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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey), c. 1775–80Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey)c. 1775–80Museu de Arte de Cleveland
The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Night, c. 1560The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Nightc. 1560Museu de Arte de Cleveland
Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutra, c. 1400Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutrac. 1400Museu de Arte de Cleveland
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Suraju, c. 1560SurajuThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Text, Folio 13 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 13 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Christ and the Woman of Samaria, Perugino, 1500/05Pietro PeruginoChrist and the Woman of Samaria1500/05Sala 205Art Institute of Chicago
St. Francis Kneeling before Christ on the Cross, Sassetta, 1437–1444SassettaSt. Francis Kneeling before Christ on the Cross1437–1444100 1916 LobbyMuseu de Arte de Cleveland
Matsya, Fish Avatara of Vishnu, c. 1890Matsya, Fish Avatara of Vishnuc. 1890Museu de Arte de Cleveland
Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Rooster, c. 1620Roosterc. 1620Museu de Arte de Cleveland
Blessed Lord Buddha, c. 1825–50Blessed Lord Buddhac. 1825–50Museu de Arte de Cleveland
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Nightc. 1560Museu de Arte de Cleveland
Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya, c. 1680Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriyac. 1680Museu de Arte de Cleveland
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1610Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)c. 1610Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Retable of Saints Athanasius, Blaise, and Agatha, Master of Riglos, 1440/45Master of RiglosRetable of Saints Athanasius, Blaise, and Agatha1440/45Art Institute of Chicago
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Nightc. 1560Museu de Arte de Cleveland
The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra, c. 1475–1500Birth of Nemi, Folio 48 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
The heroine who waits anxiously for her absent lover (Utka Nayika), c. 1800The heroine who waits anxiously for her absent lover (Utka Nayika)c. 1800242B Indian PaintingMuseu de Arte de Cleveland
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night, c. 1560The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Nightc. 1560Museu de Arte de Cleveland
A Mandi royal family member receives a noble, c. 1700–1720A Mandi royal family member receives a noblec. 1700–1720Museu de Arte de Cleveland
Flowering Marigold (verso), Hunhar II, c. 1765Hunhar IIFlowering Marigold (verso)c. 1765Museu de Arte de Cleveland
Two Elephants Fighting in a Courtyard Before Muhammad Shah, Nainsukh, c. 1730–40NainsukhTwo Elephants Fighting in a Courtyard Before Muhammad Shahc. 1730–40Museu de Arte de Cleveland
Text, Folio 33 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 33 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, Folio 58 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 58 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Portræthoved af en ældre mand, Ubekendt, 1401-1500UbekendtPortræthoved af en ældre mand1401-1500Museu Nacional de Arte da Dinamarca
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Nightc. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Bejeweled Buddha Preaching, 1648Bejeweled Buddha Preaching1648Museu de Arte de Cleveland
A princess on a terrace with attendants at night (recto); Calligraphy (verso), c. 1760A princess on a terrace with attendants at night (recto); Calligraphy (verso)c. 1760Museu de Arte de Cleveland
The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night, Banavari 1, c. 1560Banavari 1The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
Opium Smokers Served Fruit and Bread, c. 1750Opium Smokers Served Fruit and Breadc. 1750Museu de Arte de Cleveland
Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat album, c. 1890Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat albumc. 1890Museu de Arte de Cleveland
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
A Young, Angry Heroine, Folio 28 from a Rasamanjari, c. 1615–20A Young, Angry Heroine, Folio 28 from a Rasamanjaric. 1615–20Museu de Arte de Cleveland
Shiva and Devi on Gajasura's hide, c. 1675–80Shiva and Devi on Gajasura's hidec. 1675–80Museu de Arte de Cleveland
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