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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Pena e tinta

60.822 obras de 131 museus44 expostas agoraLimpar tudo

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  • Grafite137.439
  • Pena e tinta60.822
  • Aquarela58.381
  • Tinta51.491
  • Giz39.881
  • Guache9.482
  • Carvão8.850
  • Pastel4.205
  • Óleo2.434
  • Ponta de prata430
  • Técnica mista297
Design for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaDesign for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective1657–1743Museu Metropolitano de Arte
The Nativity, Heinrich Aldegrever, 1552Heinrich AldegreverThe Nativity1552Galeria Nacional de Arte
He Looks and Doesn't Recognize Himself (Se mira y no se ve), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Looks and Doesn't Recognize Himself (Se mira y no se ve)1807–45Museu Metropolitano de Arte
Houses at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerHouses at KilmallockundatedCentro de Arte Britânico de Yale
Ammon and Jonadab, Heinrich Aldegrever, 1539Heinrich AldegreverAmmon and Jonadab1539Museu Metropolitano de Arte
Joseph and Potiphar's Wife, Heinrich Aldegrever, 1520–65Heinrich AldegreverJoseph and Potiphar's Wife1520–65Museu Metropolitano de Arte
Cupido, Donato Creti, secc. XVII/ XVIIIDonato CretiCupidosecc. XVII/ XVIIIAccademia
Testa d'uomo con turbante, Donato Creti, secc. XVII/ XVIIIDonato CretiTesta d'uomo con turbantesecc. XVII/ XVIIIAccademia
The Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order, Donato Creti, 1691–1749Donato CretiThe Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order1691–1749Museu Metropolitano de Arte
They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro)1807–45Museu Metropolitano de Arte
The Adoration of the Magi [recto], Attributed to Donato CretiAttributed to Donato CretiThe Adoration of the Magi [recto]Galeria Nacional de Arte
There Was No Business (No encontraron avio), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThere Was No Business (No encontraron avio)1807–45Museu Metropolitano de Arte
Monks in a Cathedral, Jean-Baptiste-Pierre Le BrunJean Baptiste Pierre Le BrunMonks in a CathedralGaleria Nacional de Arte
Long Live the Chains! (Vivan las caenas [cadenas]), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLong Live the Chains! (Vivan las caenas [cadenas])1807–45Museu Metropolitano de Arte
Ruined Abbey, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined AbbeyundatedCentro de Arte Britânico de Yale
Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaArchitectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns1657–1743Museu Metropolitano de Arte
Telemachus Requests Permission from Pluto to Seek His Father in the Underworld, Bartolomeo Pinelli, 1809Bartolomeo PinelliTelemachus Requests Permission from Pluto to Seek His Father in the Underworld1809Galeria Nacional de Arte
The Death of Lausus, After Bartolomeo Pinelli, early 19th centuryBartolomeo PinelliThe Death of Laususearly 19th centuryGaleria Nacional de Arte
Tumulus near Newry, Thomas Crofton Croker, undatedThomas Crofton CrokerTumulus near NewryundatedCentro de Arte Britânico de Yale
Virgin and Child with Five Saints, Attributed to Donato CretiAttributed to Donato CretiVirgin and Child with Five SaintsGaleria Nacional de Arte
Birds of a Feather (Entre los suyos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoBirds of a Feather (Entre los suyos)1807–45Museu Metropolitano de Arte
Father Killing His Daughter, Bartolomeo Pinelli, 1812Bartolomeo PinelliFather Killing His Daughter1812Yale University Art Gallery
Bathers in a Wooded Landscape, Donato Creti, 1671–1749Donato CretiBathers in a Wooded Landscape1671–1749Museu Metropolitano de Arte
Athena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey, Bartolomeo Pinelli, 1809Bartolomeo PinelliAthena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey1809Yale University Art Gallery
