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InícioMapaCatálogo
  1. Coleção/
  2. Musée d’Art moderne et contemporain de Strasbourg/
  3. Versuchung ; Tentation (Traduction)
Versuchung ; Tentation (Traduction), Max Klinger, 1890-1893
Max Klinger, retratoMax KlingerAlemanha, 1857–1920

Versuchung ; Tentation (Traduction)

1890-1893 · Print · 61.3 × 46.3 cm

Será possível contemplá-la?

Desconhecido: o museu guarda silêncio

MDM
Musée d’Art moderne et contemporain de Strasbourg

Estrasburgo, França

O dono é conhecido. Se hoje está exposta, o museu não o diz, e adivinhar não é da nossa competência.

Neste estado desde
5 de out. de 2026
Fonte
Os dados da própria coleção do museu
No mapaPágina do museu

Pormenores

1890-1893
18571920
Número de inventário
55.003.0.66(10)

No catálogo

GravurasImpressionismoSéculo XIXAllemagne

Fontes

  • Musée d’Art moderne et contemporain de Strasbourg: os dados abertos do museu · obtido anteontem
  • Imagem: Musée d’Art moderne et contemporain de Strasbourg — © Nicolas Fussler; Ministère de la Culture (France), base Joconde

Entretanto, na vida de Max Klinger

A vida inteira
  1. 1889

    Invited to exhibit with Les XX

    The members of Les XX (The Twenty) invite Klinger to exhibit his work in their annual winter exhibition in Brussels.

  2. 1889–1893

    Years in Rome

    He settles in Rome and studies the Italian masters: 15th-century artists and works from antiquity are a revelation to him, and he intensifies his studies of anatomy, the nude and the representation of mass and volume — a very productive time. Other accounts say he arrived in Rome already in 1888.

  3. 1891

    Treatise “Painting and Drawing”

    His polemical treatise “Painting and Drawing” (Malerei und Zeichnung), begun in Paris, is published: Klinger asserts a new role for prints and the graphic arts, distinct from painting and best suited to stylistic and conceptual experimentation. The book is a success and appears in Russian in 1908.

  4. 1891

    Elected a full member of the Munich Academy

    He stays in Munich, where he is elected a full member of the Academy of Fine Arts; he then travels to Italy again.

  5. 1892

    A founder of the group “XI”

    He becomes one of the founders of the group “XI”, made up of eleven artists, which opposes the Association of Berlin Artists.

  6. 1894

    A member of the Berlin Academy and a trip to Greece

    He becomes a member of the Royal Academy of Arts in Berlin; the same year he travels via Vienna to Greece and returns through southern Italy to Paris.

Mais obras de Max Klinger

Todas as obras
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Não exposta · Galeria Nacional de Arte

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Museu Estatal de Amesterdão

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstichkabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstichkabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstichkabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstichkabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstichkabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstichkabinett Dresden