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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Three struggling figures
Three struggling figures, Alfred George Stevens, ca. 1844
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Three struggling figures

ca. 1844 · Group

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Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
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Sobre a escultura

This composition of three struggling figures was conceived by Stevens in about 1844, although the purpose, or indeed exact subject, remains unknown. The plaster from which this bronze was cast in about 1912 was given to the Museum in 1912 by the artist Charles Ricketts (1866-1931). Various titles have been proposed for the composition, including The Massacre of the Innocents, but it is possible that Stevens, like Auguste Rodin after him, favoured experimenting with dynamic groups, which were not always related to a particular subject, or with a specific context in mind. Stevens is the best represented British sculptor in the V&A's collection, and one of the leading figures in nineteenth-century design and art in Britain. This group vividly demonstrates his sense of the human body and the integral power of the composition, regardless of subject. Its unfinished quality is perhaps especially appealing to twenty-first century viewers.

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A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Museu Vitória e Alberto

Pormenores

ca. 1844
18171875
Número de inventário
A.13-1975

No catálogo

EsculturaBronzeRomantismoRealismoSéculo XIXInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Mais obras de Alfred Stevens

Todas as obras
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museu Vitória e Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museu Vitória e Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Não exposta · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Não exposta · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
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Red Flow, 2024

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3D replica of Michelangelo's Prisoner (4117-1854), 2024

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Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024