Utagawa HiroshigeJapão, 1797–1858Tonosawa in Hakone
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Amesterdão, Países Baixos
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- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em holandês
Gezicht op een herberg aan een rivier waarover een brug; bergen tegen een blauwe lucht op de achtergrond. Tonosawa is van oudsher een plek die wordt bezocht vanwege de vele heet water bronnen (onsen).
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-1956-714
O que mostra
No catálogo
Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Utagawa Hiroshige
A vida inteira1856
He becomes a Buddhist monk
In 1856 Hiroshige “retired from the world”, becoming a Buddhist monk; this was the year he began his “One Hundred Famous Views of Edo”.
1856
Luxury editions with the publisher Uoya Eikichi
Working with the publisher Uoya Eikichi, Hiroshige created a series of luxury edition prints using the finest printing techniques: true gradation of color, mica for an iridescent effect, embossing, fabric printing, blind printing and glue printing.
1856–1858
One Hundred Views of Edo: a priest pays up front
His great “One Hundred Famous Views of Edo” was paid for up front by a wealthy Buddhist priest in love with the daughter of the publisher Uoya Eikichi, a former fishmonger. Hiroshige was usually poorly paid per series, yet he remained capable of remarkable art when the conditions were right.
![Shinano Province, Moon Reflected in the Sarashina Paddy-fields, Mount Kyōdai (Shinano, Sarashina tagoto no tsuki, Kyōdaisan), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue), Utagawa Hiroshige 歌川広重, Edo period, 1853 (Kaei 6, 8th month)](https://nrs.harvard.edu/urn-3:HUAM:CARP04802_dynmc/full/!2400,2400/0/default.jpg)
