ART WIKI37.788 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

Seções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Roubadas e perdidas
  • Incorporar status de uma obra
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
  • Sobre
  • Termos de uso
InícioMapaCatálogo

Catálogo

Pena e tinta

60.822 obras de 131 museus44 expostas agoraLimpar tudo

/
Técnica
  • Todas
  • Grafite137.439
  • Pena e tinta60.822
  • Aquarela58.381
  • Tinta51.491
  • Giz39.881
  • Guache9.482
  • Carvão8.850
  • Pastel4.205
  • Óleo2.434
  • Ponta de prata430
  • Técnica mista297
Wandelend paar bij maanlicht, Gesina ter Borch, in or after c. 1654 - in or before c. 1659Gesina ter BorchWandelend paar bij maanlichtin or after c. 1654 - in or before c. 1659Museu Estatal de Amesterdão
Allegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni), Felice Giani, 1784Felice GianiAllegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni)1784Yale University Art Gallery
Untitled [&gm?] (recto and verso), James Castle, mid-20th centuryJames CastleUntitled [&gm?] (recto and verso)mid-20th centuryYale University Art Gallery
Three Herms: Pan, Flora, Aesculapius, Felice Giani, ca. 1790–1800Felice GianiThree Herms: Pan, Flora, Aesculapiusca. 1790–1800Yale University Art Gallery
Capriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creatures, Felice Giani, ca. 1800Felice GianiCapriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creaturesca. 1800Yale University Art Gallery
Two sculptures on pedestals, Felice Giani, 18th–19th centuryFelice GianiTwo sculptures on pedestals18th–19th centuryMuseu Metropolitano de Arte
Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso)1672–1725Museu Metropolitano de Arte
Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso)1672–1725Museu Metropolitano de Arte
Design for a Frame Decorated with a Shell Motif, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Frame Decorated with a Shell Motif1672–1725Museu Metropolitano de Arte
Studies for a Kneeling Figure of Christ and Altar Fronts, Giovanni Battista Foggini, 1652–1725Giovanni Battista FogginiStudies for a Kneeling Figure of Christ and Altar Fronts1652–1725Museu Metropolitano de Arte
Two Studies for Helmet Designs Presented En Profil, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiTwo Studies for Helmet Designs Presented En Profil1672–1725Museu Metropolitano de Arte
Design for an Epitaph, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for an Epitaph1672–1725Museu Metropolitano de Arte
Galatea with the Rape of Europa in the Background, Felice Giani, ca. 1770–80Felice GianiGalatea with the Rape of Europa in the Backgroundca. 1770–80Yale University Art Gallery
Untitled [&gm?] (recto and verso), James Castle, mid-20th centuryJames CastleUntitled [&gm?] (recto and verso)mid-20th centuryYale University Art Gallery
Demetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 1756, Felice Giani, 18th centuryFelice GianiDemetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 175618th centuryYale University Art Gallery
Untitled [PURSE!] (recto and verso), James Castle, mid-20th centuryJames CastleUntitled [PURSE!] (recto and verso)mid-20th centuryYale University Art Gallery
Garden at the Villa Aldini at Montmorency, France, Felice Giani, 1810Felice GianiGarden at the Villa Aldini at Montmorency, France1810Yale University Art Gallery
Design for Vase with Eagles, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for Vase with Eagles1672–1725Museu Metropolitano de Arte
Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Statue consisting of a Satyr and Satyress Lifting a Vase1672–1725Museu Metropolitano de Arte
Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Chalice (recto); Design for the Base of a Vase (verso)1672–1725Museu Metropolitano de Arte
Table or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiTable or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso)1672–1725Museu Metropolitano de Arte
Design for a Console or Capital with a Cherub, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Console or Capital with a Cherub1672–1725Museu Metropolitano de Arte
Design for Suspended Censer, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for Suspended Censer1672–1725Museu Metropolitano de Arte
Design for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso)1672–1725Museu Metropolitano de Arte
Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesigns for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)1672–1725Museu Metropolitano de Arte
Ancient Scene with a Funeral Ceremony for an Actor, Louis Jean Desprez, ca. 1777Louis Jean DesprezAncient Scene with a Funeral Ceremony for an Actorca. 1777Museu Metropolitano de Arte
A Reliquary of Saint Sigismondo, Giovanni Battista Foggini, 1719Giovanni Battista FogginiA Reliquary of Saint Sigismondo1719Galeria Nacional de Arte
Angelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto, Felice Giani, 18th centuryFelice GianiAngelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto18th centuryYale University Art Gallery
Landscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures, Felice Giani, 1788–1823Felice GianiLandscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures1788–1823Yale University Art Gallery
Design for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto, Felice Giani, 1778–1823Felice GianiDesign for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto1778–1823Museu Metropolitano de Arte
An Artist and His Model, Felice Giani, 1778–1823Felice GianiAn Artist and His Model1778–1823Museu Metropolitano de Arte
Design for a Fountain in a Niche flanked by Terms, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Fountain in a Niche flanked by Terms1672–1725Museu Metropolitano de Arte
Design for a Sculptural Ornament With an Eagle, Volutes and Leaves, Giovanni Battista Foggini, 1652–1725Giovanni Battista FogginiDesign for a Sculptural Ornament With an Eagle, Volutes and Leaves1652–1725Museu Metropolitano de Arte
Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Helmet with a Dragon Presented in Frontal View1672–1725Museu Metropolitano de Arte
Design for a Vase with Handles, Decorated with a Festoon, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Vase with Handles, Decorated with a Festoon1672–1725Museu Metropolitano de Arte
Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above1672–1725Museu Metropolitano de Arte
Design for a Proscenium or Monumental Alcove, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Proscenium or Monumental Alcove1672–1725Museu Metropolitano de Arte
The British Order: Elevation of a Capital and Part of the Fluted Shaft, James Adam, 1762James AdamThe British Order: Elevation of a Capital and Part of the Fluted Shaft1762Museu Metropolitano de Arte
Mars and Venus, Felice Giani, ca. 1780–90Felice GianiMars and Venusca. 1780–90Yale University Art Gallery
Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiStudies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso)1672–1725Museu Metropolitano de Arte
Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiOutline of Design for a Two-Handled Vase1672–1725Museu Metropolitano de Arte
Study of Five Vases or Urns, Felice Giani, ca. 1790–1800Felice GianiStudy of Five Vases or Urnsca. 1790–1800Museu Metropolitano de Arte
Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, Felice Giani, 1778–1823Felice GianiDesign for a Ceiling with Decoration Related to Virgil's Sixth Canto1778–1823Museu Metropolitano de Arte
Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Ewer with Neptune on his Chariot1672–1725Museu Metropolitano de Arte
Design for a Ewer with Bull Heads under the Handles and Spout, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Ewer with Bull Heads under the Handles and Spout1672–1725Museu Metropolitano de Arte
A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiA Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)1672–1725Museu Metropolitano de Arte
Design for a Pedestal (recto); Design for the Plan of a Monument (verso), Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Pedestal (recto); Design for the Plan of a Monument (verso)1672–1725Museu Metropolitano de Arte
Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini, 1672–1725Giovanni Battista FogginiDesign for a Sculpture consisting of a Satyr and Satyress holding a Vase1672–1725Museu Metropolitano de Arte
168