ART WIKI32 979 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Venus and Cupid
Venus and Cupid, John Gibson, ca. 1839
John Gibson, retratoJohn GibsonInglaterra, 1790–1866

Venus and Cupid

ca. 1839 · Relief · 118.7 × 89.5 cm

Sobre a escultura

This marble relief of Venus and Cupid was made by John Gibson, in Britain in about 1839. This may be the Venus and Cupid relief exhibited at the Royal Academy in 1839. However, he is known to have executed more than one version of the subject, and another is housed at the Royal Academy, Burlington House. Gibson spent most of his working life in Rome, and had studied in Canova's studio.

Two versions of Venus and Cupid are listed by Lady Eastlake in her work on Gibson of 1870: one in the ownership of the Marquis of Albercorn and another owned by Howard Galton Esq. of Hadzor (Eastlake 1970, p. 253). The present piece may be one of these. Two versions are in the Royal Academy, one in marble and another in plaster painted so to imitate terracotta.

Continuar a ler

Gibson (1790-1866) was apprenticed to Messrs Franceys, the Liverpool firm of statuaries and later removed to Rome where he received instruction from Canova and Thorwaldsen. Elected A.R.A in 1833 and RA in 1838. He became the leading English sculptor of his generation working in the Neoclassical style and was famous for such works as the Tinted Venus, Pandora, Mars and Cupid and Psyche and Zephers. He also executed public statues and busts. He bequeathed his property on his death to the Royal Academy.

Museu Vitória e Alberto

Pormenores

ca. 1839
17901866
Número de inventário
A.22-1963

Mais obras de John Gibson

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Quiver

Todas as obras sobre o tema

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 13 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

QuiverBowVenusCupid

No catálogo

EsculturaMármoreRomantismoSéculo XIXInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Pandora, John Gibson, 1856

Pandora

1856 · Museu Vitória e Alberto

Ecorché study of a horse, John Gibson, ca. 1815

Ecorché study of a horse

ca. 1815 · Não exposta · Museu Vitória e Alberto

Half-length anatomical study of a man, drawn from a dissected corpse, John Gibson, ca.1815

Half-length anatomical study of a man, drawn from a dissected corpse

ca.1815 · Não exposta · Museu Vitória e Alberto

Helen of Troy, John Gibson, ca. 1825-1830

Helen of Troy

ca. 1825-1830 · Não exposta · Museu Vitória e Alberto

Cupid Disguised as a Shepherd, John Gibson, c. 1840

Cupid Disguised as a Shepherd

c. 1840 · Não exposta · Harvard Art Museums

Grazia, John Gibson, 1843

Grazia

1843 · Não exposta · Museu Vitória e Alberto

Drawing, John Gibson, Feb 1849

Drawing

Feb 1849 · Não exposta · Museu Vitória e Alberto

Portret van een vrouw, staand bij een stoel, John Gibson, 1860 - 1880

Portret van een vrouw, staand bij een stoel

1860 - 1880 · Museu Estatal de Amesterdão

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), Cornelis Galle I after Sir Peter Paul Rubens, 1645

Peter Paul Rubens

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), 1645

Não exposta · Galeria Nacional de Arte

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), Cornelis Galle I after Sir Peter Paul Rubens, 1645

Peter Paul Rubens

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), 1645

Não exposta · Galeria Nacional de Arte

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), Cornelis Galle I after Sir Peter Paul Rubens, 1645

Peter Paul Rubens

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I), 1645

Não exposta · Galeria Nacional de Arte

The Archery Contest, François Boucher, 1765

Francois Boucher

The Archery Contest, 1765

Não exposta · Galeria Nacional de Arte

Pijlenkoker en boog, anonymous, 1746 - 1775

anonymous

Pijlenkoker en boog, 1746 - 1775

Museu Estatal de Amesterdão

Vaas op voetstuk met gezicht, anonymous, 1744 - 1788

anonymous

Vaas op voetstuk met gezicht, 1744 - 1788

Museu Estatal de Amesterdão

Trofeeën, anonymous, 1751 - 1798

anonymous

Trofeeën, 1751 - 1798

Museu Estatal de Amesterdão

Fries met pijlenkoker, Sébastien Leclerc, in or before 1664

Sébastien Leclerc

Fries met pijlenkoker, in or before 1664

Museu Estatal de Amesterdão