ART WIKI37.723 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

Seções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Roubadas e perdidas
  • Incorporar status de uma obra
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
  • Sobre
  • Termos de uso
InícioMapaCatálogo

Catálogo

Água-forte

114.143 obras de 146 museus133 expostas agoraLimpar tudo

/
Técnica
  • Todas
  • Água-forte114.143
  • Litografia84.657
  • Gravura a buril55.555
  • Xilogravura49.710
  • Ponta-seca9.100
  • Serigrafia8.458
  • Água-tinta7.310
  • Impressão fotomecânica6.899
  • Mezzotinta6.372
  • Linogravura2.652
"Repose on me till the morning of the Grave..." (Plate 62), William Blake, 1804 to 1820William Blake"Repose on me till the morning of the Grave..." (Plate 62)1804 to 1820Centro de Arte Britânico de Yale
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), William Blake, 1804 to 1820William Blake"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)1804 to 1820Centro de Arte Britânico de Yale
"And formed into Four precious stones..." (Plate 59), William Blake, 1804 to 1820William Blake"And formed into Four precious stones..." (Plate 59)1804 to 1820Centro de Arte Britânico de Yale
Songs of Experience, Frontispiece (Plate 32), William Blake, 1794William BlakeSongs of Experience, Frontispiece (Plate 32)1794Centro de Arte Britânico de Yale
"These were his last words, and the merciful Saviour in his arms..." (Plate 48), William Blake, 1804 to 1820William Blake"These were his last words, and the merciful Saviour in his arms..." (Plate 48)1804 to 1820Centro de Arte Britânico de Yale
'Disease invades the chastest temperence' (Page 10), William Blake, ca. 1797William Blake'Disease invades the chastest temperence' (Page 10)ca. 1797Centro de Arte Britânico de Yale
The Little Girl Found (Plate 6), William Blake, 1789William BlakeThe Little Girl Found (Plate 6)1789Centro de Arte Britânico de Yale
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)1797Centro de Arte Britânico de Yale
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52), William Blake, 1804 to 1820William Blake"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)1804 to 1820Centro de Arte Britânico de Yale
Night the First. On Life, Death, and Immortality; Title Page, William Blake, 1797William BlakeNight the First. On Life, Death, and Immortality; Title Page1797Centro de Arte Britânico de Yale
"Reuben return'd to his place, in vain..." (Plate 36), William Blake, 1804 to 1820William Blake"Reuben return'd to his place, in vain..." (Plate 36)1804 to 1820Centro de Arte Britânico de Yale
"The clouds of Albions Druid Temples..." (Plate 60), William Blake, 1804 to 1820William Blake"The clouds of Albions Druid Temples..." (Plate 60)1804 to 1820Centro de Arte Britânico de Yale
"My tents are fall'n! my pillars are in ruins!..." (Plate 79), William Blake, 1804 to 1820William Blake"My tents are fall'n! my pillars are in ruins!..." (Plate 79)1804 to 1820Centro de Arte Britânico de Yale
"The banks of the Thames are clouded..." (Plate 5), William Blake, 1804 to 1820William Blake"The banks of the Thames are clouded..." (Plate 5)1804 to 1820Centro de Arte Britânico de Yale
Chapter V, "The globe of life blood trembled..." (Plate 15), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 15)1794Centro de Arte Britânico de Yale
IV. "None could have other than natural or organic thoughts..." (Plate 6), William Blake, ca. 1788William BlakeIV. "None could have other than natural or organic thoughts..." (Plate 6)ca. 1788Centro de Arte Britânico de Yale
Fable XIII. The Tame Stag, William Blake, 1793William BlakeFable XIII. The Tame Stag1793Centro de Arte Britânico de Yale
'Oft bursts my song beyond the bounds of life' (Page 16), William Blake, 1797William Blake'Oft bursts my song beyond the bounds of life' (Page 16)1797Centro de Arte Britânico de Yale
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Centro de Arte Britânico de Yale
The Lamb (Plate 8), William Blake, 1789William BlakeThe Lamb (Plate 8)1789Centro de Arte Britânico de Yale
