Odilon RedonFrança, 1840–1916Vrouw en dobbelstenen
Será possível contemplá-la?
Desconhecido
Museu Estatal de Amesterdão
Amesterdão, Países Baixos
O proprietário é conhecido; não se sabe se hoje está exposta.
- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em holandês
Een vrouw, en profil, met een muts in de vorm van een nar. In de lucht en op de tafel naast haar een dobbelsteen.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-1971-48
O que mostra
No catálogo
Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Entretanto, na vida de Odilon Redon
A vida inteira1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1899
The exhibition “In Honour of Redon” at Durand-Ruel’s
Paul Durand-Ruel organised an exhibition of young artists called “In Honour of Redon” which included Redon’s own pastels. The master’s finances nonetheless stayed difficult: his works did not sell.
1899
Maurice Denis introduces him to the Nabis
In 1899 Maurice Denis introduced Redon to the Nabis group.
1900
Denis paints him in “Homage to Cézanne”
In 1900 Maurice Denis painted Redon in “Homage to Cézanne”, standing before a Cézanne painting among Bonnard, Vuillard, Roussel, Sérusier, Mellerio and Vollard.
