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  1. Coleção/
  2. Harvard Art Museums/
  3. Thomas Hancock (1703-1764)
Thomas Hancock (1703-1764), John Singleton Copley, 1764-1766
John Singleton Copley, retratoJohn Singleton CopleyEstados Unidos, 1738–1815

Thomas Hancock (1703-1764)

1764-1766 · Painting

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Harvard Art Museums

Cambridge, Estados Unidos

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Verificado
há 3 dias
Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1764-1766
17381815
Número de inventário
H22

No catálogo

PinturasÓleoPintura norte-americanaRococóNeoclassicismoSéculo XVIIIEstados Unidos

Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College

Entretanto, na vida de John Singleton Copley

A vida inteira
  1. 1753–1774 · Local de trabalho

    Boston

  2. 1760s

    A needy tobacconist’s son among Boston’s elite

    The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.

  3. 1766

    “A Boy with a Flying Squirrel” at the London exhibition

    The exhibition of 1766 establishes Copley’s fame in England. Joshua Reynolds speaks warmly of the picture, saying that with a proper artistic education Copley could become a master of world stature.

  4. 4 August 1766

    West urges Copley to study in Europe

    By one account, on receiving the picture without the painter’s name West exclaimed that its colouring was worthy of Titian, and he got it into the exhibition; on 4 August he writes to Copley of Reynolds’s interest and advises a visit to Europe of three or four years. In October and November Copley gladly agrees to send more pictures but laments that no portrait worthy of the name of a picture has been brought to Boston within his memory.

  5. 3 September 1766

    Elected to the Society of Artists of Great Britain

    By vote of 3 September 1766, “A Boy with a Flying Squirrel” makes the young Boston painter a Fellow of the Society of Artists of Great Britain.

  6. 17 June 1768

    Explains to West why he is not yet coming to Europe

    Copley writes that he would go only with a very good prospect of doing as well there as at home: his present income of 300 guineas a year is a fair living in America, and his mother and young brother depend on him. West replies on 20 September that he has talked over Copley’s prospects with London artists, who agree that he has nothing to hazard.

Mais obras de John Singleton Copley

Todas as obras
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Museu Metropolitano de Arte

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · Galeria Nacional de Arte

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · Galeria Nacional de Arte

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · Galeria Nacional de Arte

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Instituto de Artes de Minneapolis

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Museu Metropolitano de Arte

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · Galeria Nacional de Arte

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Museu Metropolitano de Arte

Vizinhas de sala: Harvard Art Museums

Página do museu
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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE