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Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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60.822 obras de 131 museus44 expostas agoraLimpar tudo

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Portrait of an unidentified young man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPortrait of an unidentified young mann.d.Yale University Art Gallery
Woman on beach holding book, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobsterca. 1886Yale University Art Gallery
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Yale University Art Gallery
Cartoon of a man chasing a bee with a basket, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man chasing a bee with a basketn.d.Yale University Art Gallery
Illustration for "Early One Morning," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs1888Yale University Art Gallery
Man on Bridge, sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs1886Yale University Art Gallery
Preliminary sketch for Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsorca. 1888/9Yale University Art Gallery
Cressida and her uncle, from Troilus and Cressida, Edwin Austin Abbey, 1907Edwin Austin AbbeyCressida and her uncle, from Troilus and Cressida1907Yale University Art Gallery
Study of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)n.d.Yale University Art Gallery
Party in a Victorian Home - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyParty in a Victorian Home - unidentified illustrationn.d.Yale University Art Gallery
Landscape with figure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyLandscape with figuren.d.Yale University Art Gallery
"The hawthorne bush, with seats beneath the shade" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"The hawthorne bush, with seats beneath the shade" from The Deserted Villageca. 1898Yale University Art Gallery
In Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream1893Yale University Art Gallery
Study for The Wrestling Scene in "As You Like It", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"n.d.Yale University Art Gallery
Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors1889Yale University Art Gallery
Dining Scene - illustration for Austin Dobson's Ladies of Saint James, Edwin Austin Abbey, 1882Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James1882Yale University Art Gallery
"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I, Edwin Austin Abbey, 1885Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I1885Yale University Art Gallery
Sketch, "Holy Grail", The Knighting of Sir Galahad., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.n.d.Yale University Art Gallery
The Man of Wealth and Pride Takes up a Space that Many Poor Supplied, Edwin Austin Abbey, 1873Edwin Austin AbbeyThe Man of Wealth and Pride Takes up a Space that Many Poor Supplied1873Yale University Art Gallery
Entrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well, Edwin Austin Abbey, August 1890Edwin Austin AbbeyEntrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well1890Yale University Art Gallery
King: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyKing: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well1891Yale University Art Gallery
Bassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyBassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Study of man's head and a floor plan, on opposite sides of page., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man's head and a floor plan, on opposite sides of page.n.d.Yale University Art Gallery
Clown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night1891Yale University Art Gallery
Sketch of an interior: man reading aloud, women knitting - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustrationn.d.Yale University Art Gallery
Study of a man's back, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man's backn.d.Yale University Art Gallery
"Isaac Walker" [Man smoking a pipe, sitting on bench], Edwin Austin Abbey, n.d.Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]n.d.Yale University Art Gallery
"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53ca. 1890sYale University Art Gallery
"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life1883Yale University Art Gallery
Sketch of a fat man, seated, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a fat man, seatedn.d.Yale University Art Gallery
Jaquenetta, from Act I, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyJaquenetta, from Act I, Scene ii, Love's Labour's Lost1891Yale University Art Gallery
Ursula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyUrsula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing1891Yale University Art Gallery
Autolycus, Act IV, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyAutolycus, Act IV, Scene ii, The Winter's Tale1892Yale University Art Gallery
Song, from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeySong, from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Sketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Yale University Art Gallery
Sheet of sketches of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of facesn.d.Yale University Art Gallery
"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village, Edwin Austin Abbey, 19th centuryEdwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village19th centuryYale University Art Gallery
Slender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsorca. 1889Yale University Art Gallery
Sketch for a greeting card: ALL GOOD WISHES FOR 1911 from..., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: ALL GOOD WISHES FOR 1911 from...n.d.Yale University Art Gallery
"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, 1889Edwin Austin Abbey"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 571889Yale University Art Gallery
"How say you Madam?" - Act II, Scene III, King Henry VI (Part I), Edwin Austin Abbey, 1909Edwin Austin Abbey"How say you Madam?" - Act II, Scene III, King Henry VI (Part I)1909Yale University Art Gallery
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Yale University Art Gallery
Ventidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra, Edwin Austin Abbey, 1908Edwin Austin AbbeyVentidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra1908Yale University Art Gallery
Sketch for a verse: "A Bucolick or Discovre of Neatherds", Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a verse: "A Bucolick or Discovre of Neatherds"n.d.Yale University Art Gallery
Study of street scene with sedan chair., Edwin Austin Abbey, 1890Edwin Austin AbbeyStudy of street scene with sedan chair.1890Yale University Art Gallery
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