Thetis Dipping the Infant Achilles into the Waters of the Styx, Donato Creti, 1671–1749Donato CretiThetis Dipping the Infant Achilles into the Waters of the Styx1671–1749Museu Metropolitano de Arte
Brownies at Home - Twelve Vignettes, Palmer Cox, c. 1893Palmer CoxBrownies at Home - Twelve Vignettesc. 1893Galeria Nacional de Arte
Design for a Stage Set: A Town Square with a Fountain, Ferdinando Galli Bibiena, 1677–1743Ferdinando Galli-BibienaDesign for a Stage Set: A Town Square with a Fountain1677–1743Museu Metropolitano de Arte
Vaulted Hall with Candelabra, Ferdinando Galli Bibiena, 1675–1743Ferdinando Galli-BibienaVaulted Hall with Candelabra1675–1743Museu Metropolitano de Arte
Saint Mark the Evangelist, Peter Candid after Heinrich Aldegrever after Georg Pencz, c. 1600Heinrich AldegreverSaint Mark the Evangelistc. 1600Galeria Nacional de Arte
Ruined Gateway at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined Gateway at KilmallockundatedCentro de Arte Britânico de Yale
He Will Not Laugh (Y el no se rie), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Will Not Laugh (Y el no se rie)1807–45Museu Metropolitano de Arte
Self-Portrait, Bartolomeo Pinelli, 1807Bartolomeo PinelliSelf-Portrait1807Yale University Art Gallery
Seven Figures Witnessing an Ascension [verso], Attributed to Donato CretiAttributed to Donato CretiSeven Figures Witnessing an Ascension [verso]Galeria Nacional de Arte
Flying and Other Excesses (Volando y otros excesos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoFlying and Other Excesses (Volando y otros excesos)1807–45Museu Metropolitano de Arte
Queen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana, Bartolomeo Pinelli, 1812Bartolomeo PinelliQueen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana1812Yale University Art Gallery
Endymion, Donato Creti, 1671–1749Donato CretiEndymion1671–1749Museu Metropolitano de Arte
His Excellency is Not at Home (No recibe in Excel), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHis Excellency is Not at Home (No recibe in Excel)1807–45Museu Metropolitano de Arte
Head of a Bearded Man, Hans Hoffmann, 1579Hans HoffmannHead of a Bearded Man1579Museu Metropolitano de Arte
The Annunciation, Heinrich Aldegrever, 1552Heinrich AldegreverThe Annunciation1552Galeria Nacional de Arte
Having a Good Time (Se regodean), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHaving a Good Time (Se regodean)1807–45Museu Metropolitano de Arte
Lost Labor (Trabajo perdido), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLost Labor (Trabajo perdido)1807–45Museu Metropolitano de Arte
Family of the Artist, Bartolomeo Pinelli, 1808Bartolomeo PinelliFamily of the Artist1808Yale University Art Gallery
At Last She Sees Clearly (Ya ve claro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoAt Last She Sees Clearly (Ya ve claro)1807–45Museu Metropolitano de Arte
Venus, Mars, Iris, and Two Amorini, Bartolomeo Pinelli, ca. 1808Bartolomeo PinelliVenus, Mars, Iris, and Two Amorinica. 1808Yale University Art Gallery
Penitent Magdalene with Angels in a Landscape [recto], Attributed to Donato CretiAttributed to Donato CretiPenitent Magdalene with Angels in a Landscape [recto]Galeria Nacional de Arte
Holy Family with St. Elizabeth, St. John the Baptist, and Two Angels in a Landscape, Attributed to Donato CretiAttributed to Donato CretiHoly Family with St. Elizabeth, St. John the Baptist, and Two Angels in a LandscapeGaleria Nacional de Arte
Holy Family [recto], Attributed to Donato CretiAttributed to Donato CretiHoly Family [recto]Galeria Nacional de Arte
They are Polishing Him Up (Y se las pulen), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey are Polishing Him Up (Y se las pulen)1807–45Museu Metropolitano de Arte
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