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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. The Wagnerites
The Wagnerites, Aubrey Beardsley, May 1893-June 1894
Aubrey Beardsley, retratoAubrey BeardsleyReino Unido, 1872–1898

The Wagnerites

May 1893-June 1894 · Drawing · 20.6 × 17.7 cm

Pormenores

May 1893-June 1894
18721898
Número de inventário
E.136-1932

Entretanto, na vida de Aubrey Beardsley

A vida inteira
  1. 1891

    Decides to become an artist

    In 1891, on the advice of Edward Burne-Jones and Pierre Puvis de Chavannes, Beardsley resolved to make art his profession. Burne-Jones introduced him to Oscar Wilde and advised him to study medieval illumination.

  2. 1892

    Trip to Paris

    In 1892 Beardsley travelled to Paris, where he discovered the posters of Henri de Toulouse-Lautrec and the Parisian fashion for Japanese prints.

  3. 1894

    Art editor of The Yellow Book

    In 1894 Beardsley, together with the American writer Henry Harland, became art editor of The Yellow Book; for its first four issues he produced the covers and many illustrations.

  4. 1894–1896

    His health sharply declines

    Between 1894 and 1896, at the height of his success, his health sharply deteriorated. “I know my illness is incurable,” he wrote to Raffalovich, “but I am sure measures can be taken to slow its course.”

  5. April 1895

    Wilde's arrest costs him The Yellow Book

    When Oscar Wilde was arrested in April 1895, a journalist mistakenly wrote that he had taken “the yellow book” to prison rather than simply a yellow-covered book. For Victorian England that was enough: Beardsley lost his place at the magazine and his livelihood.

Mais obras de Aubrey Beardsley

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Opera house

Todas as obras sobre o tema

December 1896

A violent haemorrhage

In December 1896 Beardsley suffered a violent haemorrhage, which left his health precarious.

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
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O que mostra

Opera houseHomemMulherCoiffure

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Desenhos e aguarelasPenaImpressionismoSéculo XIXLondres

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Caricature of J.M. Whistler, Aubrey Beardsley

Caricature of J.M. Whistler

Não exposta · Galeria Nacional de Arte

Withered Spring, Aubrey Beardsley

Withered Spring

Não exposta · Galeria Nacional de Arte

Tannhäuser, Aubrey Beardsley

Tannhäuser

Não exposta · Galeria Nacional de Arte

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz, Aubrey Beardsley

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz

Albertina

In einen Umhang gehüllter alter Mann, den Erdball gießend, Aubrey Beardsley

In einen Umhang gehüllter alter Mann, den Erdball gießend

Albertina

Zwei bacchantische Hexen mit ihren Opfern, Aubrey Beardsley

Zwei bacchantische Hexen mit ihren Opfern

Albertina

CHILDREN'S BOOKS., Aubrey Beardsley, 1894

CHILDREN'S BOOKS.

1894 · Albertina

Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894

Caprice. Verso: Masked Woman with a White Mouse

1894 · National Gallery

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Semperoper, Dresden, anonymous, 1880 - 1895

anonymous

Semperoper, Dresden, 1880 - 1895

Museu Estatal de Amesterdão

Spotprent op de weigering van mr. Raguenot om in de opera La Juive te spelen, 1838, anonymous, 1838

anonymous

Spotprent op de weigering van mr. Raguenot om in de opera La Juive te spelen, 1838, 1838

Museu Estatal de Amesterdão

Voorgevel van de Opéra in Parijs, anonymous, c. 1870

anonymous

Voorgevel van de Opéra in Parijs, c. 1870

Museu Estatal de Amesterdão

Exterieur van de Opéra Garnier te Parijs, anonymous, 1875 - 1900

anonymous

Exterieur van de Opéra Garnier te Parijs, 1875 - 1900

Museu Estatal de Amesterdão

Gezicht op de Opéra de Paris te Parijs, anonymous, 1860 - 1890

anonymous

Gezicht op de Opéra de Paris te Parijs, 1860 - 1890

Museu Estatal de Amesterdão

Paris. Place de l'Opéra, anonymous, 1892 - 1902

anonymous

Paris. Place de l'Opéra, 1892 - 1902

Museu Estatal de Amesterdão

Stockholm. Kungl. Operan, anonymous, 1905 - c. 1930

anonymous

Stockholm. Kungl. Operan, 1905 - c. 1930

Museu Estatal de Amesterdão

Façade van de Opéra Garnier, Parijs, anonymous, c. 1928 - in or before 1933

anonymous

Façade van de Opéra Garnier, Parijs, c. 1928 - in or before 1933

Museu Estatal de Amesterdão