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  2. Museu de Arte de Cleveland/
  3. Virgin and Child
Virgin and Child, Hans Memling, c. 1470–80
Hans Memling, retratoHans MemlingPaíses Baixos, 1494

Virgin and Child

c. 1470–80 · Painting

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Museu de Arte de Cleveland

Cleveland, Estados Unidos

Sala112 Northern Renaissance

Exposta ao público. Quem o garante vem indicado abaixo.

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há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

This small panel was once part of a devotional portrait diptych (a hinged two-panel painting). The Christ child’s attention seems drawn to something outside the picture and lifts his hand in recognition. The opposing panel, once hinged on the right, would have featured a portrait of its original owner in prayer, now unfortunately lost. Such devotional portrait diptychs were popular after 1400 and remained so until their production ceased around the 1530s. Used in private chapels or within the curtain folds of four-poster beds, they could easily be closed when not in use. Hans Memling was born near Frankfurt, Germany. He settled in Bruges around 1465 where he developed a reputation for his painting skills, and provided works to the Burgundian court, which likely cultivated the taste for small portrait diptychs. This example seems to have been painted by a member of Memling’s workshop, perhaps for a wealthy merchant or clergyman.

Museu de Arte de Cleveland

Pormenores

Número de inventário
1934.29

Entretanto, na vida de Hans Memling

A vida inteira
  1. 1466–1494 · Local de trabalho

    Bruges

  2. between 1470 and 1480

    Marries Anna de Valkenaere

    Sometime between 1470 and 1480 Memling marries Anna de Valkenaere; the couple have three sons, Jan, Cornelis and Nicolaas.

  3. April 1473

    “The Last Judgment” is captured by a Danzig privateer

    The triptych, commissioned for a chapel at Fiesole by Angelo Tani, former director of the Bruges branch of the Medici bank, is shipped to Italy by sea; in April 1473 the vessel is captured by the Danzig privateer Paul Beneke. Neither the Medici bank’s protests nor a bull of Pope Sixtus IV win the painting back, and it stays in Danzig, now Gdańsk.

  4. 1477

    A contract with the booksellers’ guild of Bruges

    In 1477, when he was believed dead, Memling is under contract for an altarpiece for the guild chapel of the booksellers of Bruges, the “Scenes of the Passion of Christ”, now in the Galleria Sabauda in Turin. The romantic legend of a soldier of Charles the Bold’s army wounded at Nancy in 1477 does not correspond to reality.

  5. 1480

    Among the richest burghers: a loan to Maximilian I

    A tax document of 1480 lists Memling among the wealthiest citizens of Bruges: his name is on the list of 875 burghers obliged to subscribe to the loan Maximilian I of Austria raised to finance his war against France. It does not appear on later lists of this kind.

Mais obras de Hans Memling

Todas as obras

Na mesma sala · 112 Northern Renaissance, Museu de Arte de Cleveland

Página do museu
  • 1480 and 1486

    Two of Memling’s apprentices join the guild

    The registers of the painters’ guild of Bruges name two apprentices who served their time with Memling and paid their dues on admission to the guild in 1480 and 1486.

  • No catálogo

    PinturasÓleoPintura alemãRenascimentoSéculo XVFlanders, Bruges

    Fontes

    • Museu de Arte de Cleveland
    • Imagem: Museu de Arte de Cleveland — Museum open access
    The Annunciation, Hans Memling, ca. 1465–70

    The Annunciation

    ca. 1465–70 · Museu Metropolitano de Arte

    Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470

    Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)

    ca. 1470 · Museu Metropolitano de Arte

    The Annunciation, Hans Memling, 1480–89

    Anunciação

    1480–89 · Museu Metropolitano de Arte

    Virgin and Child, Hans Memling, Early sixteenth century

    Virgin and Child

    Early sixteenth century · Museu Metropolitano de Arte

    Portrait d'une femme âgée, Memling, Hans, XVe siècle (1400 - 1500)

    Portrait d'une femme âgée

    XVe siècle (1400 - 1500) · Museu do Louvre

    Saint Jean Baptiste, Memling, Hans, XVe siècle

    Saint Jean Baptiste

    XVe siècle · Museu do Louvre

    La Vierge et l'Enfant entourés de saintes, Memling, Hans, XVe siècle (1400 - 1500)

    La Vierge et l'Enfant entourés de saintes

    XVe siècle (1400 - 1500) · Museu do Louvre

    Ange tenant un rameau d' olivier, Memling, Hans, XVe siècle (1400 - 1500)

    Ange tenant un rameau d' olivier

    XVe siècle (1400 - 1500) · Museu do Louvre

    The Annunciation, Albert Bouts, c. 1480

    Aelbert Bouts

    The Annunciation, c. 1480

    Saint John the Baptist, Dieric Bouts, c. 1475–85

    Dirck Bouts

    Saint John the Baptist, c. 1475–85

    The Nativity, Gerard David, c. 1485–90

    Gerard David

    The Nativity, c. 1485–90

    The Adoration of the Magi, Geertgen tot Sint Jans, 1480s

    Geertgen tot Sint Jans

    The Adoration of the Magi, 1480s

    The Crucifixion with a Carthusian Monk, Rogier van der Weyden, 1460

    Rogier van der Weyden

    The Crucifixion with a Carthusian Monk, 1460

    Virgin and Child under a Canopy, 1520s

    Virgin and Child under a Canopy, 1520s

    Saint Barbara, Master of the Holy Blood, c. 1520

    Master of the Holy Blood

    Saint Barbara, c. 1520

    Saint Catherine and Saint Barbara (pair), Master of the Holy Blood, c. 1520

    Master of the Holy Blood

    Saint Catherine and Saint Barbara (pair), c. 1520