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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, ca.1880
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

ca.1880 · Watercolour · 25 × 17.5 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

ca.1880
18661943
Número de inventário
BP.905

O que mostra

FlowersWallflowerBlossomNarcissusNatural History

No catálogo

Desenhos e aguarelasAguarelaImpressionismoSéculo XIXGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de Beatrix Potter

A vida inteira
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  4. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  5. 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

Mais obras de Beatrix Potter

Todas as obras
Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

Cinderella's coach drawn by three pairs of rabbits

ca. 1890s · Não exposta · Museu Vitória e Alberto

Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Pumpkin carriage drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Cinderella's coach drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

Cecily Parsley’s Nursery Rhymes

early 20th century · Não exposta · Museu Vitória e Alberto

Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · Não exposta · Museu Vitória e Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · Não exposta · Museu Vitória e Alberto

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre o mesmo tema · Flowers

Todas as obras sobre o tema
Irises, Vincent van Gogh, 1890

Vincent van Gogh

Irises, 1890

Museu Metropolitano de Arte

Nasturtiums, Ansel Adams, 1951

Ansel Adams

Nasturtiums, 1951

Não exposta · Galeria Nacional de Arte

Desert Flower, Ansel Adams, 1937

Ansel Adams

Desert Flower, 1937

Não exposta · Museu de Arte Moderna

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

Flower Beds in Holland, Vincent van Gogh, c. 1883

Vincent van Gogh

Flower Beds in Holland, c. 1883

Não exposta · Galeria Nacional de Arte

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Galeria Nacional de Arte

Oleanders, Vincent van Gogh, 1888

Vincent van Gogh

Oleanders, 1888

Museu Metropolitano de Arte

Bouquet of Flowers in a Vase, Vincent van Gogh, 1890

Vincent van Gogh

Bouquet of Flowers in a Vase, 1890

Museu Metropolitano de Arte