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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Metropolitano de Arte/
  3. Ville-d'Avray
Ville-d'Avray, Camille Corot, 1870
Camille Corot, retratoCamille CorotFrança, 1796–1875

Ville-d'Avray

1870 · Painting

Pormenores

1870 · aos 74 anos
17961875
Número de inventário
87.15.141

Entretanto, na vida de Camille Corot

A vida inteira
  1. 1860s

    An interest in photography

    In the 1860s Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers. The monochrome tones of photographs suppressed his palette even further, making his paintings less dramatic but somewhat more poetic.

  2. 1865–1875

    “Père Corot” of Parisian artists

    In his final ten years Corot became the “Père (Father) Corot” of Parisian artistic circles, regarded with personal affection and acknowledged as one of the five or six greatest landscape painters the world had seen, along with Hobbema, Claude Lorrain, Turner and Constable.

  3. 1871

    The siege of Paris: a donation; the Commune, in Arras

    In 1871, during the Franco-Prussian War, Corot gave 2,000 francs for the poor of Paris, then under siege by the Prussians. During the Paris Commune he was at Arras with Alfred Robaut.

  4. 1872

    A house in Auvers for the blind Daumier

    In 1872 Corot bought a house in Auvers as a gift for Honoré Daumier, who by then was blind, without resources and homeless.

  5. 1872 · Prémio

    Knight of the Order of Leopold

Mais obras de Camille Corot

Todas as obras

Na mesma sala · Gallery 802, Museu Metropolitano de Arte

Página do museu

Sobre o mesmo tema · Mulher

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Museu Metropolitano de Arte

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26 de set. de 2026
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MulherForests

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PinturasÓleoPintura francesaRealismoImpressionismoSéculo XIX

Fontes

  • Museu Metropolitano de Arte
  • Imagem: Museu Metropolitano de Arte — Open Access (CC0)
Hagar in the Wilderness, Camille Corot, 1835

Hagar in the Wilderness

1835 · Museu Metropolitano de Arte

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot, 1836

Diana and Actaeon (Diana Surprised in Her Bath)

1836 · Museu Metropolitano de Arte

Sibylle, Camille Corot, ca. 1870

Sibylle

ca. 1870 · Museu Metropolitano de Arte

Mountainous Landscape, Camille Corot

Mountainous Landscape

Museu Metropolitano de Arte

Paysage., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1632)

Paysage.

2e quart du XIXe siècle (1632) · Museu do Louvre

The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

The Island and Bridge of San Bartolomeo, Rome

1825/1828 · Galeria Nacional de Arte

Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

Italian Peasant Boy

1825/1827 · Galeria Nacional de Arte

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1825 - 1850)

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano.

2e quart du XIXe siècle (1825 - 1850) · Museu do Louvre

Haystacks: Autumn, Jean-François Millet, ca. 1874

Jean François Millet

Haystacks: Autumn, ca. 1874

Hagar in the Wilderness, Camille Corot, 1835

Camille Corot

Hagar in the Wilderness, 1835

The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67

Théodore Rousseau

The Forest in Winter at Sunset, ca. 1846–67

Evening: Landscape with an Aqueduct, Théodore Géricault, 1818

Théodore Géricault

Evening: Landscape with an Aqueduct, 1818

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73

Jean François Millet

Autumn Landscape with a Flock of Turkeys, 1872–73

A Woman Gathering Faggots at Ville-d'Avray, Camille Corot, ca. 1871–74

Camille Corot

A Woman Gathering Faggots at Ville-d'Avray, ca. 1871–74

A Lane through the Trees, Camille Corot, ca. 1870–73

Camille Corot

A Lane through the Trees, ca. 1870–73

The Banks of the Seine at Conflans, Camille Corot, ca. 1865–70

Camille Corot

The Banks of the Seine at Conflans, ca. 1865–70

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Museu Metropolitano de Arte

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Jardim em Sainte-Adresse, 1867

Museu Metropolitano de Arte

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Museu Metropolitano de Arte

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Museu Estatal de Amesterdão

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Jovem com uma jarra de água, ca. 1662

Museu Metropolitano de Arte

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Retrato de uma jovem, ca. 1665–67

Museu Metropolitano de Arte

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Ave Maria), 1891

Museu Metropolitano de Arte

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Museu Metropolitano de Arte