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  3. Two Singers
Two Singers, Honoré-Victorin Daumier, c. 1850-c. 1860
Honoré Daumier, retratoHonoré DaumierFrança, 1808–1879

Two Singers

c. 1850-c. 1860 · Painting

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Harvard Art Museums

Cambridge, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

c. 1850-c. 1860
18081879
Número de inventário
1957.205

No catálogo

PinturasÓleoPintura francesaRealismoSéculo XIXFrança

Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College

Entretanto, na vida de Honoré Daumier

A vida inteira
  1. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  2. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  3. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

  4. from 1853

    Summer Trips to Valmondois and Barbizon

    From about 1853 Daumier spent the summer months in Valmondois and Barbizon, where Corot, Daubigny, Millet, and Rousseau were working, deepening his friendships with the artists of the Barbizon school.

  5. 1858

    Serious Illness

    In 1858 Daumier suffered a serious illness.

  6. 1860

    Le Charivari Dropped His Caricatures

    After thirty years of continuous work, the popularity of Daumier's caricatures declined, and in 1860 Le Charivari dismissed him from its staff. Years of hardship followed, but also of free time for painting — a period of great productivity and artistic growth.

Mais obras de Honoré Daumier

Todas as obras
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Museu Metropolitano de Arte

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Vizinhas de sala: Harvard Art Museums

Página do museu
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Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

Dwarpalika (Temple Guardian), 2023

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Bingyi 冰逸

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE