Wenceslaus HollarChéquia, Inglaterra, 1607–1677Venus
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Amesterdão, Países Baixos
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- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em holandês
Venus zit in een landschap samen met Amor, nimfen en saters.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-OB-11.219
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Entretanto, na vida de Wenceslaus Hollar
A vida inteira1643–1644
Endures the siege of Basing House with fellow royalist artists
With other royalist artists, notably Inigo Jones and the engraver William Faithorne, he stands the long siege of Basing House; some hundred plates by his hand are dated 1643 and 1644. The Civil War, despite his productivity, adversely affected his income.
1645
Captured by parliamentary forces, he escapes
Hollar joins the Royalist Regiment and is captured by parliamentary forces in 1645 during the siege of Basing House; after a short time he manages to escape.
1646
After Arundel’s death he works for authors and publishers
After the earl’s death in Padua in 1646, Hollar earns his living by working for various authors and publishers, which becomes his primary means of distribution.
1646
Meets Arundel again in Antwerp
In Antwerp in 1646 Hollar again meets the Earl of Arundel, in whose household he had lived for many years.
1646–1652
Works in Antwerp during the Civil Wars
During the unrest of the Civil Wars he works in Antwerp, where he produces many of his most renowned works: Dutch cityscapes, seascapes, depictions of nature, his “muffs” and “shells”.
1652
Returns to London
In 1652 he returns to London and lives for a time with the engraver William Faithorne near Temple Bar.
![Bride, from "Dance of Death", Wenceslaus Hollar, [1651] late 18th century printing](https://images.metmuseum.org/CRDImages/dp/web-large/DP822840.jpg)
