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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Title from caption on object: “Friendship”
Title from caption on object: “Friendship”, Horst Faas, March 31, 1967
Horst Faas, retratoHorst FaasAlemanha, 1933–2012

Title from caption on object: “Friendship”

March 31, 1967 · Photograph

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

March 31, 1967 · aos 34 anos
19332012
Número de inventário
2018.177.575

O que mostra

MorteWarSoldiersCombatHomemHistóriaVietnamPress

No catálogo

FotografiasProva de gelatina e prataArte do pós-guerraSéculo XXGerman

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Mais obras de Horst Faas

Todas as obras
Title from caption on object: “Body of a Child...”, Horst Faas, March 19, 1964

Title from caption on object: “Body of a Child...”

March 19, 1964 · Não exposta · Galeria Nacional de Arte

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon, Horst Faas, December 1969

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon

December 1969 · Não exposta · Art Institute of Chicago

"Aftermath of Vietcong Massacre", Horst Faas, December 12, 1969

"Aftermath of Vietcong Massacre"

December 12, 1969 · Não exposta · Museu de Arte Moderna

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center, Horst Faas, March 2, 1971

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center

March 2, 1971 · Não exposta · Art Institute of Chicago

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades, Horst Faas, September 28, 1971

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades

September 28, 1971 · Não exposta · Art Institute of Chicago

Title from caption on object: “The Shipbreakers”, Horst Faas, 1972

Title from caption on object: “The Shipbreakers”

1972 · Não exposta · Galeria Nacional de Arte

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik, Horst Faas, December 30, 1973

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik

December 30, 1973 · Não exposta · Art Institute of Chicago

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”, Horst Faas, October 30, 1974

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”

October 30, 1974 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Morte

Todas as obras sobre o tema
Salomé, Pablo Picasso, 1905, published 1913

Pablo Picasso

Salomé, 1905, published 1913

Não exposta · Galeria Nacional de Arte

Dying Horse (Cheval mourant), Pablo Picasso, 1931

Pablo Picasso

Dying Horse (Cheval mourant), 1931

Não exposta · Galeria Nacional de Arte

The Death of Harlequin, Pablo Picasso, 1905/1906

Pablo Picasso

The Death of Harlequin, 1905/1906

Não exposta · Galeria Nacional de Arte

Dream and Lie of Franco, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco, 1937

Não exposta · Galeria Nacional de Arte

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Não exposta · Galeria Nacional de Arte

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Não exposta · Galeria Nacional de Arte

Massacre of the Innocents (With the Fir Tree), Marcantonio Raimondi, c. 1511–12

Raphael

Massacre of the Innocents (With the Fir Tree), c. 1511–12

Não exposta · Museu de Arte de Cleveland

David Slaying Goliath, Ugo da Carpi after Raphael, c. 1520

Raphael

David Slaying Goliath, c. 1520

Não exposta · Galeria Nacional de Arte