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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Metropolitano de Arte/
  3. Watson and the Shark
Watson and the Shark, John Singleton Copley, ca. 1778

Watson and the Shark

ca. 1778 · Painting

Pormenores

ca. 1778
17381815
Número de inventário
42.71.1

Entretanto, na vida de John Singleton Copley

A vida inteira
  1. 1774–1815 · Local de trabalho

    London

  2. second half of the 1770s

    A turn to history painting

    In London Copley follows the fashion set by West and begins to paint historical pieces as well as portraits; together they create a new kind of history painting with modern subjects, chiefly the deaths of heroes, and scrupulous attention to contemporary detail. His first such work, “Watson and the Shark”, is based on the story of Brook Watson, who as a boy of fourteen was attacked by a shark while swimming in Havana harbour.

  3. 1776

    Elected an associate of the Royal Academy

    Copley is elected an associate member of the Royal Academy of Arts. From this year until 1815 he sends forty-three paintings to its exhibitions.

  4. 1779

    Becomes an Academician of the Royal Academy

    Copley is elected a full Academician of the Royal Academy of Arts in London, three years after becoming an associate. Other accounts place his election to full membership in 1783.

Mais obras de John Singleton Copley

Todas as obras

Na mesma sala · Gallery 717, Museu Metropolitano de Arte

Página do museu

Sobre o mesmo tema · Fear

Todas as obras sobre o tema
John Singleton Copley, retratoJohn Singleton CopleyEstados Unidos, 1738–1815

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Fonte
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O que mostra

FearHomemMale NudesFishBoats

No catálogo

PinturasÓleoPintura norte-americanaRococóNeoclassicismoSéculo XVIIIEstados Unidos

Fontes

  • Museu Metropolitano de Arte
  • Imagem: Museu Metropolitano de Arte — Open Access (CC0)
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Museu Metropolitano de Arte

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · Galeria Nacional de Arte

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · Galeria Nacional de Arte

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · Galeria Nacional de Arte

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Instituto de Artes de Minneapolis

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Museu Metropolitano de Arte

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · Galeria Nacional de Arte

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Museu Metropolitano de Arte

Moses Shown the Promised Land, Benjamin West, 1801

Benjamin West

Moses Shown the Promised Land, 1801

Hagar and Ishmael, Benjamin West, 1776, reworked 1803

Benjamin West

Hagar and Ishmael, 1776, reworked 1803

Mrs. John Winthrop, John Singleton Copley, 1773

John Singleton Copley

Mrs. John Winthrop, 1773

Joseph Sherburne, John Singleton Copley, ca. 1767–70

John Singleton Copley

Joseph Sherburne, ca. 1767–70

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

John Singleton Copley

Mrs. Sylvanus Bourne, 1766

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, Charles Willson Peale, 1777–80

Charles Willson Peale

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, 1777–80

Benjamin Franklin (1706–1790), Jean Antoine Houdon, 1778

Jean-Antoine Houdon

Benjamin Franklin (1706–1790), 1778

Esther Boardman, Ralph Earl, 1789

Ralph Earl

Esther Boardman, 1789

Plate Number 73. Turning around in surprise and running away, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 73. Turning around in surprise and running away, 1887

Não exposta · Galeria Nacional de Arte

The Triumph of Poverty, German or South Netherlandish 17th Century, c. 1600

German or South Netherlandish 17th Century

The Triumph of Poverty, c. 1600

Não exposta · Galeria Nacional de Arte

The Triumph of Poverty, Flemish 16th Century, 16th century

Flemish 16th Century

The Triumph of Poverty, 16th century

Não exposta · Galeria Nacional de Arte

The Black Cat, Rolf Brandt, ca. 1945

Rolf Brandt

The Black Cat, ca. 1945

Não exposta · Museu Vitória e Alberto

Fear, 1750-1800

Fear, 1750-1800

Museu Vitória e Alberto

The Signalman, Rolf Brandt, ca. 1945

Rolf Brandt

The Signalman, ca. 1945

Não exposta · Museu Vitória e Alberto

Panel for a Screen: Children Frightened by a Rabbit, Albert Pinkham Ryder, ca. 1876

Albert Pinkham Ryder

Panel for a Screen: Children Frightened by a Rabbit, ca. 1876

Museu Smithsoniano de Arte Americana

"The Goblins 'l Git Yer", Helen Hyde, 1918

Helen Hyde

"The Goblins 'l Git Yer", 1918

Museu Smithsoniano de Arte Americana