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Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation, Jacob Lawrence, 1940-41Jacob LawrenceAnother of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation1940-41Museu de Arte Moderna
One of the main forms of social and recreational activities in which the migrants indulged occurred in the church, Jacob Lawrence, 1940-41Jacob LawrenceOne of the main forms of social and recreational activities in which the migrants indulged occurred in the church1940-41Museu de Arte Moderna
Saint Jerome in the Wilderness, Follower of Pietro Perugino, c. 1490/1500anonymousSaint Jerome in the Wildernessc. 1490/1500Sala 20 · Edifício Oeste, piso principalGaleria Nacional de Arte
They were very poor, Jacob Lawrence, 1940-41Jacob LawrenceThey were very poor1940-41Museu de Arte Moderna
Virgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saint, anonymous, c. 1350 - c. 1399anonymousVirgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saintc. 1350 - c. 1399Museu Estatal de Amesterdão
The railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order, Jacob Lawrence, 1940-41Jacob LawrenceThe railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order1940-41Museu de Arte Moderna
In every home people who had not gone North met and tried to decide if they should go North or not, Jacob Lawrence, 1940-41Jacob LawrenceIn every home people who had not gone North met and tried to decide if they should go North or not1940-41Museu de Arte Moderna
Joueur de mandoline, Anonyme, XVIIIe siècle (1700 - 1800)anonymousJoueur de mandolineXVIIIe siècle (1700 - 1800)Museu do Louvre
Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries, Jacob Lawrence, 1940-41Jacob LawrenceRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries1940-41Museu de Arte Moderna
And people all over the South began to discuss this great movement, Jacob Lawrence, 1940-41Jacob LawrenceAnd people all over the South began to discuss this great movement1940-41Museu de Arte Moderna
They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41Jacob LawrenceThey also worked in large numbers on the railroad1940-41Museu de Arte Moderna
The Negro was the largest source of labor to be found after all others had been exhausted, Jacob Lawrence, 1940-41Jacob LawrenceThe Negro was the largest source of labor to be found after all others had been exhausted1940-41Museu de Arte Moderna
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred, Jacob Lawrence, 1940-41Jacob LawrenceAlthough the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred1940-41Museu de Arte Moderna
Saint Luke, Simone Martini, early 1330sSimone MartiniSaint Lukeearly 1330sMuseu J. Paul Getty
Pietà, Carlo Crivelli, 1476Carlo CrivelliPietà1476Sala 606Museu Metropolitano de Arte
Madonna and Child, Carlo Crivelli, ca. 1480Carlo CrivelliMadonna and Childca. 1480Sala 606Museu Metropolitano de Arte
An Apostle, Carlo Crivelli, ca. 1471–73Carlo CrivelliAn Apostleca. 1471–73Sala 954Museu Metropolitano de Arte
Office of the Tax Administration (Biccherna) of Siena, anonymous, 1451 - 1452anonymousOffice of the Tax Administration (Biccherna) of Siena1451 - 1452Museu Estatal de Amesterdão
Maria met kind, anonymous, c. 1375 - c. 1400anonymousMaria met kindc. 1375 - c. 1400Sala 0.2Museu Estatal de Amesterdão
In the North the Negro had better educational facilities, Jacob Lawrence, 1940-41Jacob LawrenceIn the North the Negro had better educational facilities1940-41Museu de Arte Moderna
Saint Siméon Stylite, Anonyme, 1e moitié du XVIIe siècle (vers 1600 - 1650)anonymousSaint Siméon Stylite1e moitié du XVIIe siècle (vers 1600 - 1650)Museu do Louvre
The migrants arrived in great numbers, Jacob Lawrence, 1940-41Jacob LawrenceThe migrants arrived in great numbers1940-41Museu de Arte Moderna
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home, Jacob Lawrence, 1940-41Jacob LawrenceThe World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home1940-41Museu de Arte Moderna
And the migrants kept coming, Jacob Lawrence, 1940-41Jacob LawrenceAnd the migrants kept coming1940-41Museu de Arte Moderna
