Rembrandt van RijnPaíses Baixos, 1606–1669Twee bedelaars
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Amesterdão, Países Baixos
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- O museu
Sobre a obra
Rembrandt’s rapid progress as a printmaker is easy to see in this group of poor wretches. The seated woman is still somewhat crudely executed, but the beggar woman with a gourd and her male companion already testify to greater mastery of the technique. The little prints of a man and a woman are etched in the finer style that Rembrandt was to develop later.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-OB-235
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Rembrandt van Rijn
A vida inteira1625–1631 · Local de trabalho
Leiden
1627
Own Studio with Jan Lievens
Returning to Leiden in 1627, Rembrandt opened his own studio together with Jan Lievens and began taking on pupils. Within a few years he had gained wide renown.
14 de janeiro de 1628 – 1631
Pupil: Gerrit Dou
1629
Meeting Constantijn Huygens
In 1629 the artist was noticed by the poet and patron Constantijn Huygens, secretary to the Prince of Orange. He helped Rembrandt connect with wealthy clients and commissioned religious paintings for the Prince of Orange.
1629–1631
Pupil: Isaac de Jouderville
1631–1669 · Local de trabalho
Amsterdam