For Children. The Gates of Paradise; Title Page (Plate 2), William Blake, 1793William BlakeFor Children. The Gates of Paradise; Title Page (Plate 2)1793Centro de Arte Britânico de Yale
"They call'd her Pity, and fled..." (Plate 19), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 19)1794Centro de Arte Britânico de Yale
"Then all the Males conjoined into One Male..." (Plate 69), William Blake, 1804 to 1820William Blake"Then all the Males conjoined into One Male..." (Plate 69)1804 to 1820Centro de Arte Britânico de Yale
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Centro de Arte Britânico de Yale
'But for the blessing wrestle not with heaven' (Page 88), William Blake, 1797William Blake'But for the blessing wrestle not with heaven' (Page 88)1797Centro de Arte Britânico de Yale
Earth's Answer (Plate 35), William Blake, 1794William BlakeEarth's Answer (Plate 35)1794Centro de Arte Britânico de Yale
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Centro de Arte Britânico de Yale
Rev. John Caspar Lavater, William Blake, 1800William BlakeRev. John Caspar Lavater1800Centro de Arte Britânico de Yale
'Angels should paint it, angels ever there' (Page 40), William Blake, ca. 1797William Blake'Angels should paint it, angels ever there' (Page 40)ca. 1797Centro de Arte Britânico de Yale
"O Skofield why art thou cruel?..." (Plate 68), William Blake, 1804 to 1820William Blake"O Skofield why art thou cruel?..." (Plate 68)1804 to 1820Centro de Arte Britânico de Yale
"I have mock'd those who refused cruelty..." (Plate 81), William Blake, 1804 to 1820William Blake"I have mock'd those who refused cruelty..." (Plate 81)1804 to 1820Centro de Arte Britânico de Yale
"I see thy Form O lovely mild Jerusalem..." (Plate 86), William Blake, 1804 to 1820William Blake"I see thy Form O lovely mild Jerusalem..." (Plate 86)1804 to 1820Centro de Arte Britânico de Yale
"One hair nor particle of dust..." (Plate 14), William Blake, 1804 to 1820William Blake"One hair nor particle of dust..." (Plate 14)1804 to 1820Centro de Arte Britânico de Yale
Air (Plate 6), William Blake, 1826William BlakeAir (Plate 6)1826Centro de Arte Britânico de Yale
"They saw their Wheels rising up poisonous..." (Plate 43), William Blake, 1804 to 1820William Blake"They saw their Wheels rising up poisonous..." (Plate 43)1804 to 1820Centro de Arte Britânico de Yale
The Lamb (Plate 18), William Blake, 1789William BlakeThe Lamb (Plate 18)1789Centro de Arte Britânico de Yale
"Such are Cathedrons golden Halls..." (Plate 73), William Blake, 1804 to 1820William Blake"Such are Cathedrons golden Halls..." (Plate 73)1804 to 1820Centro de Arte Britânico de Yale
Urizen (Plate 22), William Blake, 1794William BlakeUrizen (Plate 22)1794Centro de Arte Britânico de Yale
Spring (Plate 12), William Blake, 1789William BlakeSpring (Plate 12)1789Centro de Arte Britânico de Yale
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Centro de Arte Britânico de Yale
The Different Kinds of Wrestling, William Blake, 1800William BlakeThe Different Kinds of Wrestling1800Centro de Arte Britânico de Yale
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66), William Blake, 1804 to 1820William Blake"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)1804 to 1820Centro de Arte Britânico de Yale
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, ca. 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)ca. 1797Centro de Arte Britânico de Yale
"With one accord in love sublime..." (Plate 44), William Blake, 1804 to 1820William Blake"With one accord in love sublime..." (Plate 44)1804 to 1820Centro de Arte Britânico de Yale
Love Songs, Class II. Tailpiece, William Blake, 1783William BlakeLove Songs, Class II. Tailpiece1783Centro de Arte Britânico de Yale
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Centro de Arte Britânico de Yale
Chapter 4 Frontispiece (Plate 76), William Blake, 1804 to 1820William BlakeChapter 4 Frontispiece (Plate 76)1804 to 1820Centro de Arte Britânico de Yale
Laughing Song (Plate 14), William Blake, 1789William BlakeLaughing Song (Plate 14)1789Centro de Arte Britânico de Yale
46