The migration gained in momentum, Jacob Lawrence, 1940-41Jacob LawrenceThe migration gained in momentum1940-41Museu de Arte Moderna
Madonna and Child Enthroned, Carlo Crivelli, 1472Carlo CrivelliMadonna and Child Enthroned1472Sala 537Museu Metropolitano de Arte
The Negro press was also influential in urging the people to leave the South, Jacob Lawrence, 1940-41Jacob LawrenceThe Negro press was also influential in urging the people to leave the South1940-41Museu de Arte Moderna
The Conversion of Saint Paul, Benozzo GozzoliBenozzo GozzoliThe Conversion of Saint PaulSala 601Museu Metropolitano de Arte
Living conditions were better in the North, Jacob Lawrence, 1940-41Jacob LawrenceLiving conditions were better in the North1940-41Museu de Arte Moderna
Madonna and Child, Follower of Fra Filippo Lippi and Pesellino, c. 1470anonymousMadonna and Childc. 1470Sala 4 · Edifício Oeste, piso principalGaleria Nacional de Arte
Legend of a Knight (end panel of a cassone), anonymous, 1450 - 1474anonymousLegend of a Knight (end panel of a cassone)1450 - 1474Museu Estatal de Amesterdão
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous, Jacob Lawrence, 1940-41Jacob LawrenceIndustries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous1940-41Museu de Arte Moderna
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement, Jacob Lawrence, 1940-41Jacob LawrenceIn many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement1940-41Museu de Arte Moderna
Saint Jean Baptiste, Anonyme, Début du XVIe siècle (après 1500 - 1540)anonymousSaint Jean BaptisteDébut du XVIe siècle (après 1500 - 1540)Museu do Louvre
Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living, Jacob Lawrence, 1940-41Jacob LawrenceAmong one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living1940-41Museu de Arte Moderna
They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Jacob Lawrence, 1940-41Jacob LawrenceThey did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were1940-41Museu de Arte Moderna
Saint Peter and Simon Magus, Benozzo GozzoliBenozzo GozzoliSaint Peter and Simon MagusSala 601Museu Metropolitano de Arte
Tête de vieillard (Nicodème ?), Hans Baldung, 1530 versHans Baldung GrienTête de vieillard (Nicodème ?)1530 versMusée des Beaux-Arts et d'Archéologie de Besançon
Le Triomphe de saint Thomas d'Aquin, Gozzoli, Benozzo, 3e quart du XVe siècle (1450 - 1475)Benozzo GozzoliLe Triomphe de saint Thomas d'Aquin3e quart du XVe siècle (1450 - 1475)Salle 708, Aile Denon, Niveau 1Museu do Louvre
Saint Jerome in the Wilderness, Follower of Andrea Mantegna, c. 1475anonymousSaint Jerome in the Wildernessc. 1475Galeria Nacional de Arte
Horatius Cocles Defending the Sublician Bridge, anonymous, c. 1450anonymousHoratius Cocles Defending the Sublician Bridgec. 1450Room 0.5 · Renaissance in ItalyMuseu Estatal de Amesterdão
Madonna and Child, Marco Zoppo or Imitator, c. 1467/1468anonymousMadonna and Childc. 1467/1468Sala 13 · Edifício Oeste, piso principalGaleria Nacional de Arte
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes, Jacob Lawrence, 1940-41Jacob LawrenceChild labor and a lack of education was one of the other reasons for people wishing to leave their homes1940-41Museu de Arte Moderna
One of the largest race riots occurred in East St. Louis, Jacob Lawrence, 1940-41Jacob LawrenceOne of the largest race riots occurred in East St. Louis1940-41Museu de Arte Moderna
Vierge de Tendresse (Oumilénié), Anonyme, XIXe siècle (vers 1800 - 1900)anonymousVierge de Tendresse (Oumilénié)XIXe siècle (vers 1800 - 1900)Museu do Louvre
They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train, Jacob Lawrence, 1940-41Jacob LawrenceThey also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train1940-41Museu de Arte Moderna
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties, Jacob Lawrence, 1940-41Jacob LawrenceThe labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties1940-41Museu de Arte Moderna
They arrived in great numbers into Chicago, the gateway of the West, Jacob Lawrence, 1940-41Jacob LawrenceThey arrived in great numbers into Chicago, the gateway of the West1940-41Museu de Arte Moderna
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