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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Wounded Eurydice
Wounded Eurydice, Jean Baptiste Camille Corot, 1868–70

Wounded Eurydice

1868–70 · Painting

Pormenores

1868–70
17961875
Número de inventário
1894.1042

Entretanto, na vida de Camille Corot

A vida inteira
  1. 1860s

    An interest in photography

    In the 1860s Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers. The monochrome tones of photographs suppressed his palette even further, making his paintings less dramatic but somewhat more poetic.

  2. 1865–1875

    “Père Corot” of Parisian artists

    In his final ten years Corot became the “Père (Father) Corot” of Parisian artistic circles, regarded with personal affection and acknowledged as one of the five or six greatest landscape painters the world had seen, along with Hobbema, Claude Lorrain, Turner and Constable.

  3. 29 de junho de 1867 · Prémio

    Officer of the Legion of Honour

  4. 1871

    The siege of Paris: a donation; the Commune, in Arras

    In 1871, during the Franco-Prussian War, Corot gave 2,000 francs for the poor of Paris, then under siege by the Prussians. During the Paris Commune he was at Arras with Alfred Robaut.

  5. 1872

    A house in Auvers for the blind Daumier

    In 1872 Corot bought a house in Auvers as a gift for Honoré Daumier, who by then was blind, without resources and homeless.

  6. 1872 · Prémio

    Knight of the Order of Leopold

Mais obras de Camille Corot

Todas as obras

Na mesma sala · Gallery 224, Art Institute of Chicago

Página do museu

Sobre o mesmo tema · Mythological figures

Todas as obras sobre o tema
Camille Corot, retratoCamille CorotFrança, 1796–1875

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Art Institute of Chicago

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O que mostra

Mythological figuresGreeceGreekLandscapeÁrvoreMulherCentury of ProgressWorld's fairsChicago World's Fairs

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PinturasÓleoPintura francesaRealismoImpressionismoSéculo XIXFrança

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — CC0
Hagar in the Wilderness, Camille Corot, 1835

Hagar in the Wilderness

1835 · Museu Metropolitano de Arte

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot, 1836

Diana and Actaeon (Diana Surprised in Her Bath)

1836 · Museu Metropolitano de Arte

Sibylle, Camille Corot, ca. 1870

Sibylle

ca. 1870 · Museu Metropolitano de Arte

Mountainous Landscape, Camille Corot

Mountainous Landscape

Museu Metropolitano de Arte

Paysage., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1632)

Paysage.

2e quart du XIXe siècle (1632) · Museu do Louvre

The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

The Island and Bridge of San Bartolomeo, Rome

1825/1828 · Galeria Nacional de Arte

Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

Italian Peasant Boy

1825/1827 · Galeria Nacional de Arte

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1825 - 1850)

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano.

2e quart du XIXe siècle (1825 - 1850) · Museu do Louvre

Interrupted Reading, Jean Baptiste Camille Corot, c. 1870

Camille Corot

Interrupted Reading, c. 1870

Arleux-Palluel, The Bridge of Trysts, Jean Baptiste Camille Corot, 1871/72

Camille Corot

Arleux-Palluel, The Bridge of Trysts, 1871/72

Souvenir of the Environs of Lake Nemi, Jean Baptiste Camille Corot, 1865

Camille Corot

Souvenir of the Environs of Lake Nemi, 1865

The Sheepshearers, Jean François Millet, c. 1857–61

Jean François Millet

The Sheepshearers, c. 1857–61

Bathing Nymphs and Child, Jean Baptiste Camille Corot, 1855–60

Camille Corot

Bathing Nymphs and Child, 1855–60

Woman Feeding Chickens, Jean François Millet, 1846-48

Jean François Millet

Woman Feeding Chickens, 1846-48

Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

Gustave Moreau

Hercules and the Lernaean Hydra, 1875–76

Art Institute of Chicago

The Sacred Grove, Beloved of the Arts and the Muses, Pierre Puvis de Chavannes, 1884/89

Pierre Puvis de Chavannes

The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Art Institute of Chicago

The Annunciation, Alessandro Vittoria, c. 1583

Alessandro Vittoria

The Annunciation, c. 1583

Art Institute of Chicago

Jupiter Rebuked by Venus, Abraham Janssens, c. 1612

Abraham Janssens

Jupiter Rebuked by Venus, c. 1612

Art Institute of Chicago

Lady Sarah Bunbury Sacrificing to the Graces, Sir Joshua Reynolds, 1763–65

Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces, 1763–65

Art Institute of Chicago

Saint Michael and the Devil, Spanish, 1475/1500

Spanish

Saint Michael and the Devil, 1475/1500

Art Institute of Chicago

Bust of Paris, Antonio Canova, 1809

Antonio Canova

Bust of Paris, 1809

Art Institute of Chicago

The Battle between the Gods and the Giants, Joachim Antonisz. Wtewael, c. 1608

Joachim Wtewael

The Battle between the Gods and the Giants, c. 1608

Art Institute of Chicago