Odilon RedonFrança, 1840–1916Vrouwelijke Druïde
Será possível contemplá-la?
Desconhecido: o museu guarda silêncio
Museu Estatal de Amesterdão
Amesterdão, Países Baixos
O dono é conhecido. Se hoje está exposta, o museu não o diz, e adivinhar não é da nossa competência.
- Fonte
- Os dados da própria coleção do museu
Sobre a obra
In the museum's own words — the original
Een vrouwelijke Druïde, en profil, met hoofddoek.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-1954-561
What it shows
No catálogo
Fontes
- Museu Estatal de Amesterdão: the museum's own open data · obtido há 7 dias
- Imagem: Museu Estatal de Amesterdão — public domain
Entretanto, na vida de Odilon Redon
A vida inteira1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
30 de abril de 1889
Son born: Arï Redon
from 1890
The turn from “noirs” to colour
From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.
