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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Virgin and Child
Virgin and Child, Donatello, 1400-1450
Donatello, retratoDonatelloItália, 1386–1466

Virgin and Child

1400-1450 · Relief · 52.1 × 47.3 cm

Sobre a escultura

This relief represents the Virgin and Child, and is made after Dontatello in ca. 1400-1450, in Italy.

The relief is an enlarged copy of the so-called Madonna of the Clouds of Donatello in the Boston Museum of Fine Arts (H. 33.5 cm; W. 33.2 cm). The scheme differs from that of Donatello's original in that it is slightly extended at the top and sides, and slightly reduced at the base.

Museu Vitória e Alberto

Pormenores

1400-1450
13861466
Número de inventário
A.36-1953

Entretanto, na vida de Donatello

A vida inteira
  1. c. 1400

    Friendship with Brunelleschi in Pistoia

    In Pistoia the thirteen- or fourteen-year-old Donatello helped Filippo Brunelleschi with the silver figures of the altar of Saint James. From then on the two masters remained friends for life.

  2. 1402–1404

    A trip to Rome to study antiquity

    From 1402 to 1404 Donatello and Brunelleschi visited Rome to study the “antiques”; according to Vasari they dug on the Roman Forum and were almost killed after being taken for treasure hunters. Donatello drew fragments of ancient statues.

  3. 1404–1407

    Apprentice and assistant in Ghiberti's workshop

    In 1404–1407 Donatello is recorded as an apprentice, and for the last few months as a salaried assistant, in Lorenzo Ghiberti's studio, apparently working on the bronze doors of the Florence Baptistery.

  4. 1423

    “The Feast of Herod” and the start of his work in bronze

    By 1423 Ghiberti had not even started work on the reliefs for the Siena Baptistery font, and one of them, “The Feast of Herod”, was given to Donatello instead. That year marks the start of his documented work in bronze: he also received commissions for “Saint Louis of Toulouse” and a reliquary bust of Saint Rossore.

  5. c. 1425

    Partnership with Michelozzo

    Around 1425 Donatello entered into a formal partnership with Michelozzo, an architect and sculptor about ten years younger: Donatello had too much work and was poor at organising a workshop, at which Michelozzo excelled, while Michelozzo wanted to extract himself from an arrangement with Ghiberti. Both had very good relations with the Medici.

Mais obras de Donatello

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Angel

Todas as obras sobre o tema
  • 1443

    Called to Padua: the Gattamelata monument

    In 1443 the heirs of the condottiere Erasmo da Narni, known as Gattamelata, who had died that year, called Donatello to Padua. He spent about ten years there, with a studio near the Santo and several assistants.

  • Será possível contemplá-la?

    De momento, não recebe

    Museu Vitória e Alberto

    Londres, Reino Unido

    Pertence à coleção, mas de momento não está exposta.

    Verificado
    há 12 dias
    Neste estado desde
    25 de set. de 2026
    Fonte
    O museu
    No mapaPágina do museu

    O que mostra

    AngelVirgin and Child

    No catálogo

    EsculturaMármoreRenascimentoSéculo XVFlorença

    Fontes

    • Museu Vitória e Alberto
    • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
    Bas-relief : la Crucifixion, Di Niccolo di Betto Bardi, Donato dit Donatello, Renaissance (Occident)

    Bas-relief : la Crucifixion

    Renaissance (Occident) · Museu do Louvre

    La Vierge adorant l'Enfant, dite Madone Piot, Di Niccolo di Betto Bardi, Donato dit Donatello, 1400 - 1500

    La Vierge adorant l'Enfant, dite Madone Piot

    1400 - 1500 · Museu do Louvre

    Madonna and Child, Donatello and Workshop, c.1420/1425

    Madonna and Child

    c.1420/1425 · Galeria Nacional de Arte

    La Vierge et l'Enfant, Di Niccolo di Betto Bardi, Donato dit Donatello, vers 1445 - 1455

    La Vierge et l'Enfant

    vers 1445 - 1455 · Museu do Louvre

    Ascension with Christ giving the Keys to St Peter, Donatello, ca. 1428-1430

    Ascension with Christ giving the Keys to St Peter

    ca. 1428-1430 · Museu Vitória e Alberto

    Virgin and Child with Four Angels (Chellini Madonna), Donatello, ca. 1450

    Virgin and Child with Four Angels (Chellini Madonna)

    ca. 1450 · Museu Vitória e Alberto

    Flagellation, Crucifixion and Predella (Forzori Altar), Donatello, ca. 1450

    Flagellation, Crucifixion and Predella (Forzori Altar)

    ca. 1450 · Museu Vitória e Alberto

    Lamentation over the Dead Christ, Donatello, ca. 1455-1460

    Lamentation over the Dead Christ

    ca. 1455-1460 · Museu Vitória e Alberto

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    Madonna and Child Enthroned with Saints, Raphael, ca. 1504

    Raphael

    Madona e o Menino Entronados com Santos, ca. 1504

    Museu Metropolitano de Arte

    Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

    Paul Gauguin

    Ia Orana Maria (Ave Maria), 1891

    Museu Metropolitano de Arte

    The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320

    Giotto

    The Adoration of the Magi, possibly ca. 1320

    Museu Metropolitano de Arte

    Díptico da Crucificação e do Último Juízo Final, Jan van Eyck, ca. 1436–38

    Jan van Eyck

    Díptico da Crucificação e do Último Juízo Final, ca. 1436–38

    Museu Metropolitano de Arte

    Heiliger Hieronymus, Caravaggio

    Caravaggio

    Heiliger Hieronymus

    Herzog Anton Ulrich-Museum

    The Holy Family, Elisha Kirkall after Raphael, early 18th century

    Raphael

    The Holy Family, early 18th century

    Não exposta · Galeria Nacional de Arte

    The Vision of Saint Helena, Marcantonio Raimondi possibly after Raphael, 1515-1520

    Raphael

    The Vision of Saint Helena, 1515-1520

    Não exposta · Galeria Nacional de Arte

    Two Sibyls and an Angel, Giovanni Antonio da Brescia, after Raphael, c. 1520s

    Raphael

    Two Sibyls and an Angel, c. 1520s

    Não exposta · Galeria Nacional de Arte