The White Horse Tavern, Théodore Géricault, 1821-1822
Théodore Géricault, retratoThéodore GéricaultFrança, 1791–1824

The White Horse Tavern

1821-1822 · Painting

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Onde está «The White Horse Tavern» hoje? Harvard Art Museums, Gallery 2200, floor 2, European and American Art, 17th–19th century, Cambridge. Sim, exposta agora. Verificado 29 de setembro de 2026.

Harvard Art Museums

Cambridge, Estados Unidos

Sala2200, floor 2, European and American Art, 17th–19th century

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Discouraged by what he believed to be the conservative tastes of the French art establishment, Géricault traveled to England and exhibited his work in London in 1820–21. Received with critical acclaim, he engaged with the local manner, which included an embrace of naturalistic compositions and a more muted palette. Here he depicts a weary uniformed postman receiving a drink from a waiter outside a roadside inn. He focuses attention on the horses, contrasting their detailed muscular frames with the summarily rendered figures and landscape. The inn’s sign, which translates as “White Horse” even though a black one is illustrated, locates the scene in France, possibly outside Paris, explicitly alluding to Géricault’s mingling of British painting conventions and a French context.

Harvard Art Museums

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Número de inventário
1943.244

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Fontes

Na vida de Théodore Géricault

A vida inteira
  1. c. 1818 – 1819

    Delacroix poses for a dying figure

    The painter Eugène Delacroix posed for one of the dying figures in “The Raft of the Medusa”.

  2. 1819

    “The Raft of the Medusa” sparks a political controversy at the Salon

    When first exhibited at the Paris Salon of 1819, “The Raft of the Medusa” ignited political controversy: it indicted a corrupt establishment, in which the captain had left the crew and passengers to die, but also dramatized the eternal struggle of man against nature.

  3. 12 June – 30 December 1820

    London: 50,000 visitors and 20,000 francs

    The entrepreneur Bullock exhibited “The Raft of the Medusa” in London from 12 June to 30 December 1820; about 50,000 people saw it, critics called it a masterpiece, and its author was compared to Michelangelo and Caravaggio. Géricault was entitled to a third of the ticket receipts and received 20,000 francs.

  4. 1821–1824

    Illness and falls from horses after his return from England

    After returning to Paris from England Géricault was often ill, and his condition was made worse by several falls during horseback rides.

  5. 1824

    Tuberculosis and a long period of suffering before his death

    Weakened by riding accidents and a chronic tubercular infection, Géricault died in Paris in 1824 after a long period of suffering.

  6. 26 de janeiro de 1824

    Died

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Na mesma sala · Gallery 2200, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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