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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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52.001 obras de 131 museus44 expostas agoraLimpar tudo

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Lovers, Max BeckmannMax BeckmannLoversGaleria Nacional de Arte
Robert (maquette), Chuck Close, 1973Chuck CloseRobert (maquette)1973Museu de Arte Moderna
Signature, "TH. Nast, Oct. 17, 1901", Thomas Nast, 1901Thomas NastSignature, "TH. Nast, Oct. 17, 1901"1901Galeria Nacional de Arte
Sitzende Figur mit verdecktem Gesicht (Seated Figure with Covered Face) [p. 8], Max BeckmannMax BeckmannSitzende Figur mit verdecktem Gesicht (Seated Figure with Covered Face) [p. 8]Galeria Nacional de Arte
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South', Edward Lear, undatedEdward LearIllustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'undatedCentro de Arte Britânico de Yale
Fünf kleine Skizzen mit Bezeichnung (Five Small Sketches with Inscriptions) [p. 52], Max BeckmannMax BeckmannFünf kleine Skizzen mit Bezeichnung (Five Small Sketches with Inscriptions) [p. 52]Galeria Nacional de Arte
Kneeling Figure, Max BeckmannMax BeckmannKneeling FigureGaleria Nacional de Arte
Seiltänzer (Tightrope Walker) [p. 1], Max BeckmannMax BeckmannSeiltänzer (Tightrope Walker) [p. 1]Galeria Nacional de Arte
Death Before Dishonor, Thomas Nast, 1884Thomas NastDeath Before Dishonor1884Yale University Art Gallery
Bismark, the French Republic, and figure of Revolution, Thomas Nast, n.d.Thomas NastBismark, the French Republic, and figure of Revolutionn.d.Yale University Art Gallery
The Capital Ceiling Scandal, Thomas Nast, 1889Thomas NastThe Capital Ceiling Scandal1889Yale University Art Gallery
Assorted Drawings, Thomas Nast, n.d.Thomas NastAssorted Drawingsn.d.Yale University Art Gallery
Study for Poster Using the Lipstick: “Russia”, Claes Oldenburg, 1970Claes OldenburgStudy for Poster Using the Lipstick: “Russia”1970Yale University Art Gallery
The Pontine Marshes above Terracina, Edward Lear, ca. 1880Edward LearThe Pontine Marshes above Terracinaca. 1880Centro de Arte Britânico de Yale
Notebook Page [no title], Claes Oldenburg, 1969Claes OldenburgNotebook Page [no title]1969Yale University Art Gallery
"It Leads Us To A Challenge." "It was Indeed a Wild and Reckless Sacrifice of Blood and Money to Save One's Country to be Ruled over by one so Ungrateful!", Thomas Nast, 1893Thomas Nast"It Leads Us To A Challenge." "It was Indeed a Wild and Reckless Sacrifice of Blood and Money to Save One's Country to be Ruled over by one so Ungrateful!"1893Yale University Art Gallery
D. B. Hill, Thomas Nast, n.d.Thomas NastD. B. Hilln.d.Yale University Art Gallery
Tell the Truth, Thomas Nast, n.d.Thomas NastTell the Truthn.d.Yale University Art Gallery
Corfu, Edward Lear, 1857Edward LearCorfu1857Centro de Arte Britânico de Yale
Frau hinter Baum (Woman Behind a Tree) [p. 7], Max BeckmannMax BeckmannFrau hinter Baum (Woman Behind a Tree) [p. 7]Galeria Nacional de Arte
Let Us Have Peace, Thomas Nast, 1889Thomas NastLet Us Have Peace1889Yale University Art Gallery
The Tall Sycamore Swinging the British Lion by the Tail (Senator Voorhees), Thomas Nast, 1882Thomas NastThe Tall Sycamore Swinging the British Lion by the Tail (Senator Voorhees)1882Yale University Art Gallery
English Syndicate (British Gold), Thomas Nast, 1889Thomas NastEnglish Syndicate (British Gold)1889Yale University Art Gallery
The Dead Sea, 16 and 17 April 1858, Edward Lear, April 16 and 17, 1858Edward LearThe Dead Sea, 16 and 17 April 1858April 16 and 17, 1858Centro de Arte Britânico de Yale
