Jacques CallotFrança, 1592–1635Tien Europese munten
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Amesterdão, Países Baixos
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- Fonte
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Sobre a obra
Nas palavras do museu — em holandês
Tien Europese munten, in twee kolommen van vijf afgebeeld. Deze prent is onderdeel van een serie van tien prenten met voorstellingen van munten die tussen 1522 en 1629 in omloop gebracht zijn in Europa, voornamelijk in Duitsland en Italië. Van elke munt zijn de voor- en achterzijde naast elkaar weergegeven, verbonden door een cartouche met de letters AR (argentum - zilver) of AV (aureum - goud). De zilveren munten beslaan de eerste negen bladen en een deel van het tiende blad, dat verder voornamelijk gouden munten toont.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-OB-20.845
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Jacques Callot
A vida inteira1621–1635 · Local de trabalho
Nancy
1627
In the Netherlands at Infanta Isabella’s invitation
At the invitation of the Infanta Isabella Callot visits the Netherlands; views of Holland, like those of Italy and France, and characteristic portraits of soldiers, circus performers and actors are reflected in his work.
1627
Van Dyck paints his portrait in Brussels
In Brussels Callot meets Anthony van Dyck, who paints his portrait; it is later engraved by Lucas Vorsterman and enters the famous “Iconography”.
1627 · Local de trabalho
Breda
1627
Meets Honthorst in Utrecht
In Utrecht Callot meets the Caravaggist G. van Honthorst, one of the main representatives of the school of the Utrecht Caravaggisti.
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
