ART WIKI 37.788 em exposição

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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Pena e tinta

60.822 obras de 131 museus44 expostas agora Limpar tudo

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Todas
Grafite137.439
Pena e tinta60.822
Aquarela58.381
Tinta51.491
Giz39.881
Guache9.482
Carvão8.850
Pastel4.205
Óleo2.434
Ponta de prata430
Técnica mista297

Christie's Auction Room, Pall Mall, Thomas Rowlandson, ca. 1808–10

Thomas RowlandsonChristie's Auction Room, Pall Mallca. 1808–10Museu Metropolitano de Arte

Woodland River with a Boat, Agostino Carracci, c. 1590

Agostino CarracciWoodland River with a Boatc. 1590Galeria Nacional de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

The Squire's Kitchen, Thomas Rowlandson, late 18th–early 19th century

Thomas RowlandsonThe Squire's Kitchenlate 18th–early 19th centuryMuseu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway" (A), Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway" (A)c. 1983/1985Galeria Nacional de Arte

Male Head in a Hood, Baron Dominique Vivant Denon, ca. 1794

Dominique Vivant DenonMale Head in a Hoodca. 1794Museu Metropolitano de Arte

Wooded hillside with deer, Thomas Rowlandson, 1780–1827

Thomas RowlandsonWooded hillside with deer1780–1827Museu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway" (C), Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway" (C)c. 1983/1985Galeria Nacional de Arte

Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci, 1577–1602

Agostino CarracciStudies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)1577–1602Museu Metropolitano de Arte

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci, ca. 1590–93

Agostino CarracciSeated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)ca. 1590–93Museu Metropolitano de Arte

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci, 1600–02

Agostino CarracciFigure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)1600–02Museu Metropolitano de Arte

Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci, 1557–1602

Agostino CarracciStudies of Nudes and Human Heads (recto and on the verso)1557–1602Museu Metropolitano de Arte

Italian Landscape (after Titian), John Evelyn, 1656

John EvelynItalian Landscape (after Titian)1656Centro de Arte Britânico de Yale

A Blacksmith, Thomas Rowlandson, 18th–19th century

Thomas RowlandsonA Blacksmith18th–19th centuryMuseu Metropolitano de Arte

A Military Review, Thomas Rowlandson, late 18th–early 19th century

Thomas RowlandsonA Military Reviewlate 18th–early 19th centuryMuseu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

City View with Medieval Gate (perhaps York), Thomas Rowlandson, 1775–1827

Thomas RowlandsonCity View with Medieval Gate (perhaps York)1775–1827Museu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

Dominique Vivant DenonHead of a soldier in profile, with a sword handleca. 1794Museu Metropolitano de Arte

An Irish Howl, Thomas Rowlandson, ca. 1799

Thomas RowlandsonAn Irish Howlca. 1799Museu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

Joe Welch, Ben Shahn, 1954

Ben ShahnJoe Welch1954Yale University Art Gallery

Human Skeleton, Posterior View, George Stubbs, 1795 to 1806

George StubbsHuman Skeleton, Posterior View1795 to 1806Centro de Arte Britânico de Yale

How to Escape Losing, Thomas Rowlandson, ca. 1791

Thomas RowlandsonHow to Escape Losingca. 1791Museu Metropolitano de Arte

Seated Male Nude [recto], Agostino Carracci, 1600/1602

Agostino CarracciSeated Male Nude [recto]1600/1602Galeria Nacional de Arte

Sketch for "Building - Blocks for a Doorway" (D), Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway" (D)c. 1983/1985Galeria Nacional de Arte

Head of a Faun in a Concave Roundel, Agostino Carracci, probably c. 1595

Agostino CarracciHead of a Faun in a Concave Roundelprobably c. 1595Galeria Nacional de Arte

Landscape with Two Washerwomen, Agostino Carracci, 1580s

Agostino CarracciLandscape with Two Washerwomen1580sGaleria Nacional de Arte

Saint Paul Preaching, Attributed to Agostino Carracci

Agostino CarracciSaint Paul PreachingGaleria Nacional de Arte

A Group of Shepherds, and Other Studies, Agostino Carracci, about 1598–1600

Agostino CarracciA Group of Shepherds, and Other Studiesabout 1598–1600Museu J. Paul Getty

Landscape with The Temptation of Christ, Agostino Carracci, 1580s

Agostino CarracciLandscape with The Temptation of Christ1580sYale University Art Gallery

Mascherone, Agostino Carracci, secc. XVI/ XVII

Agostino CarracciMascheronesecc. XVI/ XVIIAccademia

The Q A loaded with the spoils of India and Britain, March 6, 1788, Thomas Rowlandson, ca. 1788

Thomas RowlandsonThe Q A loaded with the spoils of India and Britain, March 6, 1788ca. 1788Museu Metropolitano de Arte

Wooded Landscape with Ruins, Thomas Rowlandson, 1780–1827

Thomas RowlandsonWooded Landscape with Ruins1780–1827Museu Metropolitano de Arte

A Gaming Table at Devonshire House, Thomas Rowlandson, 1791

Thomas RowlandsonA Gaming Table at Devonshire House1791Museu Metropolitano de Arte

Human Skeleton, Anterior View, George Stubbs, 1795 to 1806

George StubbsHuman Skeleton, Anterior View1795 to 1806Centro de Arte Britânico de Yale

A Young Woman Sewing [recto], Vivant Denon, c. 1790

Dominique Vivant DenonA Young Woman Sewing [recto]c. 1790Galeria Nacional de Arte

Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II), Baron Dominique Vivant Denon, ca. 1794

Dominique Vivant DenonCaricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II)ca. 1794Museu Metropolitano de Arte

Replacements in the Parisian Guard Playing Cards in 1795, Baron Dominique Vivant Denon, ca. 1795

Dominique Vivant DenonReplacements in the Parisian Guard Playing Cards in 1795ca. 1795Museu Metropolitano de Arte

Self-Portrait as a Young Man, Baron Dominique Vivant Denon, ca. 1780

Dominique Vivant DenonSelf-Portrait as a Young Manca. 1780Museu Metropolitano de Arte

Harbor scene, Thomas Rowlandson, 1775–1827

Thomas RowlandsonHarbor scene1775–1827Museu Metropolitano de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

The Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795, Baron Dominique Vivant Denon, ca. 1795

Dominique Vivant DenonThe Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795ca. 1795Museu Metropolitano de Arte

Balancing Acrobat, Ben Shahn, 1940s-1960s

Ben ShahnBalancing Acrobat1940s-1960sGaleria Nacional de Arte

Sketch for "Building - Blocks for a Doorway" (E), Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway" (E)c. 1983/1985Galeria Nacional de Arte

Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galeria Nacional de Arte

Sketch for "Building - Blocks for a Doorway" (Doorway), Vito Acconci, c. 1983/1985

Vito AcconciSketch for "Building - Blocks for a Doorway" (Doorway)c. 1983/1985Galeria Nacional de Arte

Tiger Skeleton, Lateral View, George Stubbs, 1795 to 1806

George StubbsTiger Skeleton, Lateral View1795 to 1806Centro de Arte Britânico de Yale

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