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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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114.143 obras de 146 museus133 expostas agoraLimpar tudo

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'Measuring his motions by revolving spheres' (Page 26), William Blake, 1797William Blake'Measuring his motions by revolving spheres' (Page 26)1797Centro de Arte Britânico de Yale
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10), William Blake, 1804 to 1820William Blake"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)1804 to 1820Centro de Arte Britânico de Yale
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)1804 to 1820Centro de Arte Britânico de Yale
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Centro de Arte Britânico de Yale
"And this the form of mighty Hand..." (Plate 70), William Blake, 1804 to 1820William Blake"And this the form of mighty Hand..." (Plate 70)1804 to 1820Centro de Arte Britânico de Yale
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, ca. 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)ca. 1797Centro de Arte Britânico de Yale
The Little Girl Found (Plate 22), William Blake, 1789William BlakeThe Little Girl Found (Plate 22)1789Centro de Arte Britânico de Yale
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Centro de Arte Britânico de Yale
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6), William Blake, 1804 to 1820William Blake"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)1804 to 1820Centro de Arte Britânico de Yale
"Highgates heights & Hampsteads..." (Plate 84), William Blake, 1804 to 1820William Blake"Highgates heights & Hampsteads..." (Plate 84)1804 to 1820Centro de Arte Britânico de Yale
'The longest night though longer far, would fail' (Page 15), William Blake, ca. 1797William Blake'The longest night though longer far, would fail' (Page 15)ca. 1797Centro de Arte Britânico de Yale
Fable XLI. The Owl and the Farmer, William Blake, 1793William BlakeFable XLI. The Owl and the Farmer1793Centro de Arte Britânico de Yale
The Chimney Sweeper (Plate 10), William Blake, 1789William BlakeThe Chimney Sweeper (Plate 10)1789Centro de Arte Britânico de Yale
Anacreon Ode LII, William Blake, 1794William BlakeAnacreon Ode LII1794Centro de Arte Britânico de Yale
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)1797Centro de Arte Britânico de Yale
The Shepherd, from Songs of Innocence, William Blake, ca. 1795William BlakeThe Shepherd, from Songs of Innocenceca. 1795Centro de Arte Britânico de Yale
"In beauty the Daughters of Albion divide..." (Plate 58), William Blake, 1804 to 1820William Blake"In beauty the Daughters of Albion divide..." (Plate 58)1804 to 1820Centro de Arte Britânico de Yale
The Chimney Sweeper (Plate 45), William Blake, 1794William BlakeThe Chimney Sweeper (Plate 45)1794Centro de Arte Britânico de Yale
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Centro de Arte Britânico de Yale
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Centro de Arte Britânico de Yale
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Centro de Arte Britânico de Yale
Spring, from Songs of Innocence, William Blake, ca. 1795William BlakeSpring, from Songs of Innocenceca. 1795Centro de Arte Britânico de Yale
"Bath, mild Physician of Eternity..." (Plate 46), William Blake, 1804 to 1820William Blake"Bath, mild Physician of Eternity..." (Plate 46)1804 to 1820Centro de Arte Britânico de Yale
Thel's Motto (Plate 1), William Blake, 1789William BlakeThel's Motto (Plate 1)1789Centro de Arte Britânico de Yale
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Centro de Arte Britânico de Yale
"To labours mighty, with vast strength..." (Plate 11), William Blake, 1804 to 1820William Blake"To labours mighty, with vast strength..." (Plate 11)1804 to 1820Centro de Arte Britânico de Yale
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)1797Centro de Arte Britânico de Yale
Chapter II, "Muster around the bleak desarts..." (Plate 4), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 4)1794Centro de Arte Britânico de Yale
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78), William Blake, 1804 to 1820William BlakeChapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)1804 to 1820Centro de Arte Britânico de Yale
"Los shudder'd at beholding Albion..." (Plate 40), William Blake, 1804 to 1820William Blake"Los shudder'd at beholding Albion..." (Plate 40)1804 to 1820Centro de Arte Britânico de Yale
'The present moment terminates our sight' (Page 13), William Blake, ca. 1797William Blake'The present moment terminates our sight' (Page 13)ca. 1797Centro de Arte Britânico de Yale
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Centro de Arte Britânico de Yale
From a Globe of Blood Rises Enitharmon (Plate 16), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 16)1794Centro de Arte Britânico de Yale
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Centro de Arte Britânico de Yale
'Its favours here are trials, not rewards' (Page 12), William Blake, ca. 1797William Blake'Its favours here are trials, not rewards' (Page 12)ca. 1797Centro de Arte Britânico de Yale
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Centro de Arte Britânico de Yale
"Condens'd his Emanations..." (Plate 9), William Blake, 1804 to 1820William Blake"Condens'd his Emanations..." (Plate 9)1804 to 1820Centro de Arte Britânico de Yale
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Centro de Arte Britânico de Yale
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Centro de Arte Britânico de Yale
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, ca. 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)ca. 1797Centro de Arte Britânico de Yale
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3), William Blake, 1789William BlakeThel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)1789Centro de Arte Britânico de Yale
A Poison Tree (Plate 41), William Blake, 1794William BlakeA Poison Tree (Plate 41)1794Centro de Arte Britânico de Yale
"Help! Help!" (Plate 12), William Blake, 1826William Blake"Help! Help!" (Plate 12)1826Centro de Arte Britânico de Yale
"Was living: panting like a frighted wolf..." (Plate 7), William Blake, 1804 to 1820William Blake"Was living: panting like a frighted wolf..." (Plate 7)1804 to 1820Centro de Arte Britânico de Yale
'And vapid; sense and reason shew the door' (Page 72), William Blake, ca. 1797William Blake'And vapid; sense and reason shew the door' (Page 72)ca. 1797Centro de Arte Britânico de Yale
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Centro de Arte Britânico de Yale
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, ca. 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)ca. 1797Centro de Arte Britânico de Yale
Ancient Ballads, Headpiece, William Blake, 1783William BlakeAncient Ballads, Headpiece1783Centro de Arte Britânico de Yale
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