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Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Arte do pós-guerra, 1945–1975

223.220 obras de 458 museus1.980 expostas agoraLimpar

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Cover front from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971Joan MiróCover front from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Museu de Arte Moderna
At foot of Uluru Ayers Rock, Circumambulation March 24, 1971, Allen Ginsberg, 1971, printed laterAllen GinsbergAt foot of Uluru Ayers Rock, Circumambulation March 24, 19711971, printed laterGaleria Nacional de Arte
Untitled, Allen Ginsberg, 1964Allen GinsbergUntitled1964Galeria Nacional de Arte
Wrapper front from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróWrapper front from Parler seul (Speaking Alone)1948–50, published 1950Museu de Arte Moderna
Plate (folio 28 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróPlate (folio 28 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
Femme (Woman), Joan Miró, 1967Joan MiróFemme (Woman)1967Yale University Art Gallery
Composition, Joan Miró, 1958Joan MiróComposition1958Yale University Art Gallery
Illustration for the book of poems L’Antitête (The Anti-Head) by Tristan Tzara (Paris: Atelier Franck Bordas, 1949), Joan Miró, 1947–48Joan MiróIllustration for the book of poems L’Antitête (The Anti-Head) by Tristan Tzara (Paris: Atelier Franck Bordas, 1949)1947–48Yale University Art Gallery
Composition, Joan Miró, 1958Joan MiróComposition1958Yale University Art Gallery
A modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 1961, Allen Ginsberg, 1961, printed laterAllen GinsbergA modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 19611961, printed laterGaleria Nacional de Arte
All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed laterAllen GinsbergAll dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956.1956, printed laterGaleria Nacional de Arte
Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed laterAllen GinsbergPeter Orlovsky in his mother's house1964, printed laterGaleria Nacional de Arte
Plate (folio 38 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróPlate (folio 38 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
Plate 12 from Album 13, Joan Miró, 1948Joan MiróPlate 12 from Album 131948Museu de Arte Moderna
In-text plate (folio 34) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróIn-text plate (folio 34) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
Friend Robert Merims early 1950s, Allen Ginsberg, 1953, printed laterAllen GinsbergFriend Robert Merims early 1950s1953, printed laterGaleria Nacional de Arte
Jeune fille s'évadant, Joan Miró, 1968Joan MiróJeune fille s'évadant19683rd floor, Modern and Contemporary Art and DesignYale University Art Gallery
Composition, Joan Miró, 1957Joan MiróComposition1957Yale University Art Gallery
Equinoxe, Joan Miró, 1967Joan MiróEquinoxe1967Yale University Art Gallery
La femme au miroir (The Woman in the Mirror), Joan Miró, 1957Joan MiróLa femme au miroir (The Woman in the Mirror)1957Yale University Art Gallery
Illustration for the book of poems L’Antitête (The Anti-Head) by Tristan Tzara (Paris: Atelier Franck Bordas, 1949), Joan Miró, 1947–49Joan MiróIllustration for the book of poems L’Antitête (The Anti-Head) by Tristan Tzara (Paris: Atelier Franck Bordas, 1949)1947–49Yale University Art Gallery
Composition, Joan Miró, 1957Joan MiróComposition1957Yale University Art Gallery
Gregory Corso 1964 N.Y.C. my apartment East 6th Street? No 704 E. 5th Street says Peter Orlovsky., Allen Ginsberg, 1964, printed laterAllen GinsbergGregory Corso 1964 N.Y.C. my apartment East 6th Street? No 704 E. 5th Street says Peter Orlovsky.1964, printed laterGaleria Nacional de Arte
In-text plate (page 41) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 41) from Parler seul (Speaking Alone)1948–50, published 1950Museu de Arte Moderna
Chapter title page (folio 30) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróChapter title page (folio 30) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
In-text plate (folio 44) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróIn-text plate (folio 44) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
Headpiece (page 15) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróHeadpiece (page 15) from Parler seul (Speaking Alone)1948–50, published 1950Museu de Arte Moderna
Men (Les Hommes), Joan Miró, 1948Joan MiróMen (Les Hommes)1948Museu de Arte Moderna
Personnage et oiseau, Joan Miró, 1970Joan MiróPersonnage et oiseau1970Street Hall, Nolen GardenYale University Art Gallery
Miles Forst in Robert Frank's house, New York, Allen Ginsberg, 1964, printed laterAllen GinsbergMiles Forst in Robert Frank's house, New York1964, printed laterGaleria Nacional de Arte
Le Jour (Day), Joan Miró, 1957Joan MiróLe Jour (Day)1957Yale University Art Gallery
Alene Lee, her friend Jack Kerouac, time of "The Subterraneans," friend Bob Merims in shadow, my apartment East 7th Street New York Fall 1953., Allen Ginsberg, 1953, printed 1990Allen GinsbergAlene Lee, her friend Jack Kerouac, time of "The Subterraneans," friend Bob Merims in shadow, my apartment East 7th Street New York Fall 1953.1953, printed 1990Galeria Nacional de Arte
Repentants, Joan Miró, 1958Joan MiróRepentants1958Yale University Art Gallery
Composition, Joan Miró, 1957Joan MiróComposition1957Yale University Art Gallery
Robert LaVigne, Painter friend of Poets, visiting 1010 Montgomery Street – see Kerouac's portrait of LaVigne as “Levesque” in _Desolation Angels_, “Robert Browning” in Big Sur. We’d all lived together on Gough Street & later Hotel Weatley thou Peter & I moved to Montgomery Street North Beach, where I wrote _Howl_ in this room, S.F. 1955, Allen Ginsberg, 1955, printed laterAllen GinsbergRobert LaVigne, Painter friend of Poets, visiting 1010 Montgomery Street – see Kerouac's portrait of LaVigne as “Levesque” in _Desolation Angels_, “Robert Browning” in Big Sur. We’d all lived together on Gough Street & later Hotel Weatley thou Peter & I moved to Montgomery Street North Beach, where I wrote _Howl_ in this room, S.F. 19551955, printed laterGaleria Nacional de Arte
À la santé du serpent (Here's to the Snake), Joan Miró, 1954Joan MiróÀ la santé du serpent (Here's to the Snake)1954Museu de Arte Moderna
Plate (folio 42 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróPlate (folio 42 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museu de Arte Moderna
Plate (page 21) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróPlate (page 21) from Parler seul (Speaking Alone)1948–50, published 1950Museu de Arte Moderna
William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., Allen Ginsberg, 1953, printed laterAllen GinsbergWilliam Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53.1953, printed laterGaleria Nacional de Arte
Plate (page 67) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróPlate (page 67) from Parler seul (Speaking Alone)1948–50, published 1950Museu de Arte Moderna
Bill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk., Allen Ginsberg, 1961, printed laterAllen GinsbergBill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk.1961, printed laterGaleria Nacional de Arte
Sketch page dedicated to James Lord, Joan Miró, 1970Joan MiróSketch page dedicated to James Lord1970Yale University Art Gallery
“Now Jack as I warned you far back as 1945, if you keep going home to live with your ‘Memère’ you’ll find yourself wound tighter and tighter in her apron strings till you’re an old man and can’t escape…” William Seward Burroughs camping as an André Gideian sophisticate lecturing the earnest Thomas Wolfean All-American youth Jack Kerouac who listens soberly dead-pan to “the most intelligent man in America” for a funny second’s charade in my living room 206 East 7th Street Apt 16, Manhattan, one evening Fall 1953., Allen Ginsberg, 1953, printed laterAllen Ginsberg“Now Jack as I warned you far back as 1945, if you keep going home to live with your ‘Memère’ you’ll find yourself wound tighter and tighter in her apron strings till you’re an old man and can’t escape…” William Seward Burroughs camping as an André Gideian sophisticate lecturing the earnest Thomas Wolfean All-American youth Jack Kerouac who listens soberly dead-pan to “the most intelligent man in America” for a funny second’s charade in my living room 206 East 7th Street Apt 16, Manhattan, one evening Fall 1953.1953, printed laterGaleria Nacional de Arte
Untitled, from the book Liberté des libertés (Freedom of Freedoms), Joan Miró, 1971Joan MiróUntitled, from the book Liberté des libertés (Freedom of Freedoms)1971Yale University Art Gallery
Neal Cassady and Al Hinckle playing chess, San Jose 1955 (or Gough Street) (S.F.) -- both brakemen on S.P. Railroad., Allen Ginsberg, 1955, printed laterAllen GinsbergNeal Cassady and Al Hinckle playing chess, San Jose 1955 (or Gough Street) (S.F.) -- both brakemen on S.P. Railroad.1955, printed laterGaleria Nacional de Arte
Composition, Joan Miró, 1958Joan MiróComposition1958Yale University Art Gallery
Le petit chat au clair de la lune (The Little Cat in the Moonlight), Joan Miró, 1951Joan MiróLe petit chat au clair de la lune (The Little Cat in the Moonlight)1951Yale University Art Gallery
William S. Burroughs & Alene Lee -- _Queer_ & _Yage_ letters in progress or mss. finished by Fall 1953 -- here photo'd with Kodak Retina tiny camera on rooftop 206 East 7th St. my apartment., Allen Ginsberg, 1953, printed 1993Allen GinsbergWilliam S. Burroughs & Alene Lee -- _Queer_ & _Yage_ letters in progress or mss. finished by Fall 1953 -- here photo'd with Kodak Retina tiny camera on rooftop 206 East 7th St. my apartment.1953, printed 1993Galeria Nacional de Arte
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