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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Herzog Anton Ulrich-Museum/
  3. Wildbach
Wildbach, Gustave Courbet, 1844–1872
Gustave Courbet, retratoGustave CourbetFrança, 1819–1877

Wildbach

1844–1872 · Drawing

Será possível contemplá-la?

Desconhecido

Herzog Anton Ulrich-Museum

Brunsvique, Alemanha

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1844–1872
18191877

O que mostra

LandscapePflanzeBachSteinGewässerUferLandschaftsstudie

No catálogo

Desenhos e aguarelasRomantismoRealismoSéculo XIX

Fontes

  • Herzog Anton Ulrich-Museum
  • Imagem: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Entretanto, na vida de Gustave Courbet

A vida inteira
  1. 1849

    Gold medal at the Salon of 1849

    Courbet's first Salon success came with “After Dinner at Ornans”, reminiscent of Chardin and Le Nain; it earned him a gold medal and was purchased by the state. The medal exempted his works from jury approval at the Salon until 1857, when the rule changed.

  2. 1850–1851

    Salon of 1850–1851: “A Burial at Ornans”

    At the Salon of 1850–1851 Courbet showed “The Stone Breakers”, “The Peasants of Flagey” and “A Burial at Ornans”: the canvas, about 3 by 6.7 metres, drew both praise and fierce denunciation, with critics accusing him of a deliberate pursuit of ugliness. Courbet became a celebrity, spoken of as a genius, a “terrible socialist” and a “savage”.

  3. 1855

    Stages the “Pavilion of Realism”

    Refusing to accept the jury's decision, Courbet asked museums and private owners to lend his paintings, had a separate building erected and showed about forty canvases there, without state permission, under the Second Empire. The public was baffled and laughed at the “crude art”, and the critics mocked him; the paintings were appreciated by Delacroix and Baudelaire.

  4. 1855

    The “Realist Manifesto” in the exhibition catalogue

    The catalogue of the Pavilion of Realism opened with a manifesto in which Courbet claimed the right to artistic freedom and the right to show his works to the public on his own. He defined his aim as conveying the customs, ideas and appearance of his time, to be not only a painter but a man as well: to “create living art”.

  5. 16 May 1871

    The fall of the Vendôme Column

    On 16 May 1871, nine days before the fall of the Commune, the column whose removal Courbet had requested back in September 1870 was pulled down in a large ceremony with military bands and photographers and broke into pieces. Some witnesses said Courbet was there, others denied it.

  6. 1873

    Leaves for Switzerland to escape the debt for the column

    In 1873 the newly elected president of the Republic, Patrice de MacMahon, announced plans to rebuild the column at Courbet's expense. Unable to pay, he went into self-imposed exile in Switzerland to avoid bankruptcy and remained there until his death.

Mais obras de Gustave Courbet

Todas as obras
Young Ladies of the Village, Gustave Courbet, 1851–52

Young Ladies of the Village

1851–52 · Museu Metropolitano de Arte

Woman with a Parrot, Gustave Courbet, 1866

Mulher com um louro

1866 · Museu Metropolitano de Arte

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), Gustave Courbet, ca. 1852–57

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910)

ca. 1852–57 · Museu Metropolitano de Arte

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857

Louis Gueymard (1822–1880) as Robert le Diable

1857 · Museu Metropolitano de Arte

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), Gustave Courbet, 1858

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894)

1858 · Museu Metropolitano de Arte

After the Hunt, Gustave Courbet, ca. 1859

After the Hunt

ca. 1859 · Museu Metropolitano de Arte

The Source, Gustave Courbet, 1862

The Source

1862 · Museu Metropolitano de Arte

Portrait of a Man, Gustave Courbet, probably ca. 1862

Portrait of a Man

probably ca. 1862 · Museu Metropolitano de Arte

Da coleção: Herzog Anton Ulrich-Museum

Página do museu
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Sobre o mesmo tema · Landscape

Todas as obras sobre o tema
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Museu Metropolitano de Arte

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Museu Metropolitano de Arte

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Museu Estatal de Amesterdão

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Museu Estatal de Amesterdão

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Não exposta · Galeria Nacional de Arte

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Não exposta · Galeria Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Não exposta · Galeria Nacional de Arte

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Não exposta · Galeria Nacional de Arte