arte
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...), Goya, 1799Francisco de GoyaPlate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)1799Museu Metropolitano de Arte
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Goya, 1816Francisco de GoyaPlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull1816Museu Metropolitano de Arte
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid1816Museu Metropolitano de Arte
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió), Goya, 1810 (published 1863)Francisco de GoyaPlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)1810 (published 1863)Museu Metropolitano de Arte
Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está), Goya, 1810 (published 1863)Francisco de GoyaPlate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)1810 (published 1863)Museu Metropolitano de Arte
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!), Goya, 1799Francisco de GoyaPlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)1799Museu Metropolitano de Arte
Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), Goya, 1799Francisco de GoyaPlate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)1799Museu Metropolitano de Arte
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799 (published 1881–86)Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799 (published 1881–86)Museu Metropolitano de Arte
Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!), Goya, 1799Francisco de GoyaPlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)1799Museu Metropolitano de Arte
Plate 13: They are Hot (Estan Calientes), from "Los Caprichos", Goya, ca. 1798Francisco de GoyaPlate 13: They are Hot (Estan Calientes), from "Los Caprichos"ca. 1798Museu Metropolitano de Arte
Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto), Goya, 1799Francisco de GoyaPlate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)1799Museu Metropolitano de Arte
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya, 1799Francisco de GoyaPlate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)1799Museu Metropolitano de Arte
Plate 62  from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya, 1799Francisco de GoyaPlate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)1799Museu Metropolitano de Arte
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes), Goya, 1799Francisco de GoyaPlate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)1799Museu Metropolitano de Arte
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!), Goya, 1799Francisco de GoyaPlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)1799Museu Metropolitano de Arte
Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!), Goya, 1799Francisco de GoyaPlate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)1799Museu Metropolitano de Arte
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)1810 (published 1863)Museu Metropolitano de Arte
Plate 9 from "Los Caprichos": Tantalus (Tantalo), Goya, 1799Francisco de GoyaPlate 9 from "Los Caprichos": Tantalus (Tantalo)1799Museu Metropolitano de Arte
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)1814–15 (published 1863)Museu Metropolitano de Arte
Portrait of the court dwarf known as el Primo, after Velázquez, Goya, 1778Francisco de GoyaPortrait of the court dwarf known as el Primo, after Velázquez1778Museu Metropolitano de Arte
Dancing Giant, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDancing Giant, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya, 1799Francisco de GoyaEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"1799Museu Metropolitano de Arte
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya, 1816Francisco de GoyaCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"1816Museu Metropolitano de Arte
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien), Goya, 1810 (published 1863)Francisco de GoyaPlate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)1810 (published 1863)Museu Metropolitano de Arte
Plate 46 from "Los Caprichos": Correction (Correccion), Goya, 1799Francisco de GoyaPlate 46 from "Los Caprichos": Correction (Correccion)1799Museu Metropolitano de Arte
Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya, 1799Francisco de GoyaPlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)1799Museu Metropolitano de Arte
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)1814–15 (published 1863)Museu Metropolitano de Arte
Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar), Goya, 1799Francisco de GoyaPlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)1799Museu Metropolitano de Arte
Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)1814–15 (published 1863)Museu Metropolitano de Arte
Plate 78  from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan), Goya, 1881–86Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)1881–86Museu Metropolitano de Arte
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya, ca. 1815 (published 1859)Francisco de Goya'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)ca. 1815 (published 1859)Museu Metropolitano de Arte
Plate 49  from "Los Caprichos": Hobgoblins (Duendecitos), Goya, 1799Francisco de GoyaPlate 49 from "Los Caprichos": Hobgoblins (Duendecitos)1799Museu Metropolitano de Arte
The Exhortations, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe Exhortations, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
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