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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Yujo standing
Yujo standing, Kaigetsudo Ando 懐月堂安度, 1615-1868

Yujo standing

1615-1868 · Painting

Pormenores

Número de inventário
F1903.73

Mais obras de Kaigetsudō Ando

Todas as obras

Vizinhas de sala: National Museum of Asian Art

Página do museu

Sobre o mesmo tema · Charles Lang Freer collection

Todas as obras sobre o tema
KKaigetsudō AndoJapão, 1671–1743

Será possível contemplá-la?

Desconhecido

NMA
National Museum of Asian Art

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Charles Lang Freer collectionArtEdo period, Japan, (1600 - 1868)Japanese ArtUkiyo-eKakemono

No catálogo

PinturasPintura japonesa

Fontes

  • National Museum of Asian Art
  • Imagem: National Museum of Asian Art — Smithsonian Institution (CC0)
Standing Courtesan in Kimono with Fern and Wheel Pattern, Kaigetsudō Ando, c. 1710

Standing Courtesan in Kimono with Fern and Wheel Pattern

c. 1710 · Não exposta · Instituto de Artes de Minneapolis

Sanjo Kantaro II in the Role of Urashima Taro, Kaigetsudō Ando, early 1700s

Sanjo Kantaro II in the Role of Urashima Taro

early 1700s · Não exposta · Museu de Arte de Cleveland

Courtesan, Kaigetsudō Ando, 1700s

Courtesan

1700s · Não exposta · Museu de Arte de Cleveland

Courtesan and Attendant, Kaigetsudō Ando, c. 1730–1868

Courtesan and Attendant

c. 1730–1868 · Não exposta · Museu de Arte de Cleveland

Cylindrical jar, James McNeill Whistler, 1876-1878

James McNeill Whistler

Cylindrical jar, 1876-1878

Staircase panel, James McNeill Whistler, 1876

James McNeill Whistler

Staircase panel, 1876

The Velvet Dress (Mrs. Leyland), James McNeill Whistler, 1873-1874

James McNeill Whistler

The Velvet Dress (Mrs. Leyland), 1873-1874

The Blue Girl, James McNeill Whistler, 1873-1876

James McNeill Whistler

The Blue Girl, 1873-1876

The Blue Girl (fragment): Yellow and Blue, James McNeill Whistler, 1872-1876

James McNeill Whistler

The Blue Girl (fragment): Yellow and Blue, 1872-1876

The Blue Girl (fragment): Purple and Blue, James McNeill Whistler, 1872-1876

James McNeill Whistler

The Blue Girl (fragment): Purple and Blue, 1872-1876

Nocturne: Blue and Silver--Bognor, James McNeill Whistler, 1871-1876

James McNeill Whistler

Nocturne: Blue and Silver--Bognor, 1871-1876

Arrangement in Black: Portrait of F. R. Leyland, James McNeill Whistler, 1870-1873

James McNeill Whistler

Arrangement in Black: Portrait of F. R. Leyland, 1870-1873

Two crested birds on a branch; autumn leaves, Formerly attributed to Zhao Boju, 18th century

Formerly attributed to Zhao Boju

Two crested birds on a branch; autumn leaves, 18th century

National Museum of Asian Art

A tatar, an emaciated horse, and a dog, 1279-1368

A tatar, an emaciated horse, and a dog, 1279-1368

National Museum of Asian Art

Whistler with the White Lock, James McNeill Whistler, 1879

James McNeill Whistler

Whistler with the White Lock, 1879

National Museum of Asian Art

Six groups of fighting animals, 18th century

Six groups of fighting animals, 18th century

National Museum of Asian Art

Enjoying a meal on board a boat, 16th-17th century

Enjoying a meal on board a boat, 16th-17th century

National Museum of Asian Art

Old trees and cold crows, in the style of Zhao Danian, Formerly attributed to Zhao Boju, 14th century?

Formerly attributed to Zhao Boju

Old trees and cold crows, in the style of Zhao Danian, 14th century?

National Museum of Asian Art

Boy fishing from the limb of a tree, Katsushika Hokusai 葛飾北斎, 1839

Katsushika Hokusai

Boy fishing from the limb of a tree, 1839

National Museum of Asian Art

Treaty at the Bian Bridge 《汴橋會盟圖》, Formerly attributed to Li Gonglin (傳)李公麟, 14th-15th century

Formerly attributed to Li Gonglin (傳)李公麟

Treaty at the Bian Bridge 《汴橋會盟圖》, 14th-15th century

National Museum of Asian Art