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Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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O impressionismo, 1860–1905

409.850 obras de 654 museus3.481 expostas agoraLimpar

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Brunnhilde, Odilon Redon, 1894Odilon RedonBrunnhilde1894Galeria Nacional de Arte
Arbre (Tree), Odilon Redon, 1892Odilon RedonArbre (Tree)1892Galeria Nacional de Arte
Cellule Auriculaire, Odilon Redon, 1894Odilon RedonCellule Auriculaire1894Galeria Nacional de Arte
La Peur (Fear), Odilon Redon, 1865Odilon RedonLa Peur (Fear)1865Galeria Nacional de Arte
Cheval aile (Winged Horse), Odilon Redon, 1894Odilon RedonCheval aile (Winged Horse)1894Galeria Nacional de Arte
L'Aile (The Wing), Odilon Redon, 1893Odilon RedonL'Aile (The Wing)1893Galeria Nacional de Arte
La Sulamite (The Shulamite), Odilon Redon, 1897Odilon RedonLa Sulamite (The Shulamite)1897Galeria Nacional de Arte
Yeux Clos (Closed Eyes), Odilon Redon, 1890Odilon RedonYeux Clos (Closed Eyes)1890Galeria Nacional de Arte
C'etait un voile, un empreinte (It was a veil, an imprint), Odilon Redon, 1891Odilon RedonC'etait un voile, un empreinte (It was a veil, an imprint)1891Galeria Nacional de Arte
La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!), Odilon Redon, 1889Odilon RedonLa Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!)1889Galeria Nacional de Arte
Femme a la torque ornee (Woman with a plumed hat), Odilon Redon, c. 1900Odilon RedonFemme a la torque ornee (Woman with a plumed hat)c. 1900Galeria Nacional de Arte
The Devil (Le Diable), Odilon Redon, 1896-1900Odilon RedonThe Devil (Le Diable)1896-1900Galeria Nacional de Arte
Paul Serusier, Odilon Redon, 1903Odilon RedonPaul Serusier1903Galeria Nacional de Arte
Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven), Odilon Redon, 1899Odilon RedonEt moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven)1899Galeria Nacional de Arte
Village by the Sea in Brittany, Odilon Redon, c. 1880Odilon RedonVillage by the Sea in Brittanyc. 1880Sala 91 · Edifício Oeste, piso principalGaleria Nacional de Arte
L'Aile impuissante n'eleva point la bete en ces noirs espaces (The impotent wing did not lift the animal into that black space, Odilon Redon, 1883Odilon RedonL'Aile impuissante n'eleva point la bete en ces noirs espaces (The impotent wing did not lift the animal into that black space1883Galeria Nacional de Arte
Une longue chrysalide couleur de sang (A longchrysalis, the color of blood), Odilon Redon, 1889Odilon RedonUne longue chrysalide couleur de sang (A longchrysalis, the color of blood)1889Galeria Nacional de Arte
Le Gue (The Ford), Odilon Redon, 1865Odilon RedonLe Gue (The Ford)1865Galeria Nacional de Arte
Le Buddha, Odilon Redon, 1895Odilon RedonLe Buddha1895Galeria Nacional de Arte
Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword), Odilon Redon, 1899Odilon RedonEt il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword)1899Galeria Nacional de Arte
Winged Horse (Cheval aile), Odilon Redon, 1895Odilon RedonWinged Horse (Cheval aile)1895Galeria Nacional de Arte
Et le lia pour mille ans (And bound him a thousand years), Odilon Redon, 1899Odilon RedonEt le lia pour mille ans (And bound him a thousand years)1899Galeria Nacional de Arte
Sous l'aile d'ombre, l'etre noir appliquait une active morsure (Beneath the wing of shadow the black creature was biting energetically), Odilon Redon, 1891Odilon RedonSous l'aile d'ombre, l'etre noir appliquait une active morsure (Beneath the wing of shadow the black creature was biting energetically)1891Galeria Nacional de Arte
Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle), Odilon Redon, 1899Odilon RedonEt un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle)1899Galeria Nacional de Arte
Puis l'ange prit l'encensoir (And the angel took the censer), Odilon Redon, 1899Odilon RedonPuis l'ange prit l'encensoir (And the angel took the censer)1899Galeria Nacional de Arte
Lumiere (Light), Odilon Redon, 1893Odilon RedonLumiere (Light)1893Galeria Nacional de Arte
Les Sciapodes: La tete le plus bas possible, c'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!"), Odilon Redon, 1889Odilon RedonLes Sciapodes: La tete le plus bas possible, c'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!")1889Galeria Nacional de Arte
Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower), Odilon Redon, 1883Odilon RedonIl y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower)1883Galeria Nacional de Arte
Roger Marx, Odilon Redon, 1904Odilon RedonRoger Marx1904Galeria Nacional de Arte
Les Fleurs du Mal, Odilon Redon, 1890Odilon RedonLes Fleurs du Mal1890Galeria Nacional de Arte
Béatrice, Odilon Redon, 1897Odilon RedonBéatrice1897Galeria Nacional de Arte
Vieux Chevalier (Old Knight), Odilon Redon, 1896Odilon RedonVieux Chevalier (Old Knight)1896Galeria Nacional de Arte
Et la-bas l'idole astrale, l'Apotheose (And beyond, the star idol, the apotheosis), Odilon Redon, 1891Odilon RedonEt la-bas l'idole astrale, l'Apotheose (And beyond, the star idol, the apotheosis)1891Galeria Nacional de Arte
Femme de Profil (Profile of a Woman), Odilon Redon, 1900Odilon RedonFemme de Profil (Profile of a Woman)1900Galeria Nacional de Arte
Saint-Antoine: Il doit y avoir quelque part des figures primordiales dont les corps ne sont que les images (Saint Anthony: "Somewhere there must be primordial shapes whose bodiesare only images"), Odilon Redon, 1889Odilon RedonSaint-Antoine: Il doit y avoir quelque part des figures primordiales dont les corps ne sont que les images (Saint Anthony: "Somewhere there must be primordial shapes whose bodiesare only images")1889Galeria Nacional de Arte
Apres cela je vis descendre du ciel un ange qui avait la clef de l'abime, et une grande chaine en sa main (And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand), Odilon Redon, 1899Odilon RedonApres cela je vis descendre du ciel un ange qui avait la clef de l'abime, et une grande chaine en sa main (And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand)1899Galeria Nacional de Arte
Le Sphynx...mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere: Moi,Je suis legere et joyeuse (The Sphinx: "My gaze, which nothing can deflect, passes through the things and remains fixed on an inaccessible horizon." The Chimera: "I am weightless and joyful"), Odilon Redon, 1889Odilon RedonLe Sphynx...mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere: Moi,Je suis legere et joyeuse (The Sphinx: "My gaze, which nothing can deflect, passes through the things and remains fixed on an inaccessible horizon." The Chimera: "I am weightless and joyful")1889Galeria Nacional de Arte
Edouard Vuillard, Odilon Redon, 1900Odilon RedonEdouard Vuillard1900Galeria Nacional de Arte
Pélerin du monde sublunaire (Pilgrim of the sublunary world), Odilon Redon, 1891Odilon RedonPélerin du monde sublunaire (Pilgrim of the sublunary world)1891Galeria Nacional de Arte
Maurice Denis, Odilon Redon, 1903Odilon RedonMaurice Denis1903Galeria Nacional de Arte
Druidesse, Odilon Redon, 1892Odilon RedonDruidesse1892Galeria Nacional de Arte
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices), Odilon Redon, 1896-1900Odilon RedonSaint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices)1896-1900Galeria Nacional de Arte
The Shadow (L'Ombre), Odilon Redon, 1896-1900Odilon RedonThe Shadow (L'Ombre)1896-1900Galeria Nacional de Arte
The Haunting (Hantise), Odilon Redon, 1893Odilon RedonThe Haunting (Hantise)1893Galeria Nacional de Arte
The Dog, Odilon Redon, 1896Odilon RedonThe Dog1896Galeria Nacional de Arte
The Headhunter and His Family, Odilon Redon, c. 1870Odilon RedonThe Headhunter and His Familyc. 1870Galeria Nacional de Arte
The Queen of Sheba (La Reine de Saba), Odilon Redon, 1896-1900Odilon RedonThe Queen of Sheba (La Reine de Saba)1896-1900Galeria Nacional de Arte
Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp), Odilon Redon, 1899Odilon RedonEt il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp)1899Galeria Nacional de Arte
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