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks1969Yale University Art Gallery
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade', Edward Lear, undatedEdward LearIllustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'undatedCentro de Arte Britânico de Yale
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “a.a.gun emplacement”, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “a.a.gun emplacement”1969Yale University Art Gallery
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “TATLIN”, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “TATLIN”1969Yale University Art Gallery
Liegende Frau in Wäsche (Partial Nude) [p. 29], Max BeckmannMax BeckmannLiegende Frau in Wäsche (Partial Nude) [p. 29]Galeria Nacional de Arte
Kneeling Female Nude, Max BeckmannMax BeckmannKneeling Female NudeGaleria Nacional de Arte
Figuren in Interieur (Figural Group in Interior) [p. 1], Max BeckmannMax BeckmannFiguren in Interieur (Figural Group in Interior) [p. 1]Galeria Nacional de Arte
Catania, Edward Lear, 1847Edward LearCatania1847Centro de Arte Britânico de Yale
To the Victors Belong the Spoils, Thomas Nast, 1889Thomas NastTo the Victors Belong the Spoils1889Yale University Art Gallery
Black Polo Pony (N.Y.) Tossing Rider (James G. Blaine) Marked "Trusts", Thomas Nast, 1888Thomas NastBlack Polo Pony (N.Y.) Tossing Rider (James G. Blaine) Marked "Trusts"1888Yale University Art Gallery
Sheet of Sequential Drawings About Music, Thomas Nast, n.d.Thomas NastSheet of Sequential Drawings About Musicn.d.Yale University Art Gallery
Free Education, Thomas Nast, 1889Thomas NastFree Education1889Yale University Art Gallery
Study for "The Women's Table", Maya Lin, 1993Maya LinStudy for "The Women's Table"1993Yale University Art Gallery
Entwurf zu "Vogelspiel" (Sketch for "Birdplay") [p. 31], Max Beckmann, 1944-1949Max BeckmannEntwurf zu "Vogelspiel" (Sketch for "Birdplay") [p. 31]1944-1949Galeria Nacional de Arte
Two Men on a Boardwalk, Max Beckmann, in or after 1945Max BeckmannTwo Men on a Boardwalkin or after 1945Galeria Nacional de Arte
Agios Prokopios, Corfu, 12 May 1862, Edward Lear, 1862Edward LearAgios Prokopios, Corfu, 12 May 18621862Centro de Arte Britânico de Yale
Zirkusszene (Circus Scene) [p. 14], Max BeckmannMax BeckmannZirkusszene (Circus Scene) [p. 14]Galeria Nacional de Arte
Siracusa, 12. June 1847, Edward Lear, 1847Edward LearSiracusa, 12. June 18471847Centro de Arte Britânico de Yale
The Capo Sant' Angelo, Amalfi, Edward Lear, ca. 1885Edward LearThe Capo Sant' Angelo, Amalfica. 1885Centro de Arte Britânico de Yale
Never Did Care For Christian Enlightenment, Thomas Nast, 1896Thomas NastNever Did Care For Christian Enlightenment1896Yale University Art Gallery
Wady Feiran, Peninsula of Mt. Sinai, Edward Lear, ca. 1880Edward LearWady Feiran, Peninsula of Mt. Sinaica. 1880Centro de Arte Britânico de Yale
Val di Roppa, Corfu, 22 May 1868, Edward Lear, 1868Edward LearVal di Roppa, Corfu, 22 May 18681868Centro de Arte Britânico de Yale
The English-Speaking Race One and Inseparable Unite in Keeping the Trident in It's Own Hands, Thomas Nast, n.d.Thomas NastThe English-Speaking Race One and Inseparable Unite in Keeping the Trident in It's Own Handsn.d.Yale University Art Gallery
War Bulletin. Latest News. Another Brewery Captured by the English Syndicate, Thomas Nast, 1889Thomas NastWar Bulletin. Latest News. Another Brewery Captured by the English Syndicate1889Yale University Art Gallery
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