ART WIKI37.788 em exposição
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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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880.909 obras de 254 museus639 expostas agoraLimpar

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  • Água-forte130.252
  • Litografia89.179
  • Gravura a buril63.364
  • Xilogravura56.703
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  • Serigrafia8.459
  • Água-tinta7.452
  • Impressão fotomecânica6.933
  • Mezzotinta6.751
  • Linogravura2.658
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816, Goya, 1816Francisco de GoyaThe Bullfight, plates 1-33 (La Tauromaquia); First edition, 18161816Museu Metropolitano de Arte
The garroted man (El agarrotado), Goya, ca. 1775–78 (published 1868)Francisco de GoyaThe garroted man (El agarrotado)ca. 1775–78 (published 1868)Museu Metropolitano de Arte
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), Goya, 1810 (published 1863)Francisco de GoyaPlate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)1810 (published 1863)Museu Metropolitano de Arte
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse, Goya, 1816Francisco de GoyaPlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse1816Museu Metropolitano de Arte
Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas), Goya, 1799Francisco de GoyaPlate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)1799Museu Metropolitano de Arte
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio), Goya, 1810 (published 1863)Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)1810 (published 1863)Museu Metropolitano de Arte
Isabel de Bourbon on horseback, after Velázquez, Goya, 1778Francisco de GoyaIsabel de Bourbon on horseback, after Velázquez1778Museu Metropolitano de Arte
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799Museu Metropolitano de Arte
Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede), Goya, 1810 (published 1863)Francisco de GoyaPlate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)1810 (published 1863)Museu Metropolitano de Arte
Plate 53  from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!), Goya, 1799Francisco de GoyaPlate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)1799Museu Metropolitano de Arte
Plate 57 from "Los Caprichos": The filiation (La filiacion), Goya, 1799Francisco de GoyaPlate 57 from "Los Caprichos": The filiation (La filiacion)1799Museu Metropolitano de Arte
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, Goya, 1816Francisco de GoyaPlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls1816Museu Metropolitano de Arte
Plate 65  from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?), Goya, 1814–15  (published 1863)Francisco de GoyaPlate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)1814–15 (published 1863)Museu Metropolitano de Arte
Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?), Goya, 1810 (published 1863)Francisco de GoyaPlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)1810 (published 1863)Museu Metropolitano de Arte
Plate 36 from "Los Caprichos": A bad night (Mala noche), Goya, 1881–86Francisco de GoyaPlate 36 from "Los Caprichos": A bad night (Mala noche)1881–86Museu Metropolitano de Arte
Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren), Goya, 1810 (published 1863)Francisco de GoyaPlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)1810 (published 1863)Museu Metropolitano de Arte
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), Goya, 1810Francisco de GoyaPlate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)1810Museu Metropolitano de Arte
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya, 1778Francisco de GoyaGaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez1778Museu Metropolitano de Arte
Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo), Goya, 1810 (published 1863)Francisco de GoyaPlate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)1810 (published 1863)Museu Metropolitano de Arte
Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza, Goya, 1816Francisco de GoyaPlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza1816Museu Metropolitano de Arte
Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor), Goya, 1810 (published 1863)Francisco de GoyaPlate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)1810 (published 1863)Museu Metropolitano de Arte
Philip IV on horseback, after Velázquez, Goya, 1778Francisco de GoyaPhilip IV on horseback, after Velázquez1778Museu Metropolitano de Arte
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810 (published 1863)Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810 (published 1863)Museu Metropolitano de Arte
Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)1810 (published 1863)Museu Metropolitano de Arte
Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)ca. 1810 (published 1863)Museu Metropolitano de Arte
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799Museu Metropolitano de Arte
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!), Goya, ca. 1810Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)ca. 1810Museu Metropolitano de Arte
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810Museu Metropolitano de Arte
'Animal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Animal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published before 1877)Museu Metropolitano de Arte
Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)1814–15 (published 1863)Museu Metropolitano de Arte
The horse abductor, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe horse abductor, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
Blind Singer, Goya, Ca. 1824–28 (published second half of the 19th century)Francisco de GoyaBlind SingerCa. 1824–28 (published second half of the 19th century)Museu Metropolitano de Arte
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)1810 (published 1863)Museu Metropolitano de Arte
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra), Goya, 1810Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)1810Museu Metropolitano de Arte
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte), Goya, 1799Francisco de GoyaPlate 10 from "Los Caprichos": Love and death (El amor y la muerte)1799Museu Metropolitano de Arte
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya, 1816Francisco de GoyaPlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas1816Museu Metropolitano de Arte
'Merry Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Merry Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
Philip III, King of Spain on horseback, after Velázquez, Goya, 1778Francisco de GoyaPhilip III, King of Spain on horseback, after Velázquez1778Museu Metropolitano de Arte
Plate 55 from "Los Caprichos": Until death (Hasta la muerte), Goya, 1799Francisco de GoyaPlate 55 from "Los Caprichos": Until death (Hasta la muerte)1799Museu Metropolitano de Arte
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Flying Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage)1811–12 (published 1863)Museu Metropolitano de Arte
Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?), Goya, 1799Francisco de GoyaPlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)1799Museu Metropolitano de Arte
'Poor Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Poor Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Museu Metropolitano de Arte
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