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Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Text, Folio 44 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 44 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Posthumous portrait of Raja Chhatar Singh of Chamba smoking a hookah, c. 1700Posthumous portrait of Raja Chhatar Singh of Chamba smoking a hookahc. 1700Museu de Arte de Cleveland
Krishna Abhisarika Nayika, from a Rasikapriya manuscript, c. 1615–25Krishna Abhisarika Nayika, from a Rasikapriya manuscriptc. 1615–25Museu de Arte de Cleveland
Kedara Ragini, c. 1660–70Kedara Raginic. 1660–70Museu de Arte de Cleveland
Text, Folio 61 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 61 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Rama, Sita, and Lakshmana in the forest, c. 1830Rama, Sita, and Lakshmana in the forestc. 1830Museu de Arte de Cleveland
Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Tree, c. 1712–15Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Treec. 1712–15Museu de Arte de Cleveland
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”, c. 1560–70Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”c. 1560–70Museu de Arte de Cleveland
Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso), 1287Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso)1287Museu de Arte de Cleveland
Kali Dancing on Shiva (recto), from a Kalighat album, c. 1890Kali Dancing on Shiva (recto), from a Kalighat albumc. 1890Museu de Arte de Cleveland
Text, Folio 88 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 88 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Diptych with the Passion of Christ, c. 1400Diptych with the Passion of Christc. 1400111 German and Austrian GothicMuseu de Arte de Cleveland
The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night, c. 1560The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Nightc. 1560Museu de Arte de Cleveland
Balarama and Krishna, c. 1890Balarama and Krishnac. 1890Museu de Arte de Cleveland
Text, Folio 5 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 5 (recto), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, Basavana, c. 1560BasavanaThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560Museu de Arte de Cleveland
The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2, c. 1560Banavari 2The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)c. 1560Museu de Arte de Cleveland
Prince Amar Singh (1672–1710) Drives His Own Elephant, Mewar Stipple Master, c. 1695Mewar Stipple MasterPrince Amar Singh (1672–1710) Drives His Own Elephantc. 1695Museu de Arte de Cleveland
Shri Raga: An Illustration from a Ragamala Series, c. 1740Shri Raga: An Illustration from a Ragamala Seriesc. 1740Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandala, c. 1720King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandalac. 1720Museu de Arte de Cleveland
Draupadi Rescued from Abduction, from a Mahabharata, c. 1615Draupadi Rescued from Abduction, from a Mahabharatac. 1615Museu de Arte de Cleveland
Folio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso), Devachandra, 1279DevachandraFolio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso)1279Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, Basavana, c. 1560BasavanaPage from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560Museu de Arte de Cleveland
The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560Museu de Arte de Cleveland
Leaf Excised from a Psalter: Initial B with King David, c. 1260Leaf Excised from a Psalter: Initial B with King Davidc. 1260Museu de Arte de Cleveland
Jesus among the doctors in the Temple, Mir Kalan Khan, c. 1760Mir Kalan KhanJesus among the doctors in the Templec. 1760Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara), c. 1500Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara)c. 1500Museu de Arte de Cleveland
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, Govardhan, c. 1605–10GovardhanA Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Swordc. 1605–10Museu de Arte de Cleveland
Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso), c. 1890Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso)c. 1890Museu de Arte de Cleveland
Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Ghulam 'Ali, c. 1560Ghulam 'AliThe prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves), c. 1225–50Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves)c. 1225–50113 French Tapestries & Illuminated ManuscriptsMuseu de Arte de Cleveland
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
Bottom Cover for a Buddhist Manuscript (verso), c. 1700Bottom Cover for a Buddhist Manuscript (verso)c. 1700Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
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