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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Uur van de Dood
Uur van de Dood, Ferdinand Bol, 1642 - 1644
Ferdinand Bol, retratoFerdinand BolPaíses Baixos, 1616–1680

Uur van de Dood

1642 - 1644 · Print

Sobre a obra

Nas palavras do museu — em holandês

Hoveling trekt zich terug voor bezinning in de tuin van het paleis. Het skelet van de Dood zit naast hem. Een courtisane probeert hem te verleiden maar hij geeft niet toe aan aardse lusten. Hij bekeert haar tot een kuise levenswijze.

Museu Estatal de Amesterdão

Pormenores

1642 - 1644
16161680
Número de inventário
RP-P-OB-190

Entretanto, na vida de Ferdinand Bol

A vida inteira
  1. after 1635

    Apprenticed in Rembrandt's workshop

    After December 1635, when Bol is still recorded in Dordrecht as a painter, he works as an apprentice in Rembrandt's Amsterdam workshop (other accounts say already after 1630) and lives in his house. He followed his master so closely that many of his paintings were long attributed to Rembrandt himself, and Rembrandt even sold his pupil's work.

  2. 1636–1641

    Teacher: Rembrandt

  3. 1636–1680 · Local de trabalho

    Amsterdam

  4. 1641

    Opens his own studio

    After his father's death, Bol opens his own studio and establishes himself as an independent artist.

  5. 1641

    Pupil: Cornelis Bisschop

  6. 1641

    Death of his father, Balthasar Bol

    Balthasar Bol, chief surgeon of Dordrecht, dies; Rembrandt had painted his portrait when he came to Amsterdam to visit his son.

Mais obras de Ferdinand Bol

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Death as skeleton

Todas as obras sobre o tema

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

O que mostra

Death as skeleton

No catálogo

GravurasBarrocoSéculo XVII

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain
Aeneas Crowning Cloanthus, Ferdinand Bol, c. 1661 - c. 1663

Aeneas Crowning Cloanthus

c. 1661 - c. 1663 · Museu Estatal de Amesterdão

Consul Titus Manlius Torquatus Orders the Beheading of his Son, Ferdinand Bol, 1661 - 1663

Consul Titus Manlius Torquatus Orders the Beheading of his Son

1661 - 1663 · Museu Estatal de Amesterdão

Self-Portrait, Ferdinand Bol, c. 1669

Self-Portrait

c. 1669 · Museu Estatal de Amesterdão

Rébecca et Eliézer au puits, Bol, Ferdinand, XVIIe siècle (1600 - 1700)

Rébecca et Eliézer au puits

XVIIe siècle (1600 - 1700) · Museu do Louvre

Portrait of a Young Man (Walich Schellingwou ? ), Ferdinand Bol, 1641

Portrait of a Young Man (Walich Schellingwou ? )

1641 · Hermitage

Portrait of an Old Woman with a Book, Ferdinand Bol, 1651

Portrait of an Old Woman with a Book

1651 · Hermitage

Esther and Mordecai, Ferdinand Bol, 1654

Esther and Mordecai

1654 · Hermitage

Enfants nobles (de la famille Trip?) dans un char traîné par des chèvres, Bol, Ferdinand, Milieu du XVIIe siècle (1654)

Enfants nobles (de la famille Trip?) dans un char traîné par des chèvres

Milieu du XVIIe siècle (1654) · Museu do Louvre

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Skelet bij een naakt vrouwenfiguur, Odilon Redon, 1896

Odilon Redon

Skelet bij een naakt vrouwenfiguur, 1896

Museu Estatal de Amesterdão

Magere Hein, Ernst Barlach, 1880 - 1938

Ernst Barlach

Magere Hein, 1880 - 1938

Museu Estatal de Amesterdão

Liefde, dood en daar voorbij, Max Klinger, 1879 - 1881

Max Klinger

Liefde, dood en daar voorbij, 1879 - 1881

Museu Estatal de Amesterdão

Ex libris van Emil Petrovits, anonymous, 1850 - 1950

anonymous

Ex libris van Emil Petrovits, 1850 - 1950

Museu Estatal de Amesterdão

Minnend paar en de Dood, anonymous, 1540 - 1567

anonymous

Minnend paar en de Dood, 1540 - 1567

Museu Estatal de Amesterdão

Trap des Ouderdoms, anonymous, 1612 - 1652

anonymous

Trap des Ouderdoms, 1612 - 1652

Museu Estatal de Amesterdão

Ex libris van I.M. Lombardo, anonymous, 1930 - 1950

anonymous

Ex libris van I.M. Lombardo, 1930 - 1950

Museu Estatal de Amesterdão

Ex libris van Thérèse Virard, anonymous, 1947

anonymous

Ex libris van Thérèse Virard, 1947

Museu Estatal de Amesterdão