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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, 5/7/1877
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

5/7/1877 · Watercolour · 18 × 11 cm

Pormenores

5/7/1877 · aos 11 anos
18661943
Número de inventário
BP.764

Entretanto, na vida de Beatrix Potter

A vida inteira
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

Mais obras de Beatrix Potter

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
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O que mostra

Broom (plant)Botanical illustrationNatural History

No catálogo

Desenhos e aguarelasAguarelaRealismoImpressionismoSéculo XIXGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

Cinderella's coach drawn by three pairs of rabbits

ca. 1890s · Não exposta · Museu Vitória e Alberto

Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Pumpkin carriage drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Cinderella's coach drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

Cecily Parsley’s Nursery Rhymes

early 20th century · Não exposta · Museu Vitória e Alberto

Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · Não exposta · Museu Vitória e Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024