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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, ca. 1903
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

ca. 1903 · Watercolour · 22.5 × 19 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

ca. 1903
18661943
Número de inventário
BP.484

O que mostra

Natural History

No catálogo

Desenhos e aguarelasAguarelaImpressionismoModernismoSéculo XXFawe Park

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de Beatrix Potter

A vida inteira
  1. 1900–1901

    A dummy book of the rabbit tale, printed at her own expense

    In 1900 Beatrix revised her tale of the four little rabbits and made a dummy book of it — it has been suggested, in imitation of Helen Bannerman’s 1899 bestseller; no one would buy it. So in December 1901 she had it printed at her own expense for family and friends — in black and white, with a coloured frontispiece.

  2. 2 October 1902

    “The Tale of Peter Rabbit” is published

    Several publishers had turned the manuscript down, Frederick Warne & Co among them, but the firm, eager to enter the booming market for small-format children’s books, reconsidered on the advice of the artist L. Leslie Brooke; it declined Rawnsley’s verse version in favour of Beatrix’s own prose, and she agreed to colour her illustrations, choosing the new Hentschel three-colour process. “The Tale of Peter Rabbit” appeared on 2 October 1902 and was an immediate success.

  3. 1903

    A patented Peter Rabbit toy: the birth of character merchandising

    In 1903 Beatrix made and patented a Peter Rabbit doll — he became the first fictional character made into a patented soft toy, and so the oldest licensed character. Painting books, board games, wallpaper, figurines, baby blankets and china tea-sets followed under licence from her publisher Warne, earning her an independent income, and Harrods catalogues list Peter merchandise from at least 1910.

  4. 1905

    Engagement to Norman Warne, and his death

    In 1905 Beatrix and her publisher Norman Warne became unofficially engaged; her parents objected because Warne was “in trade” and so socially unsuitable. The engagement lasted only a month: Warne died of a blood disease at the age of 37.

  5. 1905

    Buys Hill Top Farm in Near Sawrey

    In 1905, with the proceeds of her books and a small legacy from an aunt, Beatrix bought Hill Top Farm in Near Sawrey in the Lake District, six miles west of Lake Windermere. She and Warne may have hoped it would be their holiday home, but after his death she went ahead with the purchase, as she had always wanted to own that farm and live in “that charming village”.

  6. 1905–1913 · Formação

    governance

Mais obras de Beatrix Potter

Todas as obras
Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

Cinderella's coach drawn by three pairs of rabbits

ca. 1890s · Não exposta · Museu Vitória e Alberto

Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Pumpkin carriage drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Cinderella's coach drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

Cecily Parsley’s Nursery Rhymes

early 20th century · Não exposta · Museu Vitória e Alberto

Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · Não exposta · Museu Vitória e Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · Não exposta · Museu Vitória e Alberto

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre o mesmo tema · Natural History

Todas as obras sobre o tema
drawing, Beatrix Potter, ca.1890s-1919

Beatrix Potter

drawing, ca.1890s-1919

Não exposta · Museu Vitória e Alberto

Drawing, Beatrix Potter, August-October 1884

Beatrix Potter

Drawing, August-October 1884

Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, ca.1876

Beatrix Potter

drawing, ca.1876

Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, 02/1899

Beatrix Potter

drawing, 02/1899

Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, 1897-1898

Beatrix Potter

drawing, 1897-1898

Não exposta · Museu Vitória e Alberto

Magnified studies thought to show water-fleas and a midge lava, Beatrix Potter, ca. 1887

Beatrix Potter

Magnified studies thought to show water-fleas and a midge lava, ca. 1887

Não exposta · Museu Vitória e Alberto

Crow with cheese in its beak, Beatrix Potter, 1919

Beatrix Potter

Crow with cheese in its beak, 1919

Não exposta · Museu Vitória e Alberto

Study of harebells and marguerites, Beatrix Potter, 5 July 1880

Beatrix Potter

Study of harebells and marguerites, 5 July 1880

Não exposta · Museu Vitória e Alberto