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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Arte do pós-guerra, 1945–1975

223.220 obras de 458 museus1.980 expostas agoraLimpar

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In-text plate (page 9) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 9) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
In-text plate (page 12) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 12) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
Features from Currents, Robert Rauschenberg, 1970Robert RauschenbergFeatures from Currents1970Museu de Arte Moderna
Target I [state proof of 5th state], Jasper Johns, 1967Jasper JohnsTarget I [state proof of 5th state]1967Galeria Nacional de Arte
Tracks from Stoned Moon Series, Robert Rauschenberg, 1970Robert RauschenbergTracks from Stoned Moon Series1970Museu de Arte Moderna
Test Stone #7 (Torso) from Booster and 7 Studies, Robert Rauschenberg, 1967Robert RauschenbergTest Stone #7 (Torso) from Booster and 7 Studies1967Museu de Arte Moderna
Cup 2 Picasso [working proof], Jasper Johns, 1973Jasper JohnsCup 2 Picasso [working proof]1973Galeria Nacional de Arte
Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno1959-60Museu de Arte Moderna
Interior 2, Robert Rauschenberg, 1958Robert RauschenbergInterior 219583rd floor, Modern and Contemporary Art and DesignYale University Art Gallery
Targets [working proof], Jasper Johns, 1967-1968Jasper JohnsTargets [working proof]1967-1968Galeria Nacional de Arte
Spore, from the Stoned Moon Series, Robert Rauschenberg, 1969Robert RauschenbergSpore, from the Stoned Moon Series1969Yale University Art Gallery
Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
In-text plate (page II) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page II) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
Shades, Robert Rauschenberg, 1964Robert RauschenbergShades1964Museu de Arte Moderna
Test Stone #6 (Blue Cloud) from Booster and 7 Studies, Robert Rauschenberg, 1967Robert RauschenbergTest Stone #6 (Blue Cloud) from Booster and 7 Studies1967Museu de Arte Moderna
Cardbird Door from Cardbird Series, Robert Rauschenberg, 1971Robert RauschenbergCardbird Door from Cardbird Series1971Museu de Arte Moderna
Well Nell, Robert Rauschenberg, 1959Robert RauschenbergWell Nell1959Yale University Art Gallery
9 from 0-9 (Black) [trial proof], Jasper Johns, 1963Jasper Johns9 from 0-9 (Black) [trial proof]1963Galeria Nacional de Arte
Cunningham Relief (From Merce Cunningham and ...), Robert Rauschenberg, 1974Robert RauschenbergCunningham Relief (From Merce Cunningham and ...)1974Yale University Art Gallery
Visual Autobiography, Robert Rauschenberg, 1968Robert RauschenbergVisual Autobiography1968Yale University Art Gallery
Homage to Picasso from Homage to Picasso (Hommage à Picasso), Robert Rauschenberg, 1973Robert RauschenbergHomage to Picasso from Homage to Picasso (Hommage à Picasso)1973Museu de Arte Moderna
In-text plate (page 28) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 28) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Surface Series from Currents, Robert Rauschenberg, 1970Robert RauschenbergSurface Series from Currents1970Museu de Arte Moderna
In-text plate (page IV) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page IV) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
Untitled from The New York Collection for Stockholm, Robert Rauschenberg, 1973Robert RauschenbergUntitled from The New York Collection for Stockholm1973Museu de Arte Moderna
Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museu de Arte Moderna
In-text plate (page 20) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 20) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958Robert RauschenbergCanto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno1958Museu de Arte Moderna
Front Roll, Robert Rauschenberg, 1964Robert RauschenbergFront Roll1964Yale University Art Gallery
Loop, from the Stoned Moon Series, Robert Rauschenberg, 1969Robert RauschenbergLoop, from the Stoned Moon Series1969Yale University Art Gallery
Untitled, from the portfolio The New York Collection for Stockholm, Robert Rauschenberg, 1973Robert RauschenbergUntitled, from the portfolio The New York Collection for Stockholm1973Yale University Art Gallery
Prize, Robert Rauschenberg, 1964Robert RauschenbergPrize1964Yale University Art Gallery
Pinion [working proof], Jasper Johns, 1963-1966Jasper JohnsPinion [working proof]1963-1966Galeria Nacional de Arte
Pinion [working proof], Jasper Johns, 1963-1966Jasper JohnsPinion [working proof]1963-1966Galeria Nacional de Arte
Savarin from 1st Etchings [trial proof], Jasper Johns, 1968Jasper JohnsSavarin from 1st Etchings [trial proof]1968Galeria Nacional de Arte
Page 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE, Robert Rauschenberg, 1972–78Robert RauschenbergPage 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE1972–78Museu de Arte Moderna
Flags [working proof], Jasper Johns, 1967-1968Jasper JohnsFlags [working proof]1967-1968Galeria Nacional de Arte
Cup 2 Picasso [recto] [trial proof], Jasper Johns, 1973Jasper JohnsCup 2 Picasso [recto] [trial proof]1973Galeria Nacional de Arte
Plate (page 15) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergPlate (page 15) from Traces Suspectes en Surface1972–78, published 1978Museu de Arte Moderna
Watchman, Jasper Johns, 1967Jasper JohnsWatchman1967Galeria Nacional de Arte
Coconut, from the suite Crops, Robert Rauschenberg, 1973Robert RauschenbergCoconut, from the suite Crops1973Yale University Art Gallery
Treaty, Robert Rauschenberg, 1974Robert RauschenbergTreaty1974Yale University Art Gallery
Thirty-Four Illustrations for Dante’s Inferno, Robert Rauschenberg, 1964Robert RauschenbergThirty-Four Illustrations for Dante’s Inferno1964Yale University Art Gallery
Tampa 3, Robert Rauschenberg, 1972Robert RauschenbergTampa 31972Yale University Art Gallery
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