Jacques CallotFrança, 1592–1635Twee zittende mannen
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Amesterdão, Países Baixos
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- O museu
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Nas palavras do museu — em holandês
Links een heer gezeten op een stoel, op de rechterzijde gezien. Rechts een man gezeten op een kist of muurtje, schrijvend, van voren gezien. Beiden dragen een hoed. Deze prent is onderdeel van een serie van 48 prenten (50 incl. titelblad en dedicatieblad) met diverse onderwerpen (o.a. mannen en vrouwen in verschillende houdingen, landschappen, gebouwen en festiviteiten in Florence). Mogelijk zijn deze prenten bedoeld geweest als tekenvoorbeelden.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-OB-21.040
O que mostra
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Jacques Callot
A vida inteira1611–1621 · Local de trabalho
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Local de trabalho
Nancy
