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Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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The Man of Wealth and Pride Takes up a Space that Many Poor Supplied, Edwin Austin Abbey, 1873Edwin Austin AbbeyThe Man of Wealth and Pride Takes up a Space that Many Poor Supplied1873Yale University Art Gallery
"How say you Madam?" - Act II, Scene III, King Henry VI (Part I), Edwin Austin Abbey, 1909Edwin Austin Abbey"How say you Madam?" - Act II, Scene III, King Henry VI (Part I)1909Yale University Art Gallery
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Song, from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeySong, from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Sketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Two gentlemen - unidentified cartoon, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo gentlemen - unidentified cartoonn.d.Yale University Art Gallery
Sketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Seated man in cloak, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeySeated man in cloak, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Woman in toga with garlands, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman in toga with garlands, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Sketch for a greeting card: ALL GOOD WISHES FOR 1911 from..., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: ALL GOOD WISHES FOR 1911 from...n.d.Yale University Art Gallery
Entrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well, Edwin Austin Abbey, August 1890Edwin Austin AbbeyEntrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well1890Yale University Art Gallery
King: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyKing: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well1891Yale University Art Gallery
Autolycus, Act IV, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyAutolycus, Act IV, Scene ii, The Winter's Tale1892Yale University Art Gallery
Party in a Victorian Home - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyParty in a Victorian Home - unidentified illustrationn.d.Yale University Art Gallery
Landscape with figure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyLandscape with figuren.d.Yale University Art Gallery
"The hawthorne bush, with seats beneath the shade" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"The hawthorne bush, with seats beneath the shade" from The Deserted Villageca. 1898Yale University Art Gallery
"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet, Edwin Austin Abbey, 1902Edwin Austin Abbey"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet1902Yale University Art Gallery
Spirit: "Adsum," from King Henry VI, Part II, act 1, scene 4, Edwin Austin Abbey, 1903Edwin Austin AbbeySpirit: "Adsum," from King Henry VI, Part II, act 1, scene 41903Yale University Art Gallery
Study for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, 1891Edwin Austin AbbeyStudy for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)1891Yale University Art Gallery
Sketch for "Sally in Our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Sally in Our Alley," from Old Songs1886Yale University Art Gallery
"What should this mean?" - Act III, Scene II, King Henry VIII, Edwin Austin Abbey, 1908Edwin Austin Abbey"What should this mean?" - Act III, Scene II, King Henry VIII1908Yale University Art Gallery
The Three Coffers, from Merchant of Venice, Edwin Austin Abbey, ca. 1888Edwin Austin AbbeyThe Three Coffers, from Merchant of Veniceca. 1888Yale University Art Gallery
Jaquenetta, from Act I, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyJaquenetta, from Act I, Scene ii, Love's Labour's Lost1891Yale University Art Gallery
Ursula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyUrsula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing1891Yale University Art Gallery
Bassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyBassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Ventidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra, Edwin Austin Abbey, 1908Edwin Austin AbbeyVentidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra1908Yale University Art Gallery
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Study of man's head and a floor plan, on opposite sides of page., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man's head and a floor plan, on opposite sides of page.n.d.Yale University Art Gallery
Clown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night1891Yale University Art Gallery
Rosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like It, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like Itca. 1890Yale University Art Gallery
Study of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet", Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyStudy of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet"ca. 1902Yale University Art Gallery
Woman with bucket on her head, wing chair on reverse - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman with bucket on her head, wing chair on reverse - unidentified illustrationn.d.Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of drapery, Edwin Austin Abbey, before 1901Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of draperybefore 1901Yale University Art Gallery
"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, 1889Edwin Austin Abbey"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 571889Yale University Art Gallery
Preliminary sketch for Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsorca. 1888/9Yale University Art Gallery
Cressida and her uncle, from Troilus and Cressida, Edwin Austin Abbey, 1907Edwin Austin AbbeyCressida and her uncle, from Troilus and Cressida1907Yale University Art Gallery
Study of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)n.d.Yale University Art Gallery
Sketch for a verse: "A Bucolick or Discovre of Neatherds", Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a verse: "A Bucolick or Discovre of Neatherds"n.d.Yale University Art Gallery
Study of street scene with sedan chair., Edwin Austin Abbey, 1890Edwin Austin AbbeyStudy of street scene with sedan chair.1890Yale University Art Gallery
Sketch of a woman with tray and book - unidentified illustration (to a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman with tray and book - unidentified illustration (to a play?)n.d.Yale University Art Gallery
The Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona1891Yale University Art Gallery
Figures at a table - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures at a table - unidentified illustrationn.d.Yale University Art Gallery
Rosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyRosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lostca. 1891Yale University Art Gallery
Dromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyDromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors1889Yale University Art Gallery
Sketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso)ca. 1889Yale University Art Gallery
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