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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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O impressionismo, 1860–1905

396.243 obras de 654 museus3.396 expostas agoraLimpar

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El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876Yale University Art Gallery
Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876Yale University Art Gallery
Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876Yale University Art Gallery
El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876Yale University Art Gallery
Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1876Yale University Art Gallery
Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1876Yale University Art Gallery
Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSe defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Cheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition)1876Yale University Art Gallery
Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1876Yale University Art Gallery
Aun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1876Yale University Art Gallery
No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863Yale University Art Gallery
Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876Yale University Art Gallery
Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1876Yale University Art Gallery
Tampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Y esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaY esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Algun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAlgun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Qué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Las camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLas camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEl buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876Yale University Art Gallery
Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876Yale University Art Gallery
Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876Yale University Art Gallery
Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAl cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMuertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1876Yale University Art Gallery
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia1876Yale University Art Gallery
Gatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1876Yale University Art Gallery
Estragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEstragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Enterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1876Yale University Art Gallery
Populacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPopulacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Bárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaBárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Si son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSi son